This will be the game that I play for ten minute sessions on the train, or on, well, bathroom breaks, for some time to come. But I'd be lying if I claimed that I was not disappointed in realising that there is no scenario where I might play this for an entire afternoon at a time. It's really not that kind of game, and quite unlikely other Harvest Moon games in that regard. But by the same token I don't think that Seeds of Memories is a failure by any means and it's a game that I am very glad to have on my iPhone.

Unlike Nintendo's Mini NES retro console that was released last year, this is a more difficult package to recommend to people that didn’t grow up playing the games. I don’t think there’s been a better effort to archive the games on the Atari 2600 and bring them to modern players, but I just don’t think the people used to complex worlds, storytelling and gameplay that we have today will understand the value of these older games. But older players may well get a kick out of playing Basic Math again, to remind them of just how hard it was to act out excitement on that Christmas day when their parents thought they had found the perfect gift.

It might not have the charm of Harvest Moon, but there’s a purity to the experience in Farming Simulator 18 that also means it avoids the irritants.

There are little issues that mean that Undead Darlings wears its "indie" spirit on its sleeve. Voice acting is uneven, with different actors sounding like they recorded the lines at different volumes and using different equipment, with no effort to equalise the sound. The characters are attractive and charming but some of the key art lacks for energy, detail, or really in highlighting any particular scene of note. However, all of that is more than forgivable. Undead Darlings comes across as a work of passion and creative energy, and I rarely see a game as inherently enthusiastic as that one. However flawed and rough it is, this is one very admirable little experience.

I truly wish I had better things to say about Spray Paint Simulator. I do have good things to say: it’s really chill, the graphics are vibrant, the painting gameplay is great, and the options cover a good amount of possibilities. Unfortunately, the game is weighed down by its clunkiness and lack of story. (Yes, even a game about spray painting needs a story.) I would like to say I will go back to it, but I’m left wondering if I’ll ever feel that itch to return.

Senran Kagura: Estival Versus is great fun, combining the rawest of Japanese-style raunch humour with a tight and mechanically sound combat system.

Cuts to the core of an action JRPG, the combat, and does an admirable job of making something worthwhile out of it.

Armed Seven is a worthy genre piece. It is an easy recommend for any shmup fan out there, and though its short length may turn some off (it only has six levels), the brutal, merciless nature of the game, and the robust controls should be more than entertaining enough to encourage you to come back to try to master at least one combination of weapons.

There's quite a few levels to work through in Jydge, so you'll get your money's worth. There's probably no reason to go for both this and Neon Chrome, though. There's just not enough variety in how the games play (or indeed their visual design) to sustain them across two titles. I like the idea of spinning this setting into a franchise, as there's potential there, but giving another genre a crack would be a good idea at this point.

The visual update is beautiful, the orchestrated soundtrack is gorgeous, and, let's face it, if a developer were to fully modernise MediEvil, the result would likely lose all of the series charm by bloating it out with endless side-quests, open worlds, and some Very. Serious. Violence (TM). MediEvil is a rare bit of whimsy from modern Sony, and so while it plays a little bit too much like an artifact of yesteryear, it still got me smiling.

Managing your deck is nearly as exciting as the battles in its own way. Nabbing new booster packs and busting them open with the touch screen is a simple joy that offers a little joyful suspense every time you acquire new cards.

It’s got all the hallmarks of a successful JRPG, but dressing it up in beautiful hand-drawn maps and a stunning soundtrack hasn’t gone far enough in helping to conceal its flaws. It’s a shame, because the bones of a great game are there. They’re just too bogged down in a shaky delivery to be enjoyed in the manner that they deserve.

Thank goodness The Legend of Legacy is on a portable system, because once you start you’ll find time anywhere to play: you’ll get in a few more rounds of grinding on the bus, or a few steps closer to your self-imposed goal while waiting in line in a government office. The classic JRPG elements combined with the characters, the story, the graphics, and the music make this a game not to miss out on.

It’s a hugely entertaining, visually striking experience, and has instantly become my favourite multiplayer title on the PlayStation 4.

It's silly, but taken in the right sense, it's a satirical adventure that sits on the right side of quality entertainment.

There’s a lot to like in Vikings, even if the game’s never able to effectively articulate how it’s different to the genre’s greats. It manages - just - to be more than a by-the-numbers Diablo clone thanks to the creative energy that went into its bosses and environment design, but it relies too heavily on that, and the assumption that you’ll be playing the game in multiplayer. As a single player experience, the limits on what Vikings can offer become distracting; making it good for a lazy afternoon of grinding fun, but not something that you’ll remember over the longer term.

As with the main Danganronpa games, there’s a number of serious subtexts to Ultra Despair Girls, and actually digging into these themes makes it clear that the game’s a lot smarter than it might appear at first.

The Museum Archives are by no means the perfect collection - they're the wrong ports in that the NES ports rather than the arcade originals are in there, and there are many compilations that have more games in them. With that being said, there's not single dud game in this collection, and whether they're as well known as Pac-Man or as obscure as Dragon Spirit, they're all genuine all-time classics. You buy either of these collections and you'll be coming back to them for years to come.

It's not an original game by any means, though it also doesn't do anything wrong. I'd be surprised if this game was still finding new fans at this stage, but it's not a bad one to have on the Nintendo Switch for playing on the go either.

I always have been, whether it's the writings on T.S. Eliot and Poe, films from The Cabinet of Dr Caligari through to Blade Runner, the music of Nick Cave, or games like I Am Setsuna and, now, Crystar. That Crystar manages to be so layered and nuanced with that theme makes it all the more impressive. FuRyu continues to be the publisher to watch for anyone who likes their games with a bit of genuine artistic credibility.

While I probably enjoy Katana Kami more as a cultural work than a game, such as it is, that’s so much more important to me anyway.

There's a lot to like about White Night, if for no other reason than it genuinely is different and these is real potential for this to spin out into a franchise if the development team can do a better job of rationalising the noir elements and figuring out the solution to a frustrating Easter egg hunt in the dark. The underlying vision alone makes it worth a look, but it's not going to be quite remembered as the same innovative experience as those pioneering horror games it references back to.

There’s not much wrong with We Happy Few that can’t be fixed with some patches, and regardless of what happens there, the game has a narrative that is brave, intelligently crafted, and so incredibly poignant.

Despite being limited in scope and the very definition of a cult game, Deception IV: Blood Ties is a darkly comic and entertaining game.

The biggest problem that DioField Chronicle faces is probably its theme. Post Elden Ring, Dark Souls, Game of Thrones, the new Lord of the Rings TV series, and all the rest, you’ve got to wonder whether dark Euro-fantasy is starting to wear thin on audiences. With that being said, the elevated presentation and abstract qualities of the game will hopefully help it find an audience even among those that are bored of the standard approach to the genre, and the relatively fresh take on real-time combat will hopefully help intrigue people. When you consider that 2022 has arguably been the best year of all time for the sheer quantity of excellent JRPG releases, the fact that DioField Chronicle comes across as a fresh and different approach to all of them is a truly impressive feat.

While I don’t think Criminal Girls 2 goes anywhere near far enough to be the extreme Sadean experience that it clearly wants to be, at least we have a game that achieves something down that path. Art needs extreme experiences, and genuinely extreme experiences (aside from those laden with gore) are rare indeed in this industry. Kudos to NISA for not only taking a chance on the first Criminal Girls, but backing up its faith that people do appreciate this kind of experience by localising the second too.

If there was forward momentum on the subsequent chapters, or some kind of guarantee that the story will actually be completed, then Corpse Party 2 would be essential. I love this series for its sublime use of horror language and the pictures it paints with words rather than relying on (just) the visual grotesque. But this "latest" entry into the franchise only gets to be great if it's actually finished.

As the latest burger off the production line, Gotham Knights is fine. It ticks all the boxes, name-drops all the right characters, has the right voice actors, and is a big, expensive project that looks and plays like it should. At the end of the day, though, you’re still eating a greasy burger with no nutritional value whatsoever. While it’s fine to say “yeah but sometimes that’s fun,” there is a point where we need to acknowledge that this is all some people eat. That’s not healthy and I, for one, am sick of superhero nonsense being such a vacuum of talent producing such mindless output, when the games industry (and Hollywood) could be doing so much more.