Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. No amount of gorgeous jungle footage can make up for the fact that this Disney-produced documentary feels about as natural as an episode of "The Hills," though with (slightly) more feral characters.
  2. All three of the leads get very close to the Stooges' old looks and personalities, but they do more than impersonate; they inhabit.
  3. Think Like a Man is so busy tracking courtship as if it were a science project that the bite-size love stories lack spontaneity.
  4. With no thriller cliché left unused, the gaily outlandish plot is matched by tin-eared dialogue, ripe tough-guy overacting from the very game Pearce, and best-that-she-could acting from Grace.
  5. The movie's biggest surprise may be that the story we think we know from modern scary cinema - that horror is a fun, cosmic game, not much else - here turns out to be pretty much the whole enchilada.
  6. He (Spurlock) takes Comic-Con seriously. He talks to Kevin Smith, Harry Knowles, and other famous grown-up geeks, but mostly he follows a handful of people whose dream it is to pass through the fan/professional looking glass and carve out a place for themselves in the industry of fantasy.
  7. Gerwig can't make her character come alive, though, and neither can Adam Brody as one of their neediest male cases. In the midst of the froufrou, lovely, stalklike Analeigh Tipton (Crazy, Stupid, Love) is delightful as a student who enjoys being normal and living in this century.
  8. American Reunion is about the comedy of middle-class men who can't be satisfied with sex until it looks like porn.
  9. A dull and unbewitching movie.
  10. For a movie like Wrath of the Titans, which is basically "Gladiator" crossed with "Lord of the Rings" crossed with a special-effects demo reel (call it Lord of the Rinky-Dink), he's (Worthington) the perfect actor.
  11. The film is sketchy as biography, but it proves an aging artist can still crackle with the electricity of youth.
  12. It's a trifle, but at least it doesn't star Katherine Heigl.
  13. He can barely skate, but it hardly matters: As a goon, he's a genius.
  14. Owen devotes himself to the horror-flick role of a father battling his daughter's monsters with the same trademark efficiency and intensity he brings to every project, whether pulpy like "Killer Elite" or pure like "Shadow Dancer."
  15. As long as the MPAA is issuing its cavalier decrees, though, they're the ones acting like bullies.
  16. One of Dafoe's deadbeat friends observes, ''The world's been ending ever since it started, man,'' and you may think the same thing about this movie.
  17. Director David Gelb pulls back the curtain on the kitchen rituals of sushi, inviting us to experience the savory-smooth sensation of ''umami,'' roughly translated as ''Ahhh!''
  18. I do wish that Evans were a better storyteller. When he isn't turning mad-dog violence into visual rock & roll, The Raid shreds narrative coherence to ribbons.
  19. In this typically exquisite, nuanced, memory-infused work from master British filmmaker Terence Davies, we believe every minute of the torment of Hester (Rachel Weisz).
  20. A muscular, honorable, unflinching translation of Collins' vision. It's brutal where it needs to be, particularly when children fight and bleed.
  21. The two stars appear to be as bewildered by the turn of events as we are.
  22. No one charts the wilds of childhood more precisely than the Dardennes.
  23. The movie is never dull, though, and Cage acts every moment as if he means it. As the cult's leader, Guy Pearce, looking deeply creepy with a shaved head, has a cruel playfulness.
  24. When it stays in the classroom, Detachment is a scrappy testament - to the futility of even trying to reach students who are cut off from the possibilities of knowledge, and to the way that our teachers are slowly being driven nuts.
  25. With his large bod, soft features, and air of goofy sweetness, Jason Segel is a natural fit for Jeff, Who Lives at Home, a goofy, sweet comedy.
  26. If you take the film on its own terms, as a kind of Elvis movie dipped in guacamole, it's quirkily engrossing. Ferrell is a good straight actor for the same reason that he's an inspired comedian: He commits himself to every moment.
  27. Underneath, 21 Jump Street is a riot of risks that pay off, the biggest of which might be handing Tatum funny business.
  28. In theory, A Thousand Words should draw on its star's abilities as a physical comedian, but Murphy, miming his order for a triple latte at Starbucks, comes off like Charlie Chaplin on crystal meth; he's strenuously unfunny to watch.
  29. Footnote is itself a perfect little piece of Talmud, full of text, commentary, and colorful argument.
  30. You can have a reasonably nice time at Salmon Fishing in the Yemen if you accept that it's the tidiest movie imaginable to ever say that falling in love is like swimming upstream.

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