X-Men: Destiny is an ugly, boring, lazy little game. Even if it were free, it would be insulting to have one's time wasted in this way, but the fact it's being sold for sixty dollars rubs salt in the wound. It tries to eke out an existence by pretending to be a far richer and more satisfying game than it is, but the promise of a better experience only serves to hammer home just how bad the final product actually is.

There's almost nothing redeeming about it...The biggest problem with Shattered Crystal is the sluggish pace.

The most heartbreaking part of Food Truck Simulator is that the core gameplay is solid-ish, but the foundation they put it on is built out of Saltines. I feel like I could stick my finger into every orifice of the game and come up with a different disease each time. It’s rotten.

From UI, to writing, to systems, this feels like an ancient game that was also, tragically, not given enough time in the oven.

A big mess of a strategy role-playing game, as it seems to fall short on just about every level. Fans of strategy games can easily overlook a lackluster presentation, but Zoids Assault also suffers a severe lack of appealing game play, making it hard to recommend to anyone.

In theory, Tony Hawk: Ride could have been an interesting and fresh gaming experience, and Activision and Robomodo should at least be commended for taking a chance. But in execution, Tony Hawk: Ride falls flat in nearly every aspect.

This game does show signs of promise for the future, and that with more polish and refinements to the formula, we could have a much better game to succeed Exile's End. As is, it's a decent-enough experience that can be really rough around the edges. Only the hardcore metroidvania fans who are starved for games in the genre will find much here.

The idea has merit, but the actual end result is a boring, ugly mess that offers little.

The crashes aren’t the main issue with Elite Squad: it’s the complete predictability and lack of imagination found in every corner of the app that’s the problem. This is nothing more than "Free-to-Play Mobile Game: The Game" with a Tom Clancy skin. A perfectly adequate time-waster, but those are a dime a dozen on smartphones.

The best thing I can say about PO’ed is that it can be completed in around three hours. Aside from that, I really didn’t enjoy it. It’s not the worst FPS I’ve played. For all its problems, it at least isn’t bland. It has its high points, demonstrates a capable development team with a willingness to experiment, it just didn’t result in a fun final product.

Attack on Titan: Humanity in Chains often can't shake the limitations of the 3DS platform, but it captures most of what makes the anime's world so captivating.

Had the board game been an extra feature or weekly activity in the next mainline Animal Crossing game (hint, hint Nintendo), it would easily serve as yet another feature that enhances an already rewarding experience. As its own thing, it fall short. Animal Crossing: amiibo Festival isn't a bad game, save for most of the mini-games, it's just not interesting enough to warrant the long term investment needed to see everything it has to offer.

It doesn't break any new ground, but what it does, it does well enough.

Clumsy, visually sub-par, and disrespectful of the player's time. While it revels in its own stupidity and hopes you'll do the same, it's one of those sad games that believes a ridiculous concept is enough to make for a worthwhile game, and in Tank! Tank! Tank!'s case, that's just not true. Indeed, there's nothing more upsetting than a game that believes, if it's wacky enough, it can get away with being crap.

All the potential was wasted on missions that amount to simple copy-and-paste tactics punctuated by jokes that are an acquired taste, to say the least. It's stitched together with big ideas and interesting concepts, but it never even comes close to being the sum of its parts.

Tournament of Legends isn't the prettiest Wii game, nor is it the most deep and engaging. What it is, however, is a good little fighter that makes good use of the console's interface and truly brings back the feeling of playing a fighting game in the nineties.

Finding hidden objects is a delightful activity for children, but there is no tangible value for anyone looking to play a game.

While there was clear opportunity in the buddy cop formula LA Cops attempted to create, the end result is a mess. Totally undermined by poor teammate AI, the central strategic hook is lost, resulting in a bland game confused about what it wants the player to do.

This game does not in fact rock, but succeeds in doing quite the opposite.

Not even the inclusion of co-op would have made this one any the better, no matter how angry you might be that it was excluded.

Even if it wasn't a gross misuse of a license, Reservoir Dogs: Bloody Days is a boring, buggy game with a universal selling point that's nowhere as fun, or as smart, as it thinks it is. And just like Joe Cabot, I'm so goddamn mad hollering at you guys, I can hardly talk.

Aliens: Colonial Marines is more than a disappointment. It's downright depressing. I can't say if it's the result of a lacking budget, rushed development, or sheer carelessness, but having the nerve to present this as a full retail game is inexcusable. It's simply not finished, and it certainly isn't worthy of being considered a legitimate followup to Aliens.

The old school charm quickly wears off and gives way to a game that simply does not want you to have fun. It's absolutely tragic, because I was just starting to really get into it before the game basically slammed the door in my face and said "f..k off." So I fu..ed off.

The Cartel could have gotten away with being an unremarkable yet playable shooter, but the galling lack of presentation and legitimately uncomfortable audio/visual problems make it an unpleasant experience overall. Unfinished, buggy, and barely fun to play, Call of Juarez: The Cartel is a sloppy serving from people who should know better, and ought to be ashamed of themselves.

There isn't a lot to like here. Banal gameplay, cheap deaths, poor feedback, dull quick-time event combat, bad acting, worse writing, and an overall amateurish presentation. The most enjoyable part of this experience was venting to a colleague about how bad it is.

A shell of an RPG. The idea for the world is there and the idea for a unique battle system is there, but nothing is actually inside these ideas.

The best I could say for Bravo Team is that it existed, seemed to work, did not make me physically ill to play (more than I can say for some categorically better-designed titles, honestly), and was done with before could I grew genuinely resentful. Beyond that, it's a completely perfunctory title that is otherwise unworthy of the studio producing it.

Rodea the Sky Soldier really hits that sweet spot when it comes to evoking the wonder of flight, but the troubled developmental process is tangible in the final build. For those of you who can stomach older experiences however, you'll likely overlook some of its issues and find a lot to love.

Warriors of Troy just about delivers some simple button mashing action without too much fuss, but hack n' slash fans would do best to wait for Dynasty Warriors 7. That game sports more character in a single trailer than this does in the entire experience.

Darkest of Days is the worst first-person shooter of this generation.

All I can say is that it looks as if they at least tried to make an effort, but their attempt to create a digital, small-scale version of Gears has been an absolute failure.

I can't recommend anyone play NightCry unless you have a steel resolve, unlimited time on your hands, and a penchant for terrible physics and animations straight out of the PS2 era.

Last Rebellion is underproduced, underdeveloped, unrefined, unpolished, and ultimately forgettable. And yet, it possesses the foundations of something, that originally intended to strike for greatness.

It doesn't feel like much love went into this project in almost every aspect. It's probably the best game in the Bubsy franchise (not saying much), but also lacks some of the few things that really gave Bubsy any definition at all. It just feels like a random platformer with Bubsy plastered all over it because hey, remember him? Oh also it's thirty dollars. In a year that has brought us a bevvy of amazing platformers, some even revitalizing long-dormant series, Bubsy is easily left behind.

For the relatively low price of four bucks, Dolphin Up is a fair purchase, but I feel it's better suited for mobile devices where it already exists at a slightly lower price. This is exactly the kind of game I could see myself enjoying far more on bus rides rather than on the couch in my living room.

I simply don't understand how this got the green light in its current condition and I am gravely concerned that something like this is going to be sold to people. Maybe it's fine on the PS2, but the Xbox 360 version is poison for your disc tray.

Johnny Kung Fu certainly has its charms, and the dichotomy between the combat levels and the Game & Watch-inspired throwbacks is quite novel. It's just a shame that all the charm is burned through so quickly. The result is a game of extremes with no happy medium -- it's either too simple and brainless or too tedious and frustrating.

If Harmonix Music VR sounds like your jam, it probably is. Plopping on the helmet after eating your favorite comfort food can make for a really relaxing afternoon, but the other modes aren't even worth the time of day.

I really can't stress how much fun NPPL Championship Paintball 2009 can be, provided you take it upon yourself to make it fun. Unfortunately, there's not much to keep the player engaged for the long run -- a fact exacerbated by the awkward animation, minor technical snafus, and the mid-nineties, Gen-X rut the soundtrack fell into.

Ultimately, Pirates Vs. Ninja Dodgeball is a waste of time.

Variety could have really done wonders here. Even with a small budget, tiny nuances like sword animations, items in the shop, and mini-boss depth could have gone a long way. Witch and Hero takes a simple, charming concept and somehow manages to make it repetitive, dry, and unfun.

As it stands, playing Bombshell for more than an hour at a time is like ingesting a sedative, save for flashes of rage as you fall through the map one more time or are asked to find six more crystals.

It isn't worth your time for the 30 seconds worth of fun that it produces.

Okay, so that's the disappointing campaign knocked out, but there's another major element to Devil's Third -- the multiplayer. Simply put, this is far more robust than the story, with tons of rewards, silly cosmetic options, and gear to choose from.

Once the game begins and things actually have to be rendered in motion, the facade slips away and the game's unfortunate, misshapen, true form is revealed. Outside of the fantastically realized hallways and background details, everything else looks like trash.

There's nothing really special about Hatred. It's a twin-stick shooter. It has guns in it. It has objectives. Most of the time those objectives involve acting like a menace to society or blowing stuff up. It doesn't have anything new to bring to the table, or anything interesting to say about the genre. You can go back to yelling at it now if you want.

The whole package feels extremely light on content, and even a bit rushed. With reused assets, features missing that were in previous titles, added microtransactions, a lack of characters, and lots of grinding, it is hard to recommend this to even the most titty-starved gamer. You'd be better served watching videos of the spicier scenes online or just going to any number of free porn sites, thus saving yourself the time, money, and brain cells that would otherwise be spent on this.

As it stands, you should absolutely hold off on Surgeon Simulator: Experience Reality for PlayStation VR until the controls are overhauled in the planned update. I ended up having some fun once I learned how to work around those glaring issues to a certain extent, but even in the best of times, it was a struggle. It's a shame the launch went this way, because there's an entertaining VR experience buried in here.

If you're a die-hard fan of the Transformers film series, I would recommend picking up Rise of the Dark Spark when it's heavily discounted (like, under $10) with a group of friends just to play Escalation.

There aren't many runners on consoles, and the genre deserved better. They can be special at times and at the very least a fun time waster, but funk this.

To take a game with so much promise, so much potential, and do absolutely nothing with it is a crime. Naughty Bear is a flat, dreary, completely boring game that relies on its core premise without doing anything to expand upon it. It desperately wants to be seen as irreverent, edgy and funny, but it is none of these things.

The worst part is that MindJack's implementation of the shooter is so imbalanced and guileless that it actually harms the game.

Maybe they did bite off more than they could chew, but they at least had aspiration. None the less, Venetica's over-ambition is its own downfall. The many imperfections that would be ironed out from larger more successful RPGs have not been attended to rendering the game as frustrating, which is a pity.

If the presentation wasn't so horrible, One Piece: Romance Dawn would be a decent way for a JRPG fan to spend an afternoon after they've exhausted their library of other more innovative titles. If you've always wondered what the fuss was with One Piece, you'd be better off watching the show or playing the fun, but flawed Pirate Warriors series.

Sloppy, glitchy controls and graphics, tedious gameplay, and spotty co-op makes for one adventure you'll wish would boldly go away. It's dumb, Jim.

Fear Effect Sedna shows that the developer truly knows its source material inside out, but unfortunately the gameplay aspect remains lost. With poor voice-acting, a broken, almost unnecessary tactical system, unreliable A.I., and flat action, Sedna just isn't fun or compelling.

It's a huge shame, because Dungeon Keeper is such a great franchise. I vividly remember getting hooked on the original for the very first time, and hooking in non-strategy fans with its unique perspective and visual style. But you're getting none of that here, as you're instead presented with a hollow freemium shell of what once was.

Time and Eternity is a wasted opportunity. The premise of a Japanese role-playing game that looks and feels like an interactive anime is a sound one. But this game is anything but sound. A vapid story, obnoxious characters, and heaps of unrealized potential awaits those that fall for Time and Eternity's glossy veneer.

Despite lasting only a couple of hours, Bloodforge still feels like it outstays its welcome thanks to its duotone environments and the feeling that everything on offer has been offered countless times in better packages. Still, if you love old school brawlers enough, you will have a solid, if fairly unremarkable, little button masher that will at least justify the asking price.

It's a shame because sometimes, even when I'm fighting the game, I'm enjoying myself.

Werewolf: The Apocalypse - Earthblood proudly wears the reverence for White Wolf's lore on its furry sleeve, with a dark-but-interesting universe and a fierce pro-environment/anti-capitalist message. But behind its wild, bloody carnage and well-meant intentions lies a dated and sorely repetitive stealth adventure that, among its contemporaries, fails to stand out from the pack.

For someone who actually enjoyed playing CSI: Deadly Intent, the minor gameplay improvements here only led to an inadvertent feeling of repetitiveness, minus the joy of those amusing cases from the last game.

Surprisingly good. It's definitely not as great in the gameplay department as War for Cybertron, with a lot less to do and a far more restricted format, but its superior narrative and decent arcade action is at least enough to make it worth picking up on its own.

Gungrave, like when it debuted over a decade ago, is an acquired taste.

While slightly anemic in content, it's titillating when it needs to be, and is at times even fun to play.

Devil May Cry: Peak of Combat is one of the most joyless games I’ve ever played. Its combat system doesn’t even come close to living up to the Devil May Cry legacy, and any entertainment that could have come from it is buried under its overwhelmingly aggressive monetization. It is, at best, functional and, at worst, utterly devoid of any value. If this is the peak of combat, I’ll just hang out at base camp.

It's a disjointed and senseless game that has about as much to do with James Bond as an ill fitting suit. To add insult to injury it shows no care towards the classic stories it is ripping off and even less care towards the character of Bond. It then takes this lack of care and combines it with lazy game making and rushed development.

The foundation is there, and I have no doubt that this would have been a stronger game that would have spread via word of mouth to action enthusiasts far and wide if it didn't have the freemium elements.

Legends of Aethereus is flawed, but not to the point of being offensive or terrible. While the setting is interesting, the weak combat and poor level design make it hard to recommend. You can experience everything the game has to offer in a couple of hours, and for an RPG that's never a good thing.

Way of the Dogg is a wasted opportunity. As someone who consumes pretty much all the media on offer in this game it doesn't even appeal to me, which should tell you that something's wrong. It's a shame, because with an "M" rating and a little more plot tweaking, this could have been something special. Someone call the popo -- this game just did a 187 on your wallet, foo.

If you've got no ties to the themes 4PM is attempting to address, especially considering its short length, you might not find that it resonates as much as it could. However, if you're wanting to have a short and dramatic interactive story, 4PM is a mature and refreshing story.

I'm sure it can and probably will get better over time with polish, but what's here at launch is disappointing. I struggle to picture Slain! ever becoming genuinely good barring major reworks.

The bad news is that this entertaining and occasionally surprising narrative is wrapped around an inadequately polished Hitman knockoff.

It can be fun, but the pacing is annoying and the difficulty will frustrate all but the devoted.

Still, it's not the worst thing on shelves right now, but its $49.99 price tag isn't doing the game any favors, either. Maybe as a deep discount title or even a digital download with some of the game's more frustrating modes stripped out (let me run over zombies for ten bucks!) Blood Drive might have been a more attractive proposition.

It's a collection of repetitive gameplay, bland levels, a horrible story with forgettable characters, and a poor system of checkpoints that forces you to keep replaying sections of the already tedious levels. The overall experience is mind-numbing and frustrating, making it hard to play it for more than 30 minutes at a time without wanting to throw something or burn things.

A lethargic combat experience marred further by grotesque bugs, The Cursed Crusade is a game that truly does feel cursed, like no amount of hard work would put it right.

Senran Kagura Reflexions is really nothing more than a proof of concept. Honey∞Parade Games set out to make a game where you touch Asuka all over until she’s been satisfied and in that respect, it succeeds. Just a damn shame the developer couldn't turn all that touching into something worth playing.

Crude, archaic, sloppy, and unfunny, but I don't want the show to be blamed for any of it -- not because I wish to defend Family Guy, but because by blaming the show, we let this game get away with being the invidious dross it is.

It's definitely not for fans of what survival horror games have become, but fans of old-school, "defense-free" games in the genre or fans of ghostly horror films should give the game a shot.

It is a mediocre title at best and one which revels in that fact. A sticky, filthy little pleasure that I have had quite a bit of enjoyment playing.

There are flashes of brilliance, but much of that is piggybacking off of the foundation its predecessors have already created.

You should only pick up Putty Squad if you're a fan of the original, and have an unhealthy affinity towards platformers. Everyone else need not apply unless the game drops to a rightful price of $10 or less.

There is no reason for this game. It's not fun to play, it's not sexually exciting, it's not ... anything. You're actually an idiot if you can orgasm while playing this. Now let's never speak of it again.

A title that isn't truly good or bad, with aspects that can be fun at times yet which grow boring over the course of its 4 hour lifespan, and ultimately it falls just short of being anything more than decidedly average.

An embarrassment to the series.

It presented me with a story mode that was random and poorly voiced, where I would win every round, no matter what I did. The game's controls weren't very strong, and so I learned what a poor port of a Wii game is like.

Just another ruined idea to throw on the ever-increasing pile. Not even the fact that one of the lines includes the term, "Satan's little piss-pot," could save this.

Credible as it is taken solely on its own, DYING: Reborn VR comes across as a cynically motivated cash grab rather than a genuinely developed standalone product. And in an age where what's considered acceptable for a VR game is changing, that renders the game's prospects dead on arrival.

This motion never works consistently, and the controller itself (which the game says you need to hold, as both movement and firing are done from it) even blocks your hands from the sensor sometimes. This basically means that in the heat of battle, you're putting your hands in front of you back and forth constantly just to see/shoot/move, and go back to view your instruments.

A love of the movies can only get you so far when the experience is this frustrating and hollow. What a letdown.

Quantum Theory is what would happen if Gears of War and Super Mario Bros. had a baby. A mewling, deformed, horrific baby that doctors would try to drown.

Left Alive falls flat on its face at nearly everything it attempts to do. The story and characters aren't that compelling, the piss-poor stealth is thrown out the window thanks to the forced combat, and the combat at its best made me burst out laughing in pure disbelief at how terrible it was. So, at least it has that going for it.

While the game is utterly terrible, it has that B-Movie sentiment to it that does make you laugh at just how horribly bad it is.

You don't get many brawlers these days, but even the biggest fan of the genre should consider it a personal debasement to buy this one.

It took me 10 hours to get to the end of Flashback 2, but I suspect I could have cut that down to 5-6 hours if it wasn’t for bugs frequently forcing me to lose progress. I didn’t enjoy much of it, and I barely paid attention to the plot because it didn’t matter. You can’t focus on the plot when the game is so broken. I cannot in good conscience recommend this. Your time and money is better spent elsewhere.

A nostalgic joke taken too far. Though there are postivies in the presentation, the gameplay is laborious, even draining. Shaq Fu outstays its welcome, despite its meagre run-time, which is far more offensive than its juvenile attempts at "edgy" comedy. Shaq should've known better than to put his name to this, and everyone should've known better than to put money into its creation.

The Flock is a promising idea dressed in the blandest of clothes.