For 7,798 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7798
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Mixed: 2,080 out of 7798
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Negative: 760 out of 7798
7798
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Lisa Schwarzbaum
This gripping if tamped-down drama is steeped in ancient Albanian culture, where the real, tragic consequences of blood feuds can keep families trapped in their homes for generations.- Entertainment Weekly
- Posted Feb 22, 2012
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Reviewed by
Owen Gleiberman
A great many filmmakers — too many — use handheld cameras to evoke a sensation of raw, this is really happening immediacy. But director Paul Greengrass is unique. At a glance, his live-wire, ragged-camera method may seem overly familiar, but the way he employs it, that method is as expressive as the style of a superb novelist.- Entertainment Weekly
- Posted Oct 9, 2013
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Chris Nashawaty
The new Evil Dead's delirious gross-out scenes spoke to me, and they go further than any mainstream picture I can think of.- Entertainment Weekly
- Posted Apr 3, 2013
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Reviewed by
Lisa Schwarzbaum
In our summertime-movie world of aliens and superheroes who look all too familiar, Dodge and Penny look all the rarer in their precious humanity.- Entertainment Weekly
- Posted Jun 20, 2012
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Reviewed by
Owen Gleiberman
Won't Back Down says that whatever your feelings about the subject, lack of change cannot be the answer to our public-education crisis. Trying to cram an informational exposé and a vintage inspirational awards-bait weeper into one movie, Won't Back Down is awkward at times, yet it's also passionate in a surprisingly smart way. It makes a genuine drama out of impossible issues.- Entertainment Weekly
- Posted Sep 26, 2012
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Reviewed by
Owen Gleiberman
Throw in a nagging divorce settlement, an unplanned murder, and Billy Crudup - hilarious! - as a raging security man, and Jill Sprecher's film enjoyably fuses cleverness and sheer desperation.- Entertainment Weekly
- Posted Feb 15, 2012
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Reviewed by
Lisa Schwarzbaum
A denouement more textbook than thrilling stalls some of the movie's power. But the early chills are potent, intense.- Entertainment Weekly
- Posted Mar 7, 2012
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Reviewed by
Lisa Schwarzbaum
This strong, assured Band of Brothers-style drama from director Jang Hun makes universal points about bonding, misery, loyalty, and the senselessness of war through a portfolio of soldiers.- Entertainment Weekly
- Posted Jan 18, 2012
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Reviewed by
Owen Gleiberman
Sound of My Voice doesn't follow through on everything it sets up, yet it has a hushed and revealing psycho-intensity. It also has an oh-wow Twilight Zone ending that truly made me go, ''Oh, wow.''- Entertainment Weekly
- Posted Apr 25, 2012
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Reviewed by
Owen Gleiberman
Director David Gelb pulls back the curtain on the kitchen rituals of sushi, inviting us to experience the savory-smooth sensation of ''umami,'' roughly translated as ''Ahhh!''- Entertainment Weekly
- Posted Mar 21, 2012
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Reviewed by
Lisa Schwarzbaum
This is a tough-minded story of change that happens in almost imperceptibly tiny increments - as true growth so often does in reality.- Entertainment Weekly
- Posted Oct 24, 2012
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Reviewed by
Lisa Schwarzbaum
An energetically demented psycho-killer comedy set in faux-noir L.A., Seven Psychopaths rollicks along to the unique narrative beat and language stylings of Anglo-Irish writer-director Martin McDonagh (In Bruges), channeling Quentin Tarantino.- Entertainment Weekly
- Posted Oct 3, 2012
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Owen Gleiberman
Ruby Sparks is a romantic comedy that takes off from a premise so fanciful it needs every bit of the freshness that Dano brings it.- Entertainment Weekly
- Posted Jul 25, 2012
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Owen Gleiberman
Frozen is a squarely enchanting fairy tale that shows you how the definition of what's fresh in animation can shift.- Entertainment Weekly
- Posted Nov 26, 2013
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Owen Gleiberman
The creators of Captain America: The Winter Soldier have brought off something fresh and bold.- Entertainment Weekly
- Posted Apr 2, 2014
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Reviewed by
Owen Gleiberman
Helgeland works in what I think of as a conservative — or maybe it's just really, really basic — neoclassical Hollywood style, spelling everything out, letting the story unfold in a plainspoken and deliberate fashion, with a big, wide, open pictorial camera eye. It's like the latter-day Clint Eastwood style, applied to material that's as traditional as can be.- Entertainment Weekly
- Posted Apr 10, 2013
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Owen Gleiberman
Side Effects is mostly a good Saturday-night movie, but by the end, it's caused a few unintended side effects of its own: a bit of head-scratching, and a giggle or two of disbelief.- Entertainment Weekly
- Posted Feb 6, 2013
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Owen Gleiberman
Robot & Frank is sentimental high-concept fluff that works.- Entertainment Weekly
- Posted Aug 22, 2012
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Reviewed by
Owen Gleiberman
The best thing about the movie is that it keeps drawing conclusions in opposite directions.- Entertainment Weekly
- Posted May 16, 2012
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Reviewed by
Lisa Schwarzbaum
The Sessions is first and foremost about Hawkes' virtuoso performance, one of those "My Left Foot"-y transformations that make audiences verklemmt and generate awards talk.- Entertainment Weekly
- Posted Oct 17, 2012
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Reviewed by
Lisa Schwarzbaum
The intense interviews and damning statistics (20 percent of all female personnel have experienced sexual assault) do the work of whipping up outrage.- Entertainment Weekly
- Posted Jun 21, 2012
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Chris Nashawaty
Not surprisingly, the best thing about Days of Future Past is that it's heavier on the days past than future.- Entertainment Weekly
- Posted May 21, 2014
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Chris Nashawaty
A sequel that easily tops its 2011 predecessor.- Entertainment Weekly
- Posted Jul 9, 2014
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Reviewed by
Owen Gleiberman
The movie is fascinating, though it smacks its own lips a bit too much at the tackiness of freak '70s stardom.- Entertainment Weekly
- Posted Jun 21, 2012
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Reviewed by
Lisa Schwarzbaum
It's a pleasure to meet up again with Marion, the distractible, acerbic, New York-based French photographer played once more by Julie Delpy in 2 Days in New York. This bouncy hand-knitted comedy of cross-cultural relationships, also directed and co-written by Delpy, makes a jaunty sequel to "2 Days in Paris."- Entertainment Weekly
- Posted Aug 8, 2012
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Owen Gleiberman
Cloud Atlas is certainly out to be a ''visionary'' mindbender, but the film's secret is that it's a nimbly entertaining and light-on-its-feet Hollywood contraption, with the actors cast in multiple roles as if playing a game of dress-up.- Entertainment Weekly
- Posted Oct 24, 2012
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Reviewed by
Lisa Schwarzbaum
Working from a script by his wife, Sarah Koskoff, "High Fidelity" actor-turned-director Todd Louiso shapes the movie to Lynskey's rhythms.- Entertainment Weekly
- Posted Sep 5, 2012
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Lisa Schwarzbaum
In his elliptical and somewhat loopy drama about the slipperiness of love at any age, French filmmaker André Téchiné uses the sight of scudding motorboats on the waterways around workaday Venice as a visual reinforcement of time as a river.- Entertainment Weekly
- Posted Jun 27, 2012
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Reviewed by
Lisa Schwarzbaum
These movie guys specialize in snapping vignettes of human inconsistency - no fancy lighting required.- Entertainment Weekly
- Posted Jul 4, 2012
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Owen Gleiberman
An alienated-teen movie that surfs along on the whims and casual cruelties of its central character runs a risk: It can wind up as random and undisciplined as she is. Instead, Little Birds is a touching and distinctive achievement.- Entertainment Weekly
- Posted Aug 29, 2012
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