Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Even a filmmaker as dazzling as Steven Spielberg has to create characters who lure us into their point of view, and the trouble with Tintin is that we're always on the outside, looking in. What all that motion can't capture is our hearts.
  2. A needlessly frenzied, pseudo-raunch comedy that whips up a whole lot of R-rated antics only to arrive at crunchy PG-13 lessons in love and tolerance.
  3. The movie is creepy, but it has no texture or depth. It's like "The Omen" directed by Miranda July.
  4. A puzzle of a highly rarefied order. At times it's enthrallingly clever and subtle; at others it's borderline incomprehensible.
  5. With its warring factions, citizen uprisings, guerrilla insurgencies, political intrigue, bloody warfare, family tensions, and homoerotic subtext, Coriolanus is one of the year's best political thrillers.
  6. New Year's Eve is dunderheaded kitsch, but it's the kind of marzipan movie that can sweetly soak up a holiday evening.
  7. Young Adult bumps along with nasty swerves, middle finger proudly in the air, toward an ending blessedly free of anything warm, fuzzy, or optimistic. Now that's adult entertainment.
  8. Intelligent conversation about the interplay of erotic and destructive urges takes place over cups of tea in fine bone china. Yet the movie is a radically modern story about sex.
  9. The biggest surprise in Shame is how distanced, passionless, and merely skin-deep the director's attention is - how little he cares about the subject of his own movie.
  10. Oren Moverman's Rampart is a terrific film: tense, shocking, complex, mesmerizing.
  11. Days after I saw The Artist, I was still thinking (and grinning) about it, because the movie's real romance is the one between us, the jaded 21st-century audience, and the mechanical innocence of old movies, which here becomes new again.
  12. Michelle Williams plays Monroe, and she's a wonder. Working opposite a suitably florid Kenneth Branagh as that high thespian Sir Larry.
  13. The resulting adventure, like most of Aardman's work (Chicken Run, Flushed Away), is more clever than outright funny, but it's also genuinely sweet, and the complicated relations among Santa's clan are surprisingly believable.
  14. Hugo both ticks and flies by, a marvel meant to be pulled from the cabinet and enjoyed again and again.
  15. For kids, blessedly unironic by nature until wised up by nurture, the movie is just shiny, funny, and filled with songs.
  16. What we learn in this all-pain/no-pleasure episode is that marriage feels like a life sentence, weddings are miserable events, honeymoon sex is dangerous and leaves a bride covered in bruises, and pregnancy is a torment that leads to death in exchange for birth.
  17. The startling power of Tomboy, a beautiful, matter-of-fact French drama about a young girl who wants to be a boy - and for one singular summer around her 10th birthday passes as one - begins with the one-of-a-kind natural performance by Zoé Héran as Laure.
  18. As the groom's brassy-babe stepmother, Demi Moore does her own share of scenery chewing, but at least she looks like she's having fun.
  19. Earnest messages about bad climate change and good parenting skills have been replaced by a we-all-share-a-planet sense of fun that's more "Finding Nemo" than National Geographic.
  20. Another beautifully chiseled piece of filmmaking - sharp, funny, generous, and moving.
  21. What saves Immortals as a moviegoing experience is the exuberant, kid-in-a-candy-store virtuosity of its director, former music-video wunderkind Tarsem Singh (The Cell).
  22. In one form or another, you get exactly what you pay for at an Adam Sandler comedy. Otherwise the man wouldn't have earned zillions.
  23. The film has the same moral design as "Dead Man Walking," but since it never gets inside the darkness of the killers' minds, it's really just a rambling episode of "A Current Affair."
  24. The pace is quick, the violence is rough, and the visual style is documentary as Padilha hammers home his point: Someone is forever in the pocket of someone else as The System constantly adapts to protect itself.
  25. DiCaprio does more than disappear behind steely glasses and prosthetic old-age makeup. He transforms himself, in a feat of acting, from the inside out.
  26. Merrily outrageous, over-the-top fun.
  27. The setting is somewhere between a post-WWII Brigadoon and the environs of Marcel Carn classic "Children of Paradise," but the story is as timely as this morning's news from Europe.
  28. The more that secret comes out, the more incoherent (and ludicrous) the film gets.
  29. With Ethan and Janie sharing folkie duets, it has a certain small, wan charm, like a father-daughter gloss on "Once." Breslin is a clear-eyed delight.
  30. With its propulsive punk-rock soundtrack and beautifully rough cinematography, Dragonslayer makes you care about this scrawny young man, skating to nowhere.

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