In years to come, Unit 13 will likely not be remembered by a great many people, but for right now, it's a good indicator of what the future of console-equivalent experiences will feel like on Sony's newest portable. The future's looking promising.

Getting everyone or everything to behave how you want in a mission or a puzzle makes thing just extra aggravating.

My enjoyment of Farpoint is inherently tethered to my experience with it in VR. As a shooter it's only slightly above average. But the team was able to incorporate various elements of sight, sound, and touch (by way of the Aim Controller) to elevate it.

If you fancy embarking on a roller coaster ride of ups and downs in the emotion department, this is certainly worth the asking price. It's a definite purchase for fans of horror games and/or visual novels, but I think that should you have a PSP and aren't against buying one of the top games I've had the pleasure of playing this year, you really should try it out.

Ikachan is a marvelous introduction to a much larger, more ambitious game. But that's all it is: an introduction. If you are willing to accept that, you'll happily enjoy the short time you spend in its watery world.

Tachyon Project isn't a remarkable shooter, but it's well-designed on several levels. There's no multiplayer to speak here, but with a decent campaign, lots of customization, and New Game+/Endless modes, you'll be perfectly fine going at it solo.

While the game is playable on both desktops and the Oculus Rift, the difference is minimal. Playing on the Rift makes it easier for those with the manual to keep from sneaking peeks at the screen, while also using your main computer screen as a location to pull up a copy of the manual, but it is just as easily played on any PC. [Tested with Oculus Rift]

If you absolutely must have this on your Switch or don't already own it on another platform, Little Inferno is perfectly fine on Nintendo's new box. The added cooperative functionality has some benefits, but I wouldn't say you're missing out if you opt for a different platform.

The Pact is a fair episode, with some familiar faces and a couple of great scenes. But due to its odd plotting, overbooked roster, and distracting technical flaws, it didn't suck me in like the previous chapter did. Still, outside of the horrible lock-up issues, it was an acceptable way to while away two hours. I'm intrigued to see where the story goes next.

Humble Hearts has another fun little game on its hands with Never Stop Sneakin'. It's far from perfect and lacks the variety in level and boss design that would make me want to keep coming back, but the fast run-based gameplay is addictive as hell, and I do love those blocky polygon character models.

Cross Rays still has room to improve for both presentation and gameplay elements, but the new changes result in a better game. In an era where many Gundam games are failing to improve over their predecessor, seeing Cross Rays try and succeed to be a better game is a much-needed sight. Hopefully the team at Tom Create keeps the trend going with the next one, because they have the foundation needed to create something special, especially if they make it a crossover entry.

The gameplay is just overwhelmingly underwhelming. Poor exploration, unimpressive combat, and a merely passable narrative can’t be made up for by aesthetics. Which is too bad, because the aesthetics are terrific. The backgrounds have a stunning amount of variety to them and are of almost poetic quality. I suppose if you saw Trek to Yomi and this is what grabbed you, then you’re all set. However, if you want strong gameplay to back that up, then it just isn’t worth the trek.

I'm not sure Pac-Man World Re-Pac is going to lure in many more fans, but the ones it already had should be happy with this new packaging.

Even with the slow grind, I have no reservations saying Stranger of Sword City is a damn fine dungeon crawler.

Taken on its own terms, though, with God Eater 3 we have a pretty hunting game that moves like lightning and makes its stylish combat feel like something worth mastering. Players willing to adjust their expectations will find plenty to fill up on, but those seeking a novel new taste rather than a bit of comfort food may want to keep looking.

Although there is some excellent work put in by Catwoman and John Doe, Fractured Mask is ultimately just a series of "Choose A or B" conversations, taking place in overly-familiar locales, with stakes not quite as high as the game would have you believe.

Driveclub is fast and easy to get into, nice to look at, and it has a lot going on in the background to keep you connected and competitive with your club members and other individuals. But that doesn't change the issues in the foreground. Its approachable and enjoyable racing is marred by AI cars that love to unfairly bash and crash on the single-player side. And bugs with the interface and the networking kept me from fully enjoying the multiplayer side.

We expected the worst, but in the end, we were pleasantly surprised by the authenticity of the game's world and the depth of its story. We're glad to say that the little lakeside resort town of Silent Hill continues to be just as messed up as it always was.

It feels like something that was left on the cutting room floor for good reason instead of a complement to the original game.

To take a page from the book of elitist musicians everywhere: "Put down that toy and go play a real plastic guitar."

If you are craving some LotR action or want to play a bold new MOBA, there is a lot to like about Guardians of Middle-earth. It's a shame that its lackluster community and frustrating technical issues get in the way of that.

If InterWave manage to grow alongside the community, Nuclear Dawn could become the most important FPS game to arrive in a long time. Right now, it's a welcome replacement for Team Fortress 2 and stopgap until Natural Selection 2.

Escape Plan never aims to be anything more than a showcase of the PlayStation Vita's touch controls, but said controls are so insensitive and poorly implemented that the best it can hope for is to be used as an example of what not to do when designing a Vita game.

Time has been kind to Modern Warfare 2. The resonance of this particular entry is demonstrated with heartfelt passion in Beenox' high-gloss, finely-tuned remaster. While the overall package is slim and the asking price no doubt steep for some tastes, there's no denying that MW 2's provocative and exciting campaign has aged like wine, an explosive roller-coaster still worth riding.

If you are a fan of mindless, old-school action games you really owe it to yourself to give Blood on the Sand a try. I promise you will be thoroughly entertained. The minute things start to feel repetitive, the game throws in a random driving level or a ludicrous cutscene that you only wish could be rewound and watched again.

Not everyone will feel the same way, but at least Loot Rascals is a rougelike built for the less masochistic folks out there.

It's refreshing to get a game that knows exactly what it wants to do, executes on that idea, but doesn't overstay its welcome. The central mechanic of precision projectile motion is unique, and Lichtspeer plays with the formula enough to keep the experience fresh right up until the end.

A solid but but unspectacular point-and-click adventure. It will scratch the itch to play games of its type but breaks no ground and does little to further the appeal of such games. Its moderate challenge level may be a little low for veteran players, who may find aspects of it disappointing.