For 7,797 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7797
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Mixed: 2,079 out of 7797
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Negative: 760 out of 7797
7797
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Owen Gleiberman
Olsen, moody and apple-cheeked and intellectually avid, proves a true star: She turns being wiser than her years into an authentic generational state.- Entertainment Weekly
- Posted Sep 7, 2012
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Reviewed by
Owen Gleiberman
Lindhardt, sweet and childish and achingly vulnerable, gives a stunning performance.- Entertainment Weekly
- Posted Sep 6, 2012
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Reviewed by
Owen Gleiberman
The drama is so minimalist that it's hard to glimpse the man behind the woe.- Entertainment Weekly
- Posted Sep 6, 2012
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Reviewed by
Lisa Schwarzbaum
This feature-length dose of boyish sexual fumbling and fantastically dirty British slang is bound to expand an American viewer's vocabulary.- Entertainment Weekly
- Posted Sep 6, 2012
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Reviewed by
Owen Gleiberman
The film doesn't turn its issues into a glorified essay, but it does use them to give the audience a vital emotional workout.- Entertainment Weekly
- Posted Sep 5, 2012
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Reviewed by
Lisa Schwarzbaum
There's a relaxed, unforced, melancholy sweetness and swing to this modest iteration of the "Big Chill/Return of the Secaucus 7" formula, a pleasing directorial debut for screenwriter Jamie Linden (We Are Marshall).- Entertainment Weekly
- Posted Sep 5, 2012
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Reviewed by
Lisa Schwarzbaum
Working from a script by his wife, Sarah Koskoff, "High Fidelity" actor-turned-director Todd Louiso shapes the movie to Lynskey's rhythms.- Entertainment Weekly
- Posted Sep 5, 2012
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Reviewed by
Owen Gleiberman
Yet if Bachelorette takes the form of a romantic ensemble comedy, it's purged of any true romantic feeling. You'll laugh, maybe a lot, but you won't feel great about it in the morning.- Entertainment Weekly
- Posted Aug 30, 2012
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Reviewed by
Owen Gleiberman
The trouble with Guillaume Canet's French gloss on "The Big Chill" is that it has no underlying chill.- Entertainment Weekly
- Posted Aug 29, 2012
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Reviewed by
Owen Gleiberman
It's a lesson in character to hear directors from David Lynch (digital believer) to Christopher Nolan (celluloid diehard) spout off.- Entertainment Weekly
- Posted Aug 29, 2012
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Reviewed by
Owen Gleiberman
An alienated-teen movie that surfs along on the whims and casual cruelties of its central character runs a risk: It can wind up as random and undisciplined as she is. Instead, Little Birds is a touching and distinctive achievement.- Entertainment Weekly
- Posted Aug 29, 2012
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Reviewed by
Owen Gleiberman
For a Good Time, Call... tells the tender tale of two roommates who team up to launch a phone-sex line. Whatever their virtues or flaws, each of these movies makes the dirtiest episode of "Sex and the City" look like Doris Day fluff.- Entertainment Weekly
- Posted Aug 29, 2012
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Reviewed by
Owen Gleiberman
Hardy, speaking in low, flat, almost musically macho tones, has the bruiser charisma of a caveman Kevin Costner. It's not the money he's clinging to - it's the freedom.- Entertainment Weekly
- Posted Aug 29, 2012
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- Critic Score
Parents who have had to sit through a myriad of mindless kids movies will appreciate a chance for their kids to be themselves at the theater and to be silly right alongside them. On the whole, it can serve as a good introduction to the movie-going experience.- Entertainment Weekly
- Posted Aug 29, 2012
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Reviewed by
Keith Staskiewicz
With more telegraphed scares than Samuel Morse on Halloween, it still might give you a restless night, but only because you fell asleep in the theater.- Entertainment Weekly
- Posted Aug 27, 2012
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Reviewed by
Owen Gleiberman
Premium Rush earns its place as end-of-the-summer escapism, but I can't say that it's more than a well-done formula flick. At this point, it's just one more movie-as-ride. But this one at least lives up to its title.- Entertainment Weekly
- Posted Aug 23, 2012
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Reviewed by
Owen Gleiberman
Robot & Frank is sentimental high-concept fluff that works.- Entertainment Weekly
- Posted Aug 22, 2012
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Reviewed by
Lisa Schwarzbaum
Lauren Ambrose is lovely as the girlfriend he's a fool to lose but seems intent on losing anyhow.- Entertainment Weekly
- Posted Aug 22, 2012
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Reviewed by
Lisa Schwarzbaum
Adapting Satrapi's graphic novel about a violinist (Mathieu Amalric) in late-1950s Tehran who's got a broken fiddle and a broken heart and takes to his bed, willing himself to die, the filmmakers rely on expressive eyes to carry a narrative style suitable for a silent movie.- Entertainment Weekly
- Posted Aug 22, 2012
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Reviewed by
Owen Gleiberman
The dialogue veers into digressions about ADHD, the cruddiness of mainstream dog food, and much else. That these asides prove more fun than the central action is what gives Hit & Run its flavor: tasty at times, even if the film evaporates as you watch it.- Entertainment Weekly
- Posted Aug 22, 2012
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Reviewed by
Owen Gleiberman
Sparkle is never more than an overheated mediocrity. The one thing it isn't, however, is dull.- Entertainment Weekly
- Posted Aug 16, 2012
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Reviewed by
Lisa Schwarzbaum
What a fun-dumb relief! In the isolationist Expendables world, all foreigners are bad news. All buddy bonding is done with a wink. All pretenses of art are checked at the door. Someone even says, ''I'll be back.'' (Guess who?)- Entertainment Weekly
- Posted Aug 16, 2012
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Reviewed by
Owen Gleiberman
The movie should have been called Diary of a Wimpy Forrest Gump. It's genuinely soft-hearted (you're all but guaranteed to cry) but mush-brained, too.- Entertainment Weekly
- Posted Aug 15, 2012
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Reviewed by
Owen Gleiberman
Red Hook Summer has some fantastic gospel numbers, but as drama it's a casserole that never comes together.- Entertainment Weekly
- Posted Aug 8, 2012
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Reviewed by
Lisa Schwarzbaum
Ellis (The Good Wife's Graham Phillips), an alienated teen, smokes weed and hangs out with a goat-obsessed, pot-cultivating surrogate father (David Duchovny, hidden by hair). New Age details aside, though, Ellis is easily identifiable as a distant cousin-by-genre to J.D. Salinger's Holden Caulfield.- Entertainment Weekly
- Posted Aug 8, 2012
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Reviewed by
Lisa Schwarzbaum
It's a pleasure to meet up again with Marion, the distractible, acerbic, New York-based French photographer played once more by Julie Delpy in 2 Days in New York. This bouncy hand-knitted comedy of cross-cultural relationships, also directed and co-written by Delpy, makes a jaunty sequel to "2 Days in Paris."- Entertainment Weekly
- Posted Aug 8, 2012
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Reviewed by
Lisa Schwarzbaum
With a slow, relentless buildup focused on sexual humiliation, Compliance intensifies the "requests" put on Sandra, and eventually other employees, to behave immorally in the name of cooperation.- Entertainment Weekly
- Posted Aug 8, 2012
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Reviewed by
Lisa Schwarzbaum
Not to be confused with a dramatization of Kate Chopin's great 1899 proto-feminist novel, this by-the-numbers British ghost story, set just after WWI, devotes a lot of energy to set decoration.- Entertainment Weekly
- Posted Aug 8, 2012
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Reviewed by
Owen Gleiberman
The film comes off as an elaborately didactic and overheated lecture.- Entertainment Weekly
- Posted Aug 8, 2012
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Reviewed by
Lisa Schwarzbaum
The story may be thin, but the project, a feat of stop-motion animation, is made with generous care by the same impressive LAIKA studio artists who conjured up the gorgeous "Coraline."- Entertainment Weekly
- Posted Aug 8, 2012
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