If you're willing to go at it again and again with Orgarhythm, you'll find that it's a pretty rewarding experience, and you'll have a ton of fun in the process.

I would have liked to to see a little more story interspersed throughout the game, but I also respect the creative decision to keep the narrative to a minimum. Though the price may seem a little steep for a game of this complexity and length, there is no denying that NightSky accomplishes just about everything it sets out to do.

It's a solid start for a game capable of excellence, but so frequently squanders the credit it earns on frankly confusing design.

Charmless, cynical, and uninspired, Warfighter encapsulates everything wrong with the annual big budget shooter industry. It's really not an awful game, it's just insipid and shallow, a title that exists solely to exist, and squeeze whatever profit remains to be had from serving the same flavorless porridge to the same unadventurous customers.

While The "Denpa" Men may not be complex or particularly innovative, it offers more than enough content to keep fans of classic RPGs busy, all wrapped up in a strange and charming one-piece pajama jumpsuit.

The game may tease you, exhaust you, and possibly destroy you with its boss encounters and awful forced stealth level, but it all builds toward a focused, dark vision unlike much else in the medium.

So much of what makes the game a repugnant mess in the opening soon makes sense by the end of chapter one, but many problems introduced at the start never fade away.

It's a piece of videogame history and a shining example of what can be done to create an experience so much more immersive than the Heavy Rains of today. I just can't rate the port as highly as I'd rate the core experience itself.

DBZ for Kinect is just what you'd expect: a half-realized game for a half-realized piece of hardware.

Whether you have the energy to experience all of that entertainment depends entirely on your tolerance for non-stop, mostly immutable FPS action, but nevertheless, this is worth nabbing for any DOOM fan currently not rocking a gaming rig.

A simple but incredibly enjoyable game, packed with content should you decide to explore every nook and cranny. Despite the fact that a lot of the characters are pay-walled behind what is essentially physical DLC, it's still perfectly serviceable even with just the characters in the standard package.

While those of you who played it before are probably better off not double dipping, everyone else who's a fan of lighthearted simulations will most likely want to give this a shot.

It's exciting, and damn is it important, but it's still the weakest of the bunch.

Captain Scarlett's end-game shenanigans notwithstanding, this remains a thorough and thoughtful addendum to Borderlands 2. It's funny and confident in its storytelling and presentation with enough variation in enemy design and mission structure to stand out against the enormous backdrop of the core game.

I don't know why this sequel exists, outside of a cynical cash-grab or a frankly ridiculous belief that the original was almost perfect and could get away with trying the same trick twice. Both circumstances are unforgivable. No game about a psychopathic teddybear should be this dreadful.

Worms Revolution is as good as the franchise has ever been. It's good old psychotic fun, and that's all I really wanted. Yet, after 17 years, it's still very much the same game.

Regardless of whatever technical and aesthetic issues there may be, Half-Minute Hero is still a fantastic and unique game worth experiencing if you haven't had the chance already.

At times beautiful, hilarious, and even occasionally thoughtful, this is a one-of-a-kind action-RPG that deserves your consideration, if not your monetary vote. There's certainly nothing quite like it, and for all its foibles, when it hits its mark, it does so with vigor.

The fact that you can import music from the first two games is one of the most appealing aspects of Dance Central 3, as I personally have benefited thanks to owning more songs than I know what to do with. It's absolutely perfect for Party mode, as you almost never hear the same song twice, and Harmonix should be commended for this kind of support.

If it had expanded the latter half of the adventure more and focused less on the plant puzzles, it would have been near-perfect.

Playground Games took a humungous, beautiful world, packed it full of entertaining challenges and events, added in tons of personality and style, and built it all around the proven Forza tech, giving racing game fans an exceptional automotive experience that they didn't even know they wanted. For as much as I love Forza Motorsport, it's going to be hard to go back after this.

At worst, Tiny Troopers is a forgettable distraction. It works as intended (most of the time), it's easy to get into, and there are some tough missions for those looking for a challenge. It isn't really bad, it's just rather boring.

Right now, it's a lot of fun, and while lacking in some key areas, it also has the potential to grow into something that will keep players slaughtering each other for a long time to come. It's competitive, skill-based, I suck at it, and I know I'll be playing it tonight.

NHL 13, at its most basic level, is just fun to play when you get right down to it, even for someone who might only watch hockey during the playoffs and Olympics, or not at all.

I think Code of Princess will go on to be one of those cult-classic games that gamers will bring up in their 'must-play games' list for the 3DS, just like Guardian Heroes. It's really that good. That 'spiritual successor' label? Totally worthy. This is a beautifully crafted side-scrolling beat-'em-up that has no equal on the 3DS, and the love that went into the localization makes it that much better.

The Journey wants so desperately to impress you, but it can only ever ruin your day.

Against all odds, Destructoid managed to save the galaxy, even though we barely manage to keep this site running. That's a story worth seeing to its end, even if I'll soon forget it as many more stories play out in my future XCOM sessions. All the small nagging complaints I have with the game fade away when I recall all the great moments I've had with it.

It's the big intellectual property that comes to retail and shows up the competition by being bold, original, and -- more importantly -- brilliant. Easily deserving of its place among the BioShocks and the Borderlandses, Arkane's aggressive, non-aggressive, unsubtle, sneaky, thoroughly versatile tale of intrigue makes for the kind of game that reminds us this generation isn't all straightforward shooters and "me too" trend-seekers.