Thanks to a fine performance by Whishaw and a well-struck balance between the funny and tragic, This Is Going To Hurt has the potential to be one of the best new series of 2022.

With much of its principal cast back in the saddle, Borgen: Power & Glory is a welcome return for a terrific Danish political thriller that hasn’t let up the tension since its 2010 premiere.

A howling satire of our real world and the superhero fictions we create, The Boys also features a ripping mean streak all its own. It’s brash. It’s bloody. And if the boys wanna fight, you better let ‘em.

There’s nothing about Dubai that distinguishes it from other editions of the franchise, and no one from the cast stands out after the first episode.

Pistol is a fun watch, rife with visual flourishes and emboldened by a strong cast on top of its otherwise by-the-book music biopic boilerplate.

Tom Swift gets too stuck in its leaden dialogue and attempts at being edgy to tell a conspiracy story that makes any sense.

Macdonald managed to be somehow timeless, outdated, and very much of his time, all at the same time.

Only if you’re a Letterkenny fan and love watching Shoresy curse between tobacco spits. Otherwise, SKIP IT, because the show isn’t that funny.

Judging by the two episodes screened at Star Wars Celebration, Deborah Chow and the cast and crew have not only risen to the occasion, but they’ve exceeded all hopes. ... Kenobi feels like a true auteur vision. Chow’s stamp is all over this series, making it feel like a unique entry in the Star Wars saga. ... Kenobi feels high stakes, emotionally deep, and like the first Star Wars series to Matter, capital M. It’s a feat.

Elon Musk’s Crash Course is yet another example of how The New York Times Presents concisely presents complicated news stories in a fast-moving, compelling package that gives viewers more than enough depth to understand the issue and who the players are.

Could the pacing of Prehistoric Planet be a little better? Sure. But the presentation of realistic-looking prehistoric animals in real-life environments is stunning to watch, especially for those with 4K TVs.

Zany, sharp, and entertaining as ever, Made for Love remains one of HBO Max’s best original series.

Its formula is tried and true — but has also grown stale. Hardcore fans of Stranger Things will likely find nothing wrong with the new season, as is their wont. They’ll love the nods to Barb (Shannon Purser) and character reunions. They’ll obsess over potential love triangles and thrill over creepy new flourishes. I personally wish the show had reined it in a bit, focused on the core cast over the newbs, and tried something truly creative with its storytelling instead of just nostalgia baiting.

Despite a fine performance from Perez, we fear we’re not going to see enough of her to make suffering through the generic main characters of Now And Then tolerable.

Night Sky is a decent series that is nudged into the very good category because of the performances of J.K. Simmons and Sissy Spacek.

With some funny moments, well-researched information, and an entertainingly fast pace, The G Word With Adam Conover entertainingly tells people about how various government agencies help Americans, but isn’t afraid to call them out if they work against our interests.

The storytelling of Angelyne leaves a lot to be desired, but Rossum’s performance cuts through the script gymnastics, making us curious about what parts of Angelyne’s life the series will explore.

We would have really liked Conversations With Friends if it were a movie or maybe even a four-part limited series. But there just doesn’t seem to be enough narrative energy to sustain the story for 12 episodes.

There’s nothing about this new version of The Time Traveler’s Wife that hooked us in so we could take this romantic ride with Henry and Claire. It doesn’t help that the show is cheekier than it really needs to be.

We’re tentatively giving The Essex Serpent a recommendation because the performances of Danes, Hiddleston and the rest of the cast can overcome the series’ plodding pacing in parts. But we’re just not sure how many people are going to make it through all six episodes when it seems like the first one doesn’t do much to set up the story.

There is also the reasons why the seemingly put-together Candy managed to snap to begin with. Going back to reconstruct all of that will be interesting to watch, especially given the performances of Biel and Lynskey. ... Candy makes a good case that more true-crime dramas should be about the lead up and the aftermath of an event, not the event itself.

The Big Conn is one of those docuseries that moves along at a good pace while not leaving out much pertinent information. It’s as intriguing as a good scripted drama, and that should be the goal of any true crime docuseries.

While adding boys into the mix takes away some of the singular magic of the first season, The Wilds remains an extremely entertaining and beautifully performed series.

Through it all, Jean Smart continues to reign supreme. She once again delivers an iconic performance as Deborah Vance and Emmy voters should be prepared to hand her yet another trophy this fall. Hacks Season 2 isn’t just good. It’s freaking great.

Girls5eva continues to build out its quirky, colorful world in Season 2, and each new face and development only makes it all richer. ... A showcase for some seriously funny women and infectious ear worms.

While Clark may dabble a bit too much in making Clark Olofsson into a hero, it’s still an entertaining look at how Olofsson saw his life, whether the stories are true or not.

Bosch: Legacy is pulpy, procedural fun in the tradition of both Bosch and the storied, sometimes sordid history of fictional Los Angeles gumshoes that dates all the way back to Phillip Marlowe.

As a whole, The Staircase is a worthwhile watch, mainly for the performances by Firth, Posey and Collette. But you might get more satisfying information about the Peterson case by watching the documentary or docuseries.