For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lisa Schwarzbaum
There's something and nothing for everyone in Conan the Barbarian 3D.- Entertainment Weekly
- Posted Aug 17, 2011
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Reviewed by
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- Entertainment Weekly
- Posted Aug 17, 2011
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Reviewed by
Lisa Schwarzbaum
In Final Destination 5, Death makes the point yet again that it will not be cheated. And happily for those of us who enjoy the FD series' grotesquely clever premise beyond reason, unfortunate folks still refuse to pay attention, with inventively dire consequences.- Entertainment Weekly
- Posted Aug 12, 2011
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Reviewed by
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Reviewed by
Lisa Schwarzbaum
As for the concert itself, it's a generically big, loud, overchoreographed, over-mic'ed, post-Madonna production.- Entertainment Weekly
- Posted Aug 12, 2011
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Reviewed by
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Reviewed by
Lisa Schwarzbaum
With exemplary use of archival footage, director Asif Kapadia expertly contrasts episodes of adrenaline-rush speed with moments of reflective slow motion to capture the addictive thrill and danger of the sport, as well as the personal values of the humble, spiritual sportsman.- Entertainment Weekly
- Posted Aug 10, 2011
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Reviewed by
Owen Gleiberman
El Bulli becomes a haunting celebration of the human desire to turn food into art - even if the results are consciously insane.- Entertainment Weekly
- Posted Aug 10, 2011
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Reviewed by
Lisa Schwarzbaum
There's nothing nice about 30 Minutes or Less. It's got no redeeming social value. It just ticks away, exploding all notions of where you think it's going to go. It blew me sideways.- Entertainment Weekly
- Posted Aug 10, 2011
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Reviewed by
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- Entertainment Weekly
- Posted Aug 10, 2011
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Reviewed by
Lisa Schwarzbaum
This enveloping dream of an epic narrative experiment comes from the great Chilean-born, France-based filmmaker Raúl Ruiz (Time Regained).- Entertainment Weekly
- Posted Aug 4, 2011
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Reviewed by
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Reviewed by
Owen Gleiberman
It's like seeing the birth of the '60s, with great moments (including Neal Cassady doing speed-freak monologues).- Entertainment Weekly
- Posted Aug 4, 2011
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Reviewed by
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Reviewed by
Owen Gleiberman
Bellflower is stylishly watchable - even when it's preposterous.- Entertainment Weekly
- Posted Aug 4, 2011
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Reviewed by
Owen Gleiberman
Rarely has a movie captured the obscene violence of sex trafficking with such unvarnished grubbiness. In the end, though, The Whistleblower is a corporate thriller.- Entertainment Weekly
- Posted Aug 3, 2011
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Reviewed by
Lisa Schwarzbaum
As she did in her striking 2005 debut, "Me and You and Everyone We Know," July creates a fluid cinematic universe.- Entertainment Weekly
- Posted Aug 3, 2011
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Reviewed by
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Reviewed by
Lisa Schwarzbaum
Soon enough it's back to stale jokes about spousal date nights.- Entertainment Weekly
- Posted Aug 3, 2011
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Reviewed by
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Reviewed by
Owen Gleiberman
The movie is zippier than Tim Burton's oddly lifeless 2001 "Planet of the Apes" remake, but unlike good sci-fi, it doesn't signify anything, or really even try to.- Entertainment Weekly
- Posted Aug 3, 2011
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Reviewed by
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- Entertainment Weekly
- Posted Jul 27, 2011
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Reviewed by
Owen Gleiberman
In this offbeat buddy-cop comedy, Don Cheadle, as an FBI agent trying to stop a drug ring, makes the perfect foil.- Entertainment Weekly
- Posted Jul 27, 2011
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Reviewed by
Owen Gleiberman
I'm not sure what it all adds up to, but The Devil's Double puts its hooks in you and keeps them there.- Entertainment Weekly
- Posted Jul 27, 2011
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Reviewed by
Keith Staskiewicz
There could be a few more scares and laughs, but it's a blast to be drawn into this urban ecosystem that is, to us Yanks, itself a bit alien.- Entertainment Weekly
- Posted Jul 27, 2011
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Reviewed by
Keith Staskiewicz
The Smurfs may be blue, but their movie is decidedly green, recycling discarded bits from other celluloid Happy Meals like "Alvin and the Chipmunks," "Garfield," and "Hop" into something half animated, half live action, and all careful studio calculation.- Entertainment Weekly
- Posted Jul 27, 2011
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Reviewed by
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Reviewed by
Owen Gleiberman
Nothing more (or less) than an enchanting light comedy of romantic confusion... It's a movie that understands love because it understands pain.- Entertainment Weekly
- Posted Jul 27, 2011
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Reviewed by
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Reviewed by
Owen Gleiberman
Cowboys & Aliens has fun moments, but it's a plodding entertainment because it mostly tastes like leftovers.- Entertainment Weekly
- Posted Jul 27, 2011
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Reviewed by
Owen Gleiberman
I'm not exactly sure this is a situation that a lot of people are going to identify with. More to the point, it gives the movie a faulty design. Dylan and Jamie sleep together and get along famously. Where's the dramatic motor?- Entertainment Weekly
- Posted Jul 21, 2011
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Reviewed by
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Reviewed by
Owen Gleiberman
It's one of those stultifying aftermath-of-
a-car-crash movies.- Entertainment Weekly
- Posted Jul 20, 2011
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Reviewed by
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Reviewed by
Owen Gleiberman
The Holocaust scenes are wrenching, the past-meets-present dialectics less so.- Entertainment Weekly
- Posted Jul 20, 2011
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Reviewed by
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Reviewed by
Keith Staskiewicz
Fischer's performance is sweet and subtle, but the film can be so understated in tone and plot that it's hard to tell if it's actually saying anything.- Entertainment Weekly
- Posted Jul 20, 2011
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Reviewed by
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Reviewed by
Owen Gleiberman
A symbol of the lost father, it looms, protects, and also wreaks havoc when a big branch collapses onto the house. Mostly, it's the expression of a movie that's content to stand still.- Entertainment Weekly
- Posted Jul 20, 2011
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Reviewed by
Owen Gleiberman
The Myth of the American Sleepover has fresh, lovely moments, but it could have used more psychological heft.- Entertainment Weekly
- Posted Jul 20, 2011
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Reviewed by
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Reviewed by
Owen Gleiberman
Stolidly corny, old-fashioned pulp fun.- Entertainment Weekly
- Posted Jul 20, 2011
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Reviewed by
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Reviewed by
Keith Staskiewicz
Sadly, rather than melding the best of two worlds, the film only takes the worst of their soap operas.- Entertainment Weekly
- Posted Jul 16, 2011
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