For 7,798 reviews, this publication has graded:
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68% higher than the average critic
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2% same as the average critic
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30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics.
(0-100 point scale)
Average Movie review score: 67
| Highest review score: | 13th | |
|---|---|---|
| Lowest review score: | Wide Awake |
Score distribution:
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Positive: 4,958 out of 7798
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Mixed: 2,080 out of 7798
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Negative: 760 out of 7798
7798
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Owen Gleiberman
Going the Distance may be a minor movie, but it's also the rare romantic comedy in which you can actually believe what you're seeing.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Even when nothing is happening, the often dead-silent shots tend to grow scarier the more you look at them.- Entertainment Weekly
- Posted Oct 21, 2010
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Reviewed by
Owen Gleiberman
The surprise of Let Me In is that director Matt Reeves (Cloverfield) hasn't just remade the Swedish cult vampire film "Let the Right One In" into a more fluid and visceral movie. He's made it more dangerous.- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
The ever-magnetic Sam Rockwell is Kenny, Minnie Driver is full of beans as Betty Anne's best friend, Melissa Leo is wicked good as an ornery cop, and, in her two chewy scenes, Juliette Lewis reminds fans why we want her to run free forever.- Entertainment Weekly
- Posted Oct 21, 2010
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Reviewed by
Clark Collis
Monsters is really a road-movie romance that tracks the burgeoning relationship between two strangers as they travel through the "infected" zone.- Entertainment Weekly
- Posted Dec 13, 2010
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Reviewed by
Owen Gleiberman
Too goofy-surreal to pack a lot of emotional punch, but it's antically light on its feet, with 3-D images that have a lustrous, gizmo-mad sci-fi clarity.- Entertainment Weekly
- Posted Dec 15, 2010
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Reviewed by
Owen Gleiberman
The movie's redemptive structure is a bit routine, yet I watched nearly every scene with a sense of discovery. Coppola is a true filmmaker, and in Somewhere she pierces the Hollywood bubble from the inside.- Entertainment Weekly
- Posted Dec 30, 2010
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Reviewed by
Owen Gleiberman
The Debt is basically an entertaining riff on "Munich." It's about a (fictional) operation of top secret Israeli revenge, carried out by three highly trained agents whose plan goes off the rails in ways that are more fascinating than the mission itself.- Entertainment Weekly
- Posted Aug 31, 2011
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Reviewed by
Owen Gleiberman
Fair Game gets you riled up all over again at a deeply unpatriotic abuse of power.- Entertainment Weekly
- Posted Nov 3, 2010
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Reviewed by
Lisa Schwarzbaum
Damon's how-to-break-the-law lesson - as ludicrous as anything else in this enjoyably zigzaggy exercise in accumulating peril - grants Neeson the fun of experimenting with an American ex-con accent for his one scene.- Entertainment Weekly
- Posted Nov 17, 2010
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Reviewed by
Owen Gleiberman
Lurid and voluptuous pulp fun, with a sensationalistic fairy-tale allure. You can't take it too seriously, but you can't tear your eyes away from it, either.- Entertainment Weekly
- Posted Dec 6, 2010
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Reviewed by
Owen Gleiberman
It's a minimalist "Sideways," not so much mumblecore as talkycore.- Entertainment Weekly
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- Entertainment Weekly
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Reviewed by
Lisa Schwarzbaum
Lest the audience miss a cue, Hooper and soundtrack composer Alexandre Desplat count on the ringing grandeur of Beethoven's Seventh Symphony - the famous second movement, no less - to amp the emotions.- Entertainment Weekly
- Posted Dec 11, 2010
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Reviewed by
Lisa Schwarzbaum
Writer-director Tanya Hamilton's intellectually ambitious debut drama Night Catches Us is all the more notable for setting well-drawn fictional characters in a fraught, real moment in civil rights history.- Entertainment Weekly
- Posted Dec 7, 2010
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Reviewed by
Lisa Schwarzbaum
Truer than the John Wayne showpiece and less gritty than the book, this True Grit is just tasty enough to leave movie lovers hungry for a missing spice.- Entertainment Weekly
- Posted Dec 15, 2010
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Reviewed by
Ty Burr
For a movie that's mostly a plotless mix of old sci-fi flicks and Bowie-esque gender-bending, Rocky Horror continues to charm. That's due in part to the honest delight we take in the freedoms this movie so cheerfully flaunts.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Arnold Schwarzenegger appears as the rare politician who supports reform in this timely exposé of how our democracy has slipped off its tracks.- Entertainment Weekly
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Reviewed by
Owen Gleiberman
Deepens the saga of New York's former governor and attorney general into the paradoxical morality play it really was. Spitzer, almost three years after he was caught soliciting escorts, comes off as chastened but still regal, like a hawkeyed Jewish Kennedy.- Entertainment Weekly
- Posted Nov 3, 2010
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Reviewed by
Lisa Schwarzbaum
Terry Gilliam-ish territory here, spiked with imagery from Holocaust nightmares and drug trips. Attention, university film clubs: Here's your cult-ready midnight-movie programming.- Entertainment Weekly
- Posted Nov 27, 2010
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Reviewed by
Owen Gleiberman
Paul Giamatti, dialing down his trembly-voiced neurotic energy to good effect, gives a holy hell of a performance as Barney Panofsky.- Entertainment Weekly
- Posted Jan 12, 2011
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Reviewed by
Lisa Schwarzbaum
These guys are not charming; they're horrifying in their ignorance, and they cause real damage. But there's a weird relief to be found in the opportunity to laugh ourselves sick at their expense, if only for an instant.- Entertainment Weekly
- Posted Nov 10, 2010
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Reviewed by
Owen Gleiberman
If this is what it sounds like when a new millennium goes pop, I'll take it.- Entertainment Weekly
- Posted Feb 9, 2011
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Reviewed by
Lisa Schwarzbaum
A fine example of Danish filmmaker Susanne Bier's (Brothers) talent for weaving together accessible domestic melodrama and issues of ethical awareness of the world beyond our doorstep.- Entertainment Weekly
- Posted Mar 30, 2011
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- Entertainment Weekly
- Posted Apr 27, 2011
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Reviewed by
Lisa Schwarzbaum
Among all the chess-piece players on the board, the star is the only one who really builds a solid emotional foundation for his character.- Entertainment Weekly
- Posted Mar 30, 2011
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Reviewed by
Lisa Schwarzbaum
Graeme and Clive, representatives of a nation of nonbelievers in UFOs and big dinner portions, come to the psychic capital of a country that wants to believe, and they're transformed. In Paul, Simon Pegg and Nick Frost do likewise, in celebration of what the Spielbergian cosmos is all about.- Entertainment Weekly
- Posted Mar 16, 2011
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Reviewed by
Lisa Schwarzbaum
Hanna's intriguing, disorienting pleasures - the movie is part poetic dreamscape, part sinister spy saga - lie more in the filmmaking flourishes than in the narrative.- Entertainment Weekly
- Posted Apr 7, 2011
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Reviewed by
Lisa Schwarzbaum
Not coincidentally, African Cats opens on Earth Day. Meeting these magnificent fellow creatures might be a fine way to celebrate.- Entertainment Weekly
- Posted Apr 22, 2011
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Reviewed by
Lisa Schwarzbaum
The observations about parenthood, pro and con, are quick and smart, and Scott effortlessly steals the show, softening Westfeldt's brittle cuteness.- Entertainment Weekly
- Posted Mar 7, 2012
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