Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.2 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. A disconcertingly jumpy tale of breathtakingly crummy parenting, the windblown movie dares a tolerant audience not to call Child Services.
  2. Redgrave shimmers like one of Tuscany's magnificent cypress trees as an Englishwoman searching for Lorenzo (Nero).
  3. The movie is a rigged game of clichés and platitudes, but fans will be pleased by additional proof that Latifah is a lovable Queen but not a pampered princess.
  4. A delightfully weird, if occasionally too arty, documentary as darting in its structure as a dragonfly's flight.
  5. The British director Ken Loach can be a master of working-class realism, but not in this cranky, rudderless shambles.
  6. Downey's head and heart are in the right place, but the movie is more in pieces than whole, and more about iron than about men.
  7. Casino Jack is really a look at how the culture of Washington was rebuilt to sell itself to the highest bidder.
  8. The hothouse drama Mother and Child is organized like a femme-friendly spa that specializes in treatments for the psyche rather than the skin. Soft New Agey music tinkles intrusively. Sore spots are prodded and massaged. Clients pass one another in the changing room. The ritual is exquisite to some, and excruciating to others.
  9. As the movie goes on, these fleshy little beings turn into…well, people. And that's something to see. But Babies, without falsifying its subject, could have used a more soul-stirring sense of showbiz -- that is, a riper display of infantile special effects.
  10. In Trash Humpers, the latest slovenly, haphazard, is-it-a-travesty-if-it's-bad-on-purpose avant doodle from director Harmony Korine, three figures in rubbery old-age makeup do indeed mimic intercourse with Dumpsters.
  11. It's not every day that one of our rogues' gallery of iconic psycho killers gets to be played by a creepy and fascinating actor -- in this case, Jackie Earle Haley taking on the role of Freddy Krueger.
  12. Still, it's refreshing that the animals don't talk.
  13. The Big Apple of this evanescent tone poem is an invented nocturnal landscape featuring speechifying eccentrics and absurdist moments that feel northern European in sensibility.
  14. Part punk-drab British art-house portrait of underclass despair, part bloody vigilante pic, Harry Brown is shakily held together by industrial-strength sound design and the expertly employed theatrics of Michael Caine in the title role.
  15. In Please Give, the sharp-eyed filmmaker sends her vibrant representative out into the world to explore what it means for a woman to be lucky and still feel itchy. The report has the resonant ring of truth.
  16. Unlike its obvious influence, the 1999 Japanese shocker "Audition," The Human Centipede has no real-world echoes. It's an only-in-the-movies sick goof.
  17. As a romantic comedy, The Back-up Plan is friendly but also a bit drab.
  18. Basically, it's "The A-Team" meets "Rambo" meets "Mission: Impossible," with a mission that's one part trickiness, four parts blowing stuff up.
  19. Concentrate instead on the delightful performances. A thespian shoutout goes to Reynolds (his hair bleached bright yellow for the gig) for his jaunty way with a cape, tights, and the hands-on-hip poses of superherodom.
  20. There have, over the years, been a lot of terrific undersea documentaries, but if you want to know what distinguishes this new one, it comes down to a single word: technology.
  21. Chesney makes an art form out of strolling down the catwalk while singing. He turns each song into a blissed-out journey homeward.
  22. Reveling in mess and homegrown multiracial mayhem, Death at a Funeral finds a new lease on life.
  23. An enjoyably supercharged and ultraviolent teen-rebel comic-book fantasy that might be described -- in spirit, at least -- as reality-based.
  24. This cautionary tale might be easier to swallow if all that stuff didn't look like it came from a Sky Mall catalog.
  25. Lovely to look at -- and languid to the point of stultifying torpor, as interesting characters make speeches to one another about life, love, and literature.
  26. An exhilarating hall-of-mirrors look at what happens when global art fame turns anonymous, artists become objects, fans turn into artists, and the whole what's-sincere-and-what's-a-sham spectacle is more fun than art was ever supposed to be.
  27. Director Bahman Ghobadi (Turtles Can Fly) shot his faux documentary in secret, and the close-to-the-ground style compensates for the tenuous narrative structure by capturing the energy and variety of Tehran's music scene in all its bravery.
  28. The performances are tender, the script elegant, the cinematography (especially during a virtuoso chase scene in a soccer stadium) artful.
  29. For this 21st-century Nick and Nora Charles, the flame is kept alive despite his nighttime anti-snore nose strip and her nighttime bite guard -- thanks to a shared appreciation of the hilarity of nose strips and bite guards.
  30. Requires Neeson to stare coldly and talk to corpses, but Ricci has the greater dramatic challenge: She has to operate, unfazed, in close-up nakedness much of the time.

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