If the idea of truly great dungeon exploration appeals to you, Ruzar is a must buy. It's rare that you see a game focus so deliberately on one facet of their genre's appeal, yet Ruzar manages it and absolutely nails it too. Just don't go in expecting a deep character building experience or a rich plot - you're going in alone, and it's just you against the dungeon.

Who knows if this one will find the audience that it deserves. Unfortunately, it's one of those indies that appears just derivative enough to overlook, especially when, for many people, Wargroove has been all the Advance Wars action they've needed over the past year. But Warborn has its own merits. It's a sharper and more dynamic tactics strategy game, and what initially seems like limitations with a small number of units and game modes proves to be this game's great strength by allowing it to deliver the kind of balance that even the best tactics games struggle with.

As new characters emerge near the end of this chapter, it appears that the storytelling is going to continue to grow even more bleak and grim. For a game drenched in neon colours and featuring new takes on childhood fables, this is an accomplishment in and of itself.

A wild success, building upon previous generic conventions to craft a highly satisfying experience. The elements of puzzle and platformer mesh so well that I have to wonder why other games aren't this good - X10 manages to make the impeccable mechanic and level design seem effortless.

Mega Man Legacy Collection is a solid collection of games that has a handful of technical issues that I understand being there, though my personal preference would have been to clean them up. The additional content and features do a great job of putting the bow on an already great package.

Plants vs Zombies: Garden Warfare 2 manages to bottle up something magical and succeed a second time in a row.

When I find that my complaints largely have to do with wishing there was more content in a game that is already perfectly sufficient, I know that I’ve had a good time. It feels strange to call Pac-Man World a “classic,” but the numbers don’t lie. The original game sold 1.5 million units, was well-received by critics and justified a number of sequels. Bandai Namco is most justified in trying this on to see if there’s room to revive the Pac-Man World property with new games, and based on the quality of this, I’d like to see what a new Pac-Man World looks like down the track.

For all the beauty and the brains behind Expeditions: Viking, the one gripe of mine that chips away at its score is the bugginess.

Unepic is a solid game that holds up very well throughout. It offers up a stiff challenge, while maintaining a sound sense of humour, and will go down especially well with those of us that remember (or still play) all-night Dungeons & Dragons sessions.

Having played some incredible indie JRPGs already this year, Alpha Kimori takes the lead by perhaps being my number one. While part 1 may be a bit short, it more than makes up for it with its well written story and believable characters.

All in all SMITE offers up a refreshing take on the MOBA genre. It is not a genre I spend a lot of time with, but I can already say that I have found SMITE to be more to my liking than any of the others I have played so far.

The Switch has a surprisingly good range of digital board games now, and the absolutely brilliant Wingspan is just around the corner. Evolution holds its own; it's an entertaining game mechanically, and benefits from being accessible to players of all ages and having an educational thrust behind it. It's no lecture, nor is it preachy, but it will certainly help you frame an understanding (and interest) in ecosystems and evolution. All brought together, it's a wholesome good time.

Make no mistake – despite my criticisms, Apollo Justice is an unforgettable entry in the Ace Attorney series. It serves to push the series’ overarching plot forward in meaningful ways while hammering home the value of truth to a world that so desperately tries to avoid it. It even represents the peak of comedy in a series that is renowned for it.

Most importantly from my perspective, Aveline is the most worthwhile female lead character since Ubisoft's own Jade from Beyond Good & Evil.

Either way, underneath that surface of naked or nearly naked anime girls is a quality dungeon crawler, and one that deserves notice.

At this point, EasyTech strategy games are a known quantity on Nintendo Switch. They’re light, streamlined strategy games, however, they also avoid the pitfalls of many other strategy titles developed for mobile first. They aren’t condescending to the player's intelligence, and are willing to challenge and even "beat" poor play. Furthermore, they don’t rely on unbalanced mechanics to determine victory like is standard for free-to-play titles. I am disappointed that the history is such a light brush that it’s barely present and I walked out of Grand Conqueror Rome with little better understanding on where to begin learning about ancient Rome than I had going in, but for most people that won’t be an issue. What they will get is more than enough tactical strategy action to last them for many months to come.

Fairy Fencer F: Refrain Chord is a fine sequel that I never thought would happen. Yes, it doesn’t do anything too innovative or different. However, it does combine personable and genuinely enjoyable characters, raunchy and anime nonsense humour that I couldn’t help but laugh along with, and some simple, but clean tactical action. The long and short of it is that it has been a real joy to hang out with this gang again and go on one more hilariously juvenile adventure with them (especially Tiara. I love her so much).

Football Manager Classic is an incremental improvement on the previous games in the series on the iPad, but between those improvements and the updated roster, people who belong to its niche will find this absolutely essential stuff.

Hyakki Castle puts up a welcome challenge and offers players something rooted in a very authentic Japanese (Shinto) spirituality. It's an artifact of the country and comes from the same place that the likes of Okami, Nioh and God Wars does. It's truly amazing that the Nintendo Switch has had three of those four released on it in the span of just a couple of weeks.

The one and only problem with Labyrinth of Galleria: The Moon Society is that it is a sequel. Where its predecessor was so memorable because of the way it played with genre and convention, Galleria has the unfortunate distinction of being more of the same, and therefore no longer a surprising delight. It still tells a wildly entertaining story, has a tight and creatively different approach to dungeon crawling, and is a great way to spend 40-50 hours of your time. It’s just not as exciting because it’s no longer different.

It could be argued that this is more of an incremental improvement over the second Forza Horizon game because the overall formula is not drastically different from what has come before. However, almost every single aspect from the changing weather and gameplay tweaks provide an improved experience that makes the exploration of virtual Australia an absolute joy.

But it’s nice to have the genesis of such a storied series available, too. Like with any art form, being able to track the progress and changes that occur over time has inherent value to people who love the medium, and games like Nobunaga’s Ambition are like settling down to a vintage Humphrey Bogart or Charlie Chaplin film: they help you to appreciate the entire medium all the more.

If the story and art style doesn’t interest you, then the combat will absolutely draw you in.

Mario Party has been a multiplayer mainstay for me since right back with the original on N64. To this day the first three are on high rotation thanks to the N64 Online app. It’s really lovely to see Nintendo find creative form with Super Mario Party Jamboree by producing something that largely focuses on the basics. The new maps are excellent, the range of minigames is a delight, the bonus modes are fun, and the energy is playful and joyous. I went into this thinking it would be Nintendo’s equivalent to filler leading into the Christmas season. Turns out it was much more than that and this is a major project that everyone that enjoys multiplayer should pick up.

The adventure doesn't have great replay value, but the first time through it's long enough, and the price of admission is absolutely worth it.

Battle Princess of Arcadias is a beautiful game, and it has a truly charming narrative and set of characters.

Varney Lake was, at its heart, exactly what I expected it to be: a mystery story, a horror story, and a coming-of-age story all rolled into one neat package. There’s even some surprises in there. Playing Mothmen 1966 first was definitely useful for referencing characters, but it’s not absolutely necessary to play it first. The developer did a wonderful job at creating an immersive experience while confined to the visual standard it set for itself. I’m eagerly awaiting the final title in the series: Bahnsen Knights is about a cult. I’m also awaiting further news on the recently-announced Pixel Pulp physical edition for Nintendo Switch, which I will definitely be adding to my collection.

Even that's ultimately part of the charm of Elex II though, because it was a game made by RPG enthusiasts for RPG enthusiasts, and min-maxing is, ultimately, a big part of this community. Though the game comes across as an impenetrable club members-only experience at times, the creativity and energy behind it is impossible to deny. Frankly, I would rather play something like this, bugs and all, than something overproduced and so safe that it puts me to sleep.