he games really just have not aged well at all, and the terrible up-and-down of the matches to get you to pump tokens into the game still remain, making it an incredibly frustrating fight.

It did propose some thought-provoking questions about mortality, but I was too busy being frustrated at the controls to give any of it a second thought while playing.

Despite some strange design choices and the unfortunate omission of saves and online co-op, Legend of Dungeon still manages to be a hoot.

With six challenges to do (just like India) and a New Game+ option, Assassin's Creed Chronicles: Russia has plenty to offer for a bite-sized package, but it fails to live up to the bar set by its predecessors. The loud and powerful styles of China and India simply trump the final piece of the pie, which goes out with a muted rebel yell.

It's cheap, sweet candy with little nutritional value that might make you sick after a while.

It's fun in spurts.

With a bit more content and some tweaking, Kersploosh! could have been one of the best games on the 3DS eShop, because as it stands, it's a hard sell for people who like their experiences padded with more content. If you're okay with a short, enjoyable journey to the bottom of a well though, it's more than enough.

The title of “New Nintendo 3DS Edition” is a misnomer as there is nothing here that makes this edition any more special than those already available. And now that we know it will not be included in the Better Together cross-play campaign, it almost feels dead on arrival. There is a chance, down the line, Minecraft: New Nintendo 3DS Edition will actually be worth its asking price, but that time is not now.

Here They Lie is a successful use of the PlayStation VR, but outside of the novelty of transporting yourself into the veil of a unique hellish landscape created by beautifully tortured souls, the actual delivery and writing fall flat.

The Good Life does many things, but they never felt like they coalesced together into an experience that could stick with me. I certainly enjoyed parts of it, and some of its stranger moments really do land as big, enjoyable peaks. But there’s a lot of valley in-between, and while I arrived in Rainy Woods eager for a pleasant countryside escape, I didn’t feel like making a return trip after the credits had rolled.

As a Fable II fan, it pains me to say this, but "See the Future" is a gauche and ultimately boring addition to Fable II.

My feelings about Analogue are nuanced. For every thing Love nails, there's another place where the experience falls short. The middle stretch doesn't live up to the standard set by the intro, but the finale is just satisfying enough to even it all out. If I had to sum up the whole game in one word, it would be "ehhhhhhhh". Don't take it personally, but this just ain't my story.

If you're a diehard LEGO fan, odds are you'll get some form of enjoyment out of The Chase Begins. For everyone else, you're better off skipping it entirely, or picking up the superior Wii U version of the game. It's one thing to pare down an experience on a portable: it's another to sacrifice its integrity in the process.

Whether it's true or not, Fuse does feel every bit like another victim of the heavily focus-tested, leader following, perpetually terrified mainstream game industry. It's every cloying and desperate element of the retail console market, brought together -- fused, if you will -- to create a factory standard example of a game that tries to be everything the hypothetical mainstream consumer drools over, and ends up as nothing remarkable...That's Fuse in a nutshell.

It might be a little difficult talking about this one with your friends...but then again, maybe not. If you like teenage girls with large chests, food, and rhythm games, then Senran Kagura Bon Appétit! - Full Course will deliver for you.

Malicious Fallen is a remaster worth investing in. Not owning Rebirth on the Vita, fixing the camera issue of the PS3 version, and improving the frame rate in both versions, I had a better experience and got to explore the chapters I missed out from the saga. It's a great action game that gave me a lot of challenge, which I always ask for. At half the price of your average retail game, I say it’s definitely worth it.

Tools Up doesn't make the most of its clever co-op gaming concept, but I still had a decent enough time. I'll be there day one if a sequel ever takes this home-renovation hook and runs wild with it.

As a port of the full game, however, it is a triumph, packing a ridiculously huge amount of content into a humble UMD.

There's a lot to do in Kaiserpunk, but dealing with it won't always be pleasant.

Jagged Alliance: Back in Action may ultimately be inferior to its legendary predecessor, but it has just enough of that spark in it to be a compelling, substantial impostor.

It's a good little game, and not really anything more than that. It's not as "awesome" as Deadpool himself may tell you, but hey, it's about ten thousand times better than X-Men: Destiny, and I think we can all be thankful for that!

With its incessant jiggly boobs, drab story, naughty baby-making imagery, and harem tropes-a-plenty, I'd get why some would steer clear of Conception II. But I'm here to recommend it.

Cladun Returns: This is Sengoku! can be played for hundreds of hours, but these are hours I want to spend with something I actually like.

I enjoyed the core concept, and learning the best path to finish line (even if you're still forced to go through a finish line outside of a neat exploration mode), but every now and again there'd be a stutter. It's not game-breaking by any means, but it'd certainly interrupt the brief moment of zen I'd get trying to beat my finish times.

If you're a Bond fan, you'll be routinely disappointed by Blood Stone, but you'll probably play it anyway. If you're not one, then I can't really stress enough that there are better games out there that don't crush my hopes and dreams.

These contrived, familiar mechanics rob Betrayer of its initial promise: taut stealth against monstrous creatures and mystery.

Play this if you like a challenge and have patience to get to the good stuff, but don't even bother finishing it.

This is fun because Forza Horizon is fun and it is nice that it's free (until April 10), glorified demo that it is, but it makes me yearn for an actual Fast & Furious game with a "Press F to drink a Corona" prompt and a Han lives retcon.

The game looks good and aims high, but the problem is it's just not fun. At all.

Sym’s atmosphere transcends its loose gameplay and controls, which unfortunately creates a frustrating experience and stifles the impact of its message.

There aren’t many games that can offer a camaraderie aspect to the survival horror genre, and Friday the 13th delivers in that regard. It could certainly use a lot more fine tuning and adjustments, but for now, it delivers on a solidly campy experience.

Baobabs Mausoleum Volume 1: Ovnifagos Don't Eat Flamingos is a very strange game, both boosted and busted by its own quirkiness. It's got some definite faults in its grab-bag of gameplay styles and settings, but there's still a macabre charm hiding underneath all of the jank that goes along with so seemingly-unclear of a vision.

Tharsis is a good way to spend 10-30 minutes to see what happens on the next journey. It's a very harsh battle against the unknown, and can be utterly soul-crushing. Perhaps too soul-crushing, actually. Players will, at times, feel so defeated and useless that playing again seems pointless. And maybe that's the point, considering the circumstances.

If Dungeons 2 [were] just a competent dungeon builder held back by a few technical bugs and some bad interface design, it might be something worth checking out. As a dungeon builder horrifically Frankensteined to one of the lamest RTS experiences I've played in years, its an unfortunate monstrosity that should be safely avoided.

A decent little distraction, but it's out during a period when "decent" distractions should be low on a gamer's list of priorities.

Sadly, while remaining quite fun, the end product is a severely problematic and ultimately shallow exercise that covers familiar territory. While it would make a fairly worthwhile holiday game for the kids, the true potential of the game is tragically unrealized, and those looking for that elusively meaty PS Move title will come away disappointed.

Hellbound is pretty upfront with what it is. If you've already burned through most of the homages I listed above, give this a shot.

If you haven't played a game in the series since the SNES however, Boston Lockdown is a decent starting point, and a perfect way to re-acclimate yourself to the genre with friends. If you prefer to fly solo, just go with Shadowrun Returns instead.

While a good game, the slow response time and ridiculously low FPS almost make Cities XL 2012 unplayable at times.

Atomic Ninjas isn't really a bad game, nor is it a good one. It just sort of exists. What the title does it does competently, but there's not enough options or variety to warrant many matches, unless you're absolutely dying for some multiplayer brawling on the cheap. It's inoffensive and fun, but like the radiation, only in small doses.

Unspectacular and, to be honest, fairly boring. Coupled with one of the most despicable soundtracks I have ever had forced into my ears, Sonic the Hedgehog 4: Episode 2 is very difficult to recommend. It's not terrible, not by a long shot, but it barely seems worth the time -- and auditory agony -- to play.

Godfall is going to go down as one of the most divisive games of this generation's launch: a relic to some, a wild whispered-about gem to others.

If this is your kind of genre, then you'll get plenty out of this game.

I hate using the term "mixed bag," but Midway Arcade Origins really is exactly that. A decent sampling of some classic titles that mostly control well with very limited options, and a few games that will leave you scratching your head at their inclusion (or exclusion, as the case may be). For those that remember these games, it's a great bit of nostalgia.

The story is too light to augment the game's core mechanical focus, while ideas like the follower system feel tacked-on and inconsequential to strategy. Fans of dungeon crawlers may squeeze some enjoyment from the grind, but most players will be turned off by the tedious progression and repetitive battles.

The story is bombastic and gratuitous and level design can be needlessly frustrating, but the strength of the combat and Shadow’s stealth largely compensate.

Simply put, we’re still looking for that definitive JoJo's game, because JoJo’s Bizarre Adventure: Eyes of Heaven isn’t it.

Just as how The Bureau: XCOM Declassified was a watered down focused tested version of Mass Effect, Lost Planet 3 feels like a watered down Dead Space. Any redeeming qualities of the Lost Planet franchise are dead and gone, leaving a husk of its former self.

Ubisoft’s familiar structural pitfalls like microtransactions, online-only play, and other trappings hinder rather than enhance, but those things have become par for the course by now. Thankfully, they don’t mar the overall experience, and that was an overtly positive one for me.

It's tough, it's overwhelming, and it'll break your brain, but E.Y.E is also one of the most creatively successful, conceptually lavish, mentally arresting games released in a long, long time.

There's so much depth to be found in Class of Heroes for fans of the dungeon crawling genre, it's almost overwhelming how much time you can spend playing with the details. On the other hand, the learning curve is much steeper than other games of its kind, and it may turn off gamers who pick it up due to the cute anime look and have no idea what they are getting themselves into.

A nice presentation helps make things a little more interesting, but there's still no escaping the fact that Sacred Citadel fails to inspire much passion. It's an okay game, a solid arcade throwback, but it's a mere face in a crowd and doesn't stand out very much.

As much as I love PaRappa and his quest to find love with Sunny Funny, the experience was significantly marred with the visible lag and the lack of calibration options. For a remastered rhythm game, this is practically a must-have given calibration difficulties with modern televisions. I still enjoyed my time with the updated, clean-looking PaRappa, but I might just go back to playing the PSP version if I got the funky flow.

The big adventure of Demetrios isn’t all that cynical, but it certainly is forgettable. I can’t say the game is bad, because it’s not, but also I certainly wouldn’t tell you it’s good. Instead, it’s nothing more than a name added to a list of titles I’ve beaten, and it will never be anything more than that.

Kill the Justice League is the epitome of, “it gets good X hours in.” It’ll suck at first, then it’ll show you it’s capable of at least some moments of awesomeness. Fans of the DC universe may find a little more value in it, especially if you value narrative over gameplay, but Rocksteady’s latest is simply okay – nothing more or less.

Anyone who claims to be tired of overly self-serious JRPGs that concentrate on graphics above all else has no reason not to at least give the game a look.

It doesn't add anything drastically new to the genre, and thus there isn't much reason why you should get it when titles like Galactic Civilization II are better and cheaper, or the contemporary Endless Space -- for all its flaws -- offers a more unique take on the 4X experience.

While this DLC has the kind of silliness I'd like to see the Far Cry series confidently embrace and it mostly sounds good on paper, the end result is bare-bones. Lost on Mars feels like a middle-of-the-road effort when it could've been so much more substantial and imaginative. The premise deserves better.

Signal Ops is far from the game it could have been. The concept is great and for the most part delivers, but the Bolt character class and his job of carrying a radio does a lot of damage to the overall design. It feels incredibly restrictive, refusing to let the player go where they please and take their time getting there. It definitely has some moments of brilliance, but they are often quickly forgotten.

Ultimately, J-Stars Victory VS+ only succeeds as numbers on paper, the game itself being largely disappointing.

Other than the boss fights and the graphics, there isn't too much I'd change about this game. As a huge fan of Resident Evil 4, Dead Rising: Chop Till You Drop offered a similar take on that experience, but with more enemies on screen, more melee weapons, more comedy, and more action.

There are one or two interesting set-pieces, but nothing as epic as the first game. There's really only one boss fight (other than the finale), and while it starts out slightly cool, it just evolves into tediousness.

As tepid as gaming gets, put forth with the bare minimum of effort in a quick and cynical attempt to grab some free cash. It's not good in the slightest, and it's not even remarkable enough to be considered bad. It's just there, doing the one thing it's supposed to do -- make a load of money for two weeks, then disappear into obscurity where it firmly belongs.

The tragedy of PowerUp Heroes is that it's actually a rather good game, but one that lacks any memorable characters. Ubisoft does toss in some references to their other properties, with suits based on the Rabbids and Assassin's Creed unlocked by defeating Malignance, but not being a publisher known for producing fighting games makes this a title likely to be overlooked.

The worst problem, however, is all the backtracking is needlessly empty. Once foes are defeated, they're gone for good. I'm never usually a fan of respawning enemies, but running through corridor after corridor of bleak, prison-gray nothingness just gets tedious after a while without something to do other than just traveling.

The total lack of strategy needed to beat the game, the fact that all levels play pretty much identically, the lack of any notable level design, the lack of bosses, and the total lack of difficulty, make Eduardo feel like an hour and a half long tutorial mode of a good run-and-gun platformer that is yet to be made.

A City Sleeps feels like a half-made game. Perhaps if they had a little more time or budget to add a few more Dreams, and even out the experience for players of all skill levels, it might have been something special.

The challenges in Traverser are not poorly designed, merely underwhelming.

There's a decent time to be had -- especially for youngsters -- and its flaws and shortcomings don't grate too much, thanks largely to a relatively short runtime. But, because it forges its own path, Dawn of New Riders won't make a lasting impression on the How to Train Your Dragon canon.

The problem is that while there's a lot to obtain from the game, there's ultimately very little to do. A handful of other game types on disc could have helped towards keeping the experience fresh, but as it stands, it fizzles out a little too soon to keep you coming back for more.

If this game is any indication as to the quality of the movie, then it's safe to say that this is one trip to the theater that you do not need to take.

Need for Speed Payback is another result of EA meddling in the concept of “games as a service” and taking an otherwise mediocre entry in the series and completely butchering it in the process to achieve this goal. Here's hoping this trend of free-to-play business strategies in full priced games comes to an end sooner, rather than later.

At once a grab-bag of silly references and a keenly observed tribute to the games that helped build action-adventure and role-playing games, Evoland is more than just a showcase of retro graphics.

At a relatively low price of around $10, those who get their kicks out of zombie massacres will find that Zombie Apocalypse is a good time. But for those over the whole "zombie thing" it's unlikely Zombie Apocalypse will change your mind, despite Nihilistic's solid arcade framework.

The game is smothered by a poor camera, an excess of short load screens, a forgettable campaign, simplistic missions, portions of undubbed dialog and an overall lack of polish. But even with all that, I still managed to have a bit of fun pulverizing the bad guys with a little help from some scantily clad girls online.

I experienced a great deal of bugs in my time with Sword Coast Legends. Items would fail to be clickable, enemies would be invisible (and no, it wasn't a failed perception roll), it crashed to desktop a few times, and there's a widespread need for polish. A few more months on the anvil were clearly needed to hammer out the unfinished edges.

I really couldn’t muster up feelings either way on this game. It’s a competent fighter with nice sprite work, but it also does very little interesting with narrative presentation, combat mechanics, or gameplay modes. It all feels very safe, and I didn’t really feel much by the time I was done.

Pick up the first season pass before you take a gander at the second.

The Journey wants so desperately to impress you, but it can only ever ruin your day.

Zeno Clash II might be bigger than its predecessor, but it fails to be truly better.

It's just a shame there isn't way more game here. If this truly is the start of a franchise, I'd potentially be up for more titles, but I can't deny how much this sparse pilot entry leaves me wanting.

Drakengard 3 is a bit unconventional at times (like its developer) with tales of extreme hair cutting and dragon piss, but action fans will want to seek this one out immediately. Within 15 minutes I was drawn into its world and its cast of characters, and I wanted to see Zero's journey through from start to finish. If you like games like Nier, you'll love Drakengard 3.

Air Conflicts: Secret Wars might be a budget title in price, looks, and polish. But it's a simple and surprisingly enjoyable game that hardcore fans of the genre will enjoy if they can go in with low expectations.

This is a surprisingly meaty title that'll have you coming back again and again to best one difficulty level after another, even if it's just to collect special accessories with which you can outfit your girls.

RemiLore: Lost Girl in the Land of Lore is a huge disappointment for me. When you can grab something excellent like Enter the Gungeon for a fraction of the price, it almost comes off as embarrassing. It's not utterly vile like a pickle sandwich, just incomprehensibly dull considering its vibrant, cute, colorful presentation.

If it cut all the fat and featured only the smart puzzle-platforming found in the hand-designed levels, Raiders of the Lost Quark would be a leaner, more engaging, and ultimately much better game.

Regardless of originality, all these games are well polished and fun, though none of them are going to please everyone. Considering the budget price and the amount of content here, you could do a lot worse. Just don't go into it expect Nintendo Land-sized production values or that frantic WarioWare feeling.

It feels more like a stopgap that's worth borrowing or renting, but can't justify a full cash price.

The Descendant is a wildly inconsistent adventure; reflective of the reasons why Telltale Games is seen in high regard, even on its worst days. At the same time, it's one of the better pretenders out there, thanks to the morally grey protagonists, daunting set-pieces, and odd gameplay subversions. Much like the sci-fi oddities found deep in Netflix, The Descendant has this rough B-movie charm going for it; flawed, but perfectly passable.

For those that aren't at all bothered by the slightly mediocre gunplay, there are a few new enemies that are fun twists on creatures with which we are already familiar. It's enough to keep the feeling that we've seen it all before at bay, but not much more.

If you have a family who likes getting together and play games like this, go ahead and pull the trigger -- all other curious parties should wait for a sale to compensate for the weak activities.

You will miss nothing at all if you choose to ignore the game. I'd definitely recommend you try it out if you're bored and looking for a good time waster, but playing Hunted is just not essential.

Starvoid is the first multiplayer RTS title I've been able to get into for a while, but it's not one I can see myself playing for hours on end.

The reality is: WWE 2K Battlegrounds is a game nobody will remember a year from now. It lacks so much of what made over-the-top arcade wrestling games great in the first place, while also being filled to the brim with microtransactions. The spectacle of its over-the-top moves and abilities are quickly lost in the tedium of its progression, lack of depth, budget presentation, and technical issues. It almost feels like 2K has come crashing down with the WWE license...and it hurts inside.

Somewhere, hidden in foreboding mountain peaks, deep under a gloomy cave, or in the back of a forgotten whorehouse, there is fun to be had in Risen. To be honest, I'll probably keep looking for it -- but I'll do so armed with a walkthrough and the knowledge that playing Risen might be a game of diminishing returns.

Drag x Drive is a decent showcase for the unique capabilities of the Nintendo Switch 2's JoyCon mouse, but frustrating controls and shallow gameplay leave a lot to be desired outside of its cheap-ish price tag.

I have problems with the way Toy Soldiers: War Chest is packaged, but thankfully it does uphold the same classic focus on strategy and action. You'll have to foot the bill for those costly licenses, but it's mostly worth it, warts and all.

Captain America: Super Soldier manages to slightly transcend mediocrity by delivering a solid, yet derivative experience that could have ended in disaster.