My suspicion is that Dragon Star Varnir will be remembered as one of Idea Factory’s greatest. There are some corners cut with the gameplay, and the Switch port isn’t ideal, but the concept, theming, art and narrative are all so different that this stands as one of the more interesting and narratively innovative take on the Grimm brothers tradition.

Farming Simulator remains an excellent experience. It’s educational, in that you’ll walk away with it with an appreciation for what farmers go through so you can eat. At the same time, once you are familiar with its systems and loops, it becomes laid back and almost meditative for the way you’ll go about what is mechanically a repetitive grind, but aesthetically and thematically a rewarding loop that keeps you both engaged and stress-free. Farming Simulator continues to appear like it should be a mess of paradoxes, yet in action, it just works.

Despite the issues with balance, juvenile moments in the writing, and the occasional bug that suggested the ambition of the game slightly overextended its budget, Sword Art Online: Fatal Bullet is the best video game entry in this particular franchise.

Management games are, of course, incredibly niche, but as SEGA's Football Manager series has proven, there's a lot of potential in there for these games to also be utterly life-consuming. Is Franchise Hockey Manager 3 up to that standard? No quite, but it's on the right path.

There's something compelling about building up a farming empire. If nothing else, the developers are doing genuinely good work in highlighting a job that we should all be much more aware of. We don't survive without our farmers, after all.

If you are a roguelike fan, then this is a lovely, charming, colourful and traditional take on the genre, and it's the first really good example of that on the Nintendo Switch to date. For that reason alone it's the superior version of one of the more fundamentally enjoyable roguelikes I've played in quite a few years now.

It is a testament to Suda's forward thinking that all these years later The Silver Case manages to succeed in its storytelling. This is especially true in terms of the way it builds quirky characters and a quality hardboiled detective plot. The Silver Case takes a little time to find its footing, but it finishes more strongly than it begins, and is a real treat for genre fans.

The Franz Kafka Game is an interesting attempt at representing Kafka’s narrative style in an interactive medium. It’s not always going to be fun to play, but it’s a memorable experience which relies upon witty writing and clever design rather than technology or rewards systems. This is a game which is often confusing and unintuitive, but it gets away with it under the guise of being true to its source material. If you’re in a pensive mood and want to play something that’ll make you think, The Franz Kafka game will gently help you let go of reality and embrace the absurd.

It makes a good transition from PC to console, but Rebel Galaxy was far too vapid and uninspired to be a really stand out game in the first place. While that means it's not terrible, it's also a complete waste of what the far reaches of outer space offers for creative narrative, and this is deeply disappointing.

Yu-No's biggest problem is that it's a game that deserves a lot of respect for its intricate, intelligent storytelling and nuanced look at deeper themes, but unlike the legendary visual novels that people do tend to take seriously (Steins;Gate or Danganronpa, for example), Yu-No's fan servicey elements are on the juvenile side of things just often enough that certain elements of the community will dismiss the game on that basis. It deserves better than that, because Yu-No is a brilliantly written, seminal visual novel, and even in the fan service it gets things right far, far more often than it misfires.

While Ikai’s a missed opportunity, it’s not one that necessarily should be missed. It’s not overlong, has some vivid imagery, and while the puzzles are almost laughable at times for how out of place they are, the actual design of them remains interesting right throughout. I’m glad I played Ikai, but I doubt I’ll play it again.

Biomutant's concept of a colourful post-apocalyptic kung-fu adventure is an intriguing one, and when all the pieces come together, it can be a riveting ride. The world is rich and exciting to explore, with plenty of hidden secrets to find and an important, convincing environmental message tied into it and a lot of freedom in how you build your character. But poor pacing holds back the narrative potential, and for all its open-endedness, a lack of finesse in the combat system leaves Biomutant feeling messy and awkward instead of hitting those stylish action high notes it's shooting for.

There’s room for improvement, and it’ll be interesting to see how that takes shape, given that they’ve said the plan is not for annual sports game style releases, but instead iterative development over many years. Maybe adding in a cage match, smoothing out some of the games’ slightly rougher animations, even if they are hand-drawn, and adding commentary would be good for a start. Yes, I know, I’m asking for them to add in even more DLC, but it seems like that’s what they actively want to do here, and it might just be the right approach for the challenger brand.

Fated: The Silent Oath is exactly the kind of game that VR was made for, and it’s nice to finally see the technology put to work on small, intimate, emotive character drama. The good news is that this is the first part of what’s planned to be a multi-episode game, and I’m really looking forward to spending more time in this world, with these people.

I highly recommend playing Earth Defense Force 4.1: The Shadow of New Despair with a friend or three. And then, only if you're all fans of incredibly cheesy science fiction films. If you can get the right group together, the fact there are over 100 levels to play through means this will be a lot of long-lasting fun.

There is a lot of thought that has been put into this game's survival modes, and people will enjoy that side of things. It's just a shame that thought couldn't be put into the rest of the game.

Yonder is the nicest, and yet most deeply transgressive game we’ve seen in our little section of the art world, for quite some time, if not forever.

Fallen Legion shows all the potential in the world to become a great IP. The core ideas are strong, and the attempt to tell an interesting, deep story is admirable. Unfortunately this one doesn’t execute on its ideas as well as it should, and, critically, this lets down the game's themes, but it is on the cusp of being something special.

Between a battle system unlike anything I’ve seen before and a story that pushes the boundaries of comedy, Akiba’s Trip has plenty of personality going for it. Expanding on the world of Akihabara itself would have elevated the experience into a truly classic one, but as is, fans of niche experiences still ought to take this trip.

Although the satire doesn’t localise as well as I might have liked, the game’s not as straightforward in its perversions that a surface level analysis makes it seem, and I’ll be disappointed if there aren’t at least some people that recognise this.

It has a style of play that allows it to be incredibly challenging if you are going for as many stars as quickly as possible, but it also allows you to feed Om Nom and move on to the next level - handy for younger players.

8BitBoy is a great throwback to the NES era of platform gaming where skill and mastery were required if you were to make it through to the end of the game. It’s games like these that remind us that button mashing does not always win the day and sometimes, just sometimes, perseverance can be a reward into itself.

The game lacks originality and suffers from a lack of narrative, and those two factors aren't enough to make up for the decent puzzles.

Ultimately The Sun and Moon just isn’t unique enough that it justifies sitting through the poor presentation. Puzzle games are dime a dozen on every platform out there.

Despite its lack of content, SpiritSphere is still a blast for the first few rounds of play. If you’ve got friends who don’t have much time for a long haul multiplayer game, but still want some fast paced action, SpiritSphere has you covered. It’s an interesting look at how nostalgic and culturally significant footnotes in gaming can be remixed and re-appropriated into completely new experiences.

I’m still glad that we’ve got Castle of Shikigami on Steam; flawed as it is, it’s a fun, creative shoot ‘em up and an important part of the genre’s history. Here’s hoping that its two sequels are also in the pipeline, because by most accounts, they’re a huge improvement on the good groundwork set down by this game.

I really wanted to love SwapQuest but it's neither memorable nor essential in any sense of the word. That's not to say it's a bad game, because it's not. It's still fun to play, but as an experiment in mixing a puzzle genre with the RPG, it's proof that this particular genre isn't necessarily easy to smash together.

Despite the dull combat system and the infuriating card collecting mechanic, it manages to tell a fascinating and surprisingly relatable story that should be experienced at least once.