Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. Renner's Cross is a conflicted hero built to take advantage of the "Hurt Locker" star's best qualities as an actor - his default intensity, the way he conveys that complicated mental calculations are taking place under cover of watchful stillness, even underwater.
  2. Perhaps the best thing about the film is that it doesn't let those other players in the political process off the hook: the voters.
  3. This one is somberly kinetic and joyless.
  4. 360
    360 has a circular structure that's deftly pleasing, though the human drama is just facile enough to make it seem, in the end, a little too much like connect the dots played with people.
  5. The cockeyed C-quality B movie, shot on location with a Balkan supporting cast and crew, mixes a precarious pileup of visual clichƩs with over-staged action sequences.
  6. This comedy about a couple who can't get pregnant is stuck between Judd Apatow's humane raunchiness and the American Pie series' smirky broadness.
    • 54 Metascore
    • 83 Critic Score
    Though often self-centered and conniving, Greg remains a likable kid, and the movie entertains by pulling off over-the-top scenarios that set up digestible life lessons for youngsters.
  7. I will say that it's been a while since a romantic comedy mustered this much charm by looking this much like life.
  8. Hope Springs dares viewers to look closely at the remarkable sight of naked adult intimacy and its discontents.
  9. If this amateur justice league spent as much time analyzing clues as they did analyzing their junk, in every slang variation available in the Urban Dictionary, the murder mystery in The Watch could have been solved on the first night of surveillance.
  10. The result is an engrossing chronicle of creative people under pressure, a movie about the madness of opera for which no knowledge of opera is required for full enjoyment.
  11. The yarn is too irresistible: We're fed plenty of sugar in this authorized fairy tale, but are left hungry for beef.
  12. Klown, a comedy from Denmark about two men on a canoe trip who descend into all sorts of desperate debauchery, demonstrates how the semi-improv, jitter-cam mode of filmmaking has gone from being a style to a tic - a way to disguise how unreal a movie can be.
  13. The Chinese artist and activist Ai Weiwei has achieved a prominence that makes him, in effect, the Aleksandr Solzhenitsyn of the Twitter age. He's also the least stuffy of dissidents, and Alison Klayman's stirring, important documentary catches his complex humanity.
  14. Killer Joe throws down a dare by expecting its audience to be the cool connoisseurs of the story's "comic" outrageousness, then rubbing viewers' faces in close-up scenes of brutality that reasonable people ought not to be able to watch. That up-close experience, however effectively done, is a movie specialty that's its own kind of mean.
  15. Ruby Sparks is a romantic comedy that takes off from a premise so fanciful it needs every bit of the freshness that Dano brings it.
  16. The Well-Digger's Daughter pushes a number of nostalgia buttons at once, most of them pleasing.
  17. Chaos reigns for much of The Dark Knight Rises, often in big, beautiful, IMAX-size scenes that only Nolan could have conceived. Yet when the apocalyptic dust literally settles on this concluding chapter, the character who lingers longest in memory is an average Gotham City cop named John Blake, wonderfully played with human-scale clarity by Joseph Gordon-Levitt.
  18. A succulently entertaining movie that invites you to splash around in the dreams and follies of folks so rich they're the 1 percent of the 1 percent. It's like a champagne bath laced with arsenic.
  19. Easy Money is not merely an early-career curiosity. It's one of the best underworld films I've seen in years, and Kinnaman gives a fantastic performance in it.
  20. As a sinister ESP showman, Robert De Niro is corny and fun.
  21. The shots of urban traffic jams have more spark than the story, which skips from a pregnancy to the filming of a musical to murder - without convincing us of any of it.
  22. BenoƮt Jacquot's film is shackled to a blah bourgeois leftism.
  23. The documentary equivalent of a page-turner.
  24. The film keeps throwing things at you, like a colorful ape pirate (Peter Dinklage) and a fun hallucination sequence. That said, the laughs are starting to feel prehistoric.
  25. Donovan, acting with ironic reserve, hands the movie to Morse, who makes his character the kind of crank you can care about just because he's so abysmally lost.
  26. An appreciation that the pain is personal doesn't compensate for the picture's self-absorbed need to alienate.
  27. A crotchety, alcoholic, wheelchair-bound coot played on cruise control by Morgan Freeman learns these recycled lessons in a pastel-colored, embroidered wall-hanging of a drama directed by Rob Reiner.
  28. These movie guys specialize in snapping vignettes of human inconsistency - no fancy lighting required.
  29. Part of Me works hard to prove it's more than a glorified infomercial, and one reason it is more is that Perry has a startling story to tell.

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