Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. A denouement more textbook than thrilling stalls some of the movie's power. But the early chills are potent, intense.
  2. The observations about parenthood, pro and con, are quick and smart, and Scott effortlessly steals the show, softening Westfeldt's brittle cuteness.
  3. Nothing in John Carter really works, since everything in the movie has been done so many times before, and so much better.
  4. Project X, likewise, serves up the frat house/Spring Break/Snooki-and-Sitch-on-a-bender antics that many in the audience will have been staring at for years, and implies that it's breaking down bold new barriers of misbehavior. In the end, though, it ain't nothin' but a party.
  5. Is it possible for an actor to go through the motions even as he's going over the top? In Being Flynn, Robert De Niro does phoned-in scenery chewing.
  6. The movie is like a less original "WALL•E," but it's still vibrant and touching.
  7. This is a great film, and a triumph of creativity and courage over repression.
  8. When the bullets are flying, Act of Valor is undeniably tense and thrilling.
  9. Perry holds back on the finger-wagging, eye-bulging tantrums. There were moments when I was grateful for that. There were others, like the kissy scenes between Perry and Newton, when I began to miss them.
  10. Which stinks worse? The absurdly large pile of red herrings Gone amasses? Or the film's sub-Scooby Doo conclusion?
  11. Overheated yet bizarrely opaque criminal character study from Belgium.
  12. This gripping if tamped-down drama is steeped in ancient Albanian culture, where the real, tragic consequences of blood feuds can keep families trapped in their homes for generations.
  13. I don't know what tools of the trade Paul Rudd and director David Wain share to dream up the kind of inspired nutso stuff Rudd has done in smart-funny-raunchy winners like "Wet Hot American Summer" and "Role Models." But whatever it is, the two are in a groove - and backed up by some blissed-out creative co-conspirators.
  14. Most of the movie's action-horror set pieces play like lame Gwar music video outtakes, and Cage's signature mix of irony and off-the-rails mugging only works when you can see the actor's face. In Ghost Rider form, his character is just a skeletal automaton with neither a tongue nor a cheek to put it in.
  15. The fine Polish director Agnieszka Holland (Europa Europa) pays her respects with a daringly murky-looking movie that demands viewers enter the void too and meet Socha and his Jews as real, flawed men and women behaving in flawed ways under suffocating conditions.
  16. It's all very sub-Tarantino showy and empty - at least, until the head-scratching climax, which tries to be "Eyes Wide Shut," "The Wicker Man," and "The Twilight Zone" all at once, but only makes you wish that you were watching one of them instead.
  17. Throw in a nagging divorce settlement, an unplanned murder, and Billy Crudup - hilarious! - as a raging security man, and Jill Sprecher's film enjoyably fuses cleverness and sheer desperation.
  18. For a documentary that's almost engineered to lift your heart, Undefeated is very well done.
  19. The lyrical animation, with its meditative attention to nature, bears the unique stamp of Japan's Studio Ghibli, cofounded by the great ­"Spirited Away" animator Hayao Miyazaki.
  20. As is true in most buddy pictures, the real love in This Means War is between FDR and Tuck. Pine and Hardy are an odd choice as Men Who Bond. Pine behaves like a player on Entourage; Hardy broods as if he thinks dating is torture. But as a result, they're kind of cute in an itchy and scratchy way, ­bumping shoulders in a pantomime of what men do in love and war.
  21. The most original and excitingly executed wow-factor-meets-handheld-video feature since "Blair Witch" itself. It's also a movie that rebuilds the power of special effects from the ground up.
  22. It's a tragedy, really: According to the hapless team who made the movie, Our Paige is a relatively interesting young liberal who knows her own mind before the accident and a rather tedious, girlish conservative who fusses about keeping her hair smooth afterwards.
  23. Ewan McGregor and Eva Green are easy on the eyes as lovers in Perfect Sense, an intriguing apocalyptic romance with a multi-purpose title.
  24. The movie flies by pleasantly, and is then instantly forgettable. Perhaps Jules Verne can explain the science of that.
  25. Compared with a superior potboiler like "Salt," which messed with your brain in entertainingly far-fetched ways, Safe House is action-movie porridge gussied up into a less-clever-than-it-seems mystery.
  26. Completing his wonderful French cultural trilogy that also includes portraits of the Comédie-Fran¸aise and the Paris Opera Ballet, indefatigable documentarian Frederick Wiseman freely, unobtrusively prowls the joint to create a movie that respects the serious work involved in simulating the sensations of pleasure.
  27. Big Miracle is harmless enough, but what's annoying about it is its aura of fake activism. The movie doesn't seem to get that it's exactly when the news media began to devote more time to subjects like whales that it started to turn into news not for activists but for couch potatoes.
  28. An old-fashioned, tastefully constrained supernatural thriller, The Woman In Black embraces the elements of gothic horror movies with pleasing seriousness.
  29. It will have you groaning between yawns.
  30. An adventurous song selection and stylish narrative techniques put a strangely romantic face on a harrowing story that's a parental nightmare.

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