Entertainment Weekly's Scores

For 7,797 reviews, this publication has graded:
  • 68% higher than the average critic
  • 2% same as the average critic
  • 30% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 13th
Lowest review score: 0 Wide Awake
Score distribution:
7797 movie reviews
  1. The Truth About Cats & Dogs is very funny around the edges... but as the characters begin to hang out together, forming a platonic menage a trois, the mistaken-identity ruse never escalates into true screwball lunacy.
  2. A rousingly square romantic epic spiced with dashes of sex and bloodlust; it's "Robin Hood" meets "The Last of the Mohicans" meets "Death Wish".
  3. Almodovar is positively mature, adapting a novel by Ruth Rendell so deftly that the plot now also describes the invigorating and sometimes disorienting effects of democracy after long years of repression under the Franco regime.
  4. The generosity and gorgeousness with which Aussie writer-director Stephan Elliott (and costume designers Lizzy Gardiner and Tim Chappel) turn this most unlikely road picture into something arresting - if a tad sentimental - in its naive vision of a perfectly tolerant world.
  5. The film knows how absurd this is, yet its triumph is that, by the end, we're actually rooting for Mary to see the library as her salvation.
  6. The movie, like the book, is a work of opportunistic gamesmanship, a luridly farfetched conspiracy thriller masquerading as an inquiry into the zeitgeist. You can't take Disclosure very seriously, yet the film has been made with cleverness and skill, and with a keen eye for the latest styles in corporate paranoia and ruthlessness.
  7. The story, at heart, is earnest and humorless teen romantic glop, but its feelings aren't fake, and the movie is compulsively watchable; it has a passionflower intensity.
  8. As engrossing and logic-resistant as the state of dreaming it seeks to replicate, Christopher Nolan's audacious new creation demands further study to fully absorb the multiple, simultaneous stories Nolan finagles into one narrative experience.
  9. The whole movie is a diversionary activity. It's trash so compacted it glows.
  10. Jeunet maintains a firm control of his dreamscape creation, drawing on influences as varied as "Toy Story," "Children of Paradise," and TV's "Mission: Impossible."
  11. An enjoyably supercharged and ultraviolent teen-rebel comic-book fantasy that might be described -- in spirit, at least -- as reality-based.
    • 67 Metascore
    • 83 Reviewed by
      Ty Burr
    Maquiling has built and sustained a mood of lovely comic aplomb. Like one of its hero's daydreams, the film evaporates on contact and leaves a serene glow.
  12. Let loose in a plot that's surprisingly modern about sex and relationships, Morton gives Eva's torn longings an immediacy that transcends a lot of damp, 1950s rusticated preciousness.
  13. Will take you places you haven't been, and also places you have.
  14. Wiseman reveals the victims of domestic abuse in all of their pity and terror.
  15. The fascination of Confessions of a Dangerous Mind, the sharp, funny, unreasonably compelling adaptation of Barris' autobiography, is the way it soft-shoes past our skepticism.
  16. People Say I'm Crazy doesn't defuse, or romanticize, the trauma of mental illness. It just humanizes it.
  17. Unlike the first two Decline films, this one is only tangentially concerned with music.
  18. Luc Jacquet's exquisitely shot eye-of-God study of a year in the lives of these distinctive birds is a nature film built with a feel for the epic and a love of operatic narrative.
  19. The soft-spoken, impressionistic documentary (with a hypnotic score built from the sounds of construction) climaxes with a six-minute helicopter-cam view of the colossal structure to which these somebodies have been dedicating their sweat, and sometimes their very lives.
  20. The grand old filmmaker frames each scene like a fine painting. And fake snow falls with happy artificiality between rueful vignettes.
  21. Steel City could have used more rhythmic drive, but if Jun keeps weaving together characters this compelling, he could be a major film artist in the making.
  22. Joshua does grow a bit repetitious (it lacks the cathartic climaxes of a horror film), yet it has cool and savvy fun with your fears.
  23. There's an unconvincing last-act twist, but this is the movie "Little Children" wanted to be.
  24. The words belong to Mr. Shakespeare. All else in this Macbeth is the pleasurably fevered invention of brash Australian director Geoffrey Wright.
  25. Gentle study in human resilience and luck.
  26. If all this sounds awfully classroom-bound, it isn't -- far from it. Each man's story as he tells it is riveting, truly stranger than fiction, and awesome, too, in the way of unfathomable humans.
  27. A highbrow chick flick that made me feel older, in a good way.
  28. Can a movie be gripping and repellent at the same time? In Funny Games, a mockingly sadistic and terrifying watch-the-middle-class-writhe-like-stuck-pigs thriller, the director Michael Haneke puts his characters in a vise, and the audience too.
  29. Chiara Mastroianni charms here just as her maman, Catherine Deneuve, did in Demy's 1964 classic.

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