Entertainment Weekly's Scores

For 7,798 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7798 movie reviews
  1. Here, as in "The Hangover," the laughs aren't just staged, they're superlatively engineered.
  2. At times, Kung Fu Panda 2 suggests "Bambi" redone as an episode of Oprah. Yet it's a more-than-worthy sequel.
  3. Malick clings to the promise of grace: His vision of the afterlife is a dreamy beach, enhanced by an excellent playlist of fine classical music, and promising the peace that surpasses all understanding. Plus a beautiful sky.
  4. The story and setting may be ancient, but under the direction of Kevin Macdonald (The Last King of Scotland), and with a nicely textured screenplay by Macdonald's Scotland coscreenwriter Jeremy Brock, the vigor is fully modern.
  5. McAvoy and Fassbender are a casting triumph. These two have, yes, real star magnetism, both individually and together: They're both cool and intense, suave and unaffected, playful and dead serious about their grand comic-book work.
  6. For kids, blessedly unironic by nature until wised up by nurture, the movie is just shiny, funny, and filled with songs.
  7. In Limitless, a potently fanciful and fun thriller about a drug that turns you into a genius, Cooper proves a cock-of-the-walk movie star.
  8. There's nothing nice about 30 Minutes or Less. It's got no redeeming social value. It just ticks away, exploding all notions of where you think it's going to go. It blew me sideways.
  9. Among Gosling's many star-making qualities is his nuanced mastery, since "The Believer," of a facial expression of infinitely adaptable, imperturbable, sustained calm that can read as chilling or ardent, hard or soft, as the role demands.
  10. The resulting adventure, like most of Aardman's work (Chicken Run, Flushed Away), is more clever than outright funny, but it's also genuinely sweet, and the complicated relations among Santa's clan are surprisingly believable.
  11. Here's a scare-the-crap-out-of-you medical thriller about a viral pandemic that will have the immediate post-screening effect of causing a handwashing stampede.
  12. Far more grotesque than the first Human Centipede - in fact, The Human Centipede 2 (Full Sequence) could be the sickest B movie ever made.
  13. Allusions to "Vertigo," "Rebecca," and Georges Franju's great 1960 French horror movie "Eyes Without a Face" are intentional: The Skin I Live In is, above all, the creation of a movie fanatic who loves to look.
  14. Win Win, it turns out, isn't a tale of facile victory. It's a movie about how loss makes everyone do things they'll both defend and regret.
  15. A puzzle of a highly rarefied order. At times it's enthrallingly clever and subtle; at others it's borderline incomprehensible.
  16. The result is a duet of outstanding loveliness between Kendrick and Gordon-Levitt, also an actor of nuanced control.
  17. Lee's bigger theme isn't God or survival, but the awesome adventure of making the imaginary visible, the adventure of making movies.
  18. Last Night is on to something fascinating. It meditates on the meaning of adultery: the purposes it serves, beyond sex.
  19. The movie is like a less original "WALL•E," but it's still vibrant and touching.
  20. Battleship is a sound vessel floating in Hollywood's oil-slick sea of "Transformers" sequels and vampire riffs.
  21. The lyrical animation, with its meditative attention to nature, bears the unique stamp of Japan's Studio Ghibli, cofounded by the great ­"Spirited Away" animator Hayao Miyazaki.
  22. In terms of storytelling, The Avengers is for the most part a highly functional, banged-together vehicle that runs on synthetic franchise fuel. Yet the grand finale of CGI action, set in the streets of New York, is - in every sense - smashing.
  23. The story in Madagascar 3 is functional, but the antically civilized spirit is infectious.
  24. This is jumbo-size science fiction, with a handsome, impermeable titanium gleam - and a thick coating of creationism lite.
  25. I do wish the movie's ending weren't so squishy. It's been changed from the finale that Sundance audiences saw earlier this year and now reeks of focus-group testing.
  26. There are more videogame cameos and winks than you can shake a Wiimote at - even the Konami Code, the gamer's paternoster, makes an appearance - but the real success of the film is its emotional core and the relationship between the two misfits.
  27. Bellflower is stylishly watchable - even when it's preposterous.
  28. A fascinating and in many ways tragic documentary, takes us back to one of the high-water marks of the apes-are-people-too era.
  29. I'm not sure what it all adds up to, but The Devil's Double puts its hooks in you and keeps them there.
  30. Higher Ground breaks crucial, sacred ground in American moviemaking.

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