Big ideas here. Profound at times. But they’re encased in an oddly buoyant and funny context that also manages to be substantial and emotionally resonant. Salazar and Odenkirk are in tonal concert within the trippy setting and concept, finding comedy and affection in the material and making it seem effortless. ... To not continue watching Undone would be foolhardy.

[Bayer's] comedy chops here easily remind you of how she shined behind the Weekend Update desk with in-over-their-head characters such as Jacob the Bar Mitzvah Boy or flailing meteorologist Dawn Lazarus. ... The pilot, directed by Michael Showalter, has an even slower burn than say, Search Party, which he co-created.

The opening salvo of The Offer fails to convince us that 10 hours of a “true” Hollywood making-of story is worth sitting through. Haven’t we seen enough of this back-patting, inside-joke stuff lately? Rewatch The Player instead. Oh, and The Godfather, too.

Stream it, but only for the performances of Roberts, Penn and the rest of the cast of Gaslit. The series leans too hard on the farcical to help viewers come away with any real information about the Republican side of the Watergate scandal.

There’s good TV, there’s great TV, and then there’s the new Barry, a magnificent season of television that will unquestionably find its way onto your own personal best of the year list.

Under the Banner of Heaven turns Krakauer’s sprawling look at the roots and evolution of Fundamentalist Mormonism into a well-made detective drama. It’s not as transcendent as its source material, but it is a gripping watch, full of fantastic performances and horrifying reveals.

A Very British Scandal benefits from fine performances and a scandalous story that touches both on early feminism and salacious scandal.

Despite our reservations on the style choices by Dimmock, the story of Captive Audience is compelling, and the twist that involves Cary is what has us most intrigued.

Transcendent. ... Besides the characters, and the plot, which treats its teen LGBTQIA+ stories both frankly and gently, the pacing of the show is also pitch perfect. At eight, half hour episodes, it practically flies by; but works as both a four hour binge, or episodically. Each character’s storyline, every relationship is perfectly arched over the course of the season, while still leaving plenty of room for growth and exploration in a potential Season 2.

Because Laurie wanted to stay relatively faithful to the story, viewers are going to have to sit through some predictability to get to the witty dialogue and the inevitable reveal of the killer.

We don’t love Swimming With Sharks, because of its trashy-for-trashiness’ sake nature and the fact that the story feels fairly predictable. But Shipka’s performance keeps the show from getting really campy.

It is terrible. ... The First Lady will draw viewers in who want to see great actresses play great women, but unfortunately the show’s abysmal writing lets us all down. The scripts are honestly insulting to the real women The First Lady is about.

Outer Range has expansive scenery (when it can be seen), and decent performances from Brolin, Taylor, and Poots. But neither its family drama and supernatural elements are compelling enough to make up for the show’s slow pace.

So far, Better Call Saul Season 6 belongs to Kim Wexler. ... It’s gratifying to see her finally take the lead. It’s also a shift that gives Better Call Saul a deeply ominous quality. In its first two episodes, Season 6 doesn’t feel like a finale. It feels like just another twisting saga in Vince Gilligan’s corrupt world.

By keeping the stories simple, Roar is able to send its messages without hammering it over viewers’ heads. Could some of the episodes stick their landings better? Sure. But the storytelling in the series mostly solid.

Not So Pretty presents some pretty harrowing information in a tone that’s less hectoring and more sympathetic. By playing the, “hey, we didn’t know, either, buddy” card, its message is even more effective.

Despite the cumbersome cast and retrograde gags, The Garcias has the same warmth as The Brothers Garcia series, and should be a fun nostalgic watch for fans of the original show.

Killing It gets off to a rough but promising start, thanks to a fun performance from Robinson, with an assist from O’Doherty. We hope that as the story gets more personal, the characters will outshine the gags.

Even if you’re a fan of the Kardashians, the whole more-of-the-same vibe of The Kardashians is just a crashing bore.

Colors pop, details come out, and if you’ve got a big screen, some of the visuals are immersive. So, how is Obama as a narrator? He’s OK. His tone is more Policy Wonk Obama than Surprisingly Funny Obama or Soaring Orator Obama, but there are moments where his wryness comes through.

Russian Doll Season 2 is good, but it’s not quite as great as Russian Doll Season 1. This new season gets messy with its wild narrative swings and lazy with its logic.

The dialogue is as snappy as ever, and the spying scenes are just as tense as you’ve come to expect. If anything, these elements have only been sharpened in Season 2.

Between the tired format and the idea that Tate is playing most of the featured characters, Hard Cell becomes a lot to take, even after the first 30 minutes. We can’t imagine it getting much better during its first season.

We’re giving a recommendation of 61st Street mostly for the performances of Vance and Ellis. But we’re definitely concerned that the show will lean too hard on things we’ve seen in this genre too many times already to say anything new.

It’s frustrating to know that Savile never got his comeuppance while he was alive. At the same time, even documenting his horrors posthumously can serve some honesty to his true legacy. STREAM IT if you’re not worried about being triggered by it. Otherwise, quite obviously, SKIP IT.

For all of the seriousness of his revelations, Carmichael does manage to keep things from getting too dark.

The couples at the center of The Ultimatum: Marry Or Move On don’t feel like real couples to us, mainly because of their relative age and relationship newness, which gives us no incentive to root for or against them staying together.

The thing that’s frustrating about Anatomy of a Scandal is that it’s ostensibly about serious issues like sexual violence, entitlement, and grey areas of the law, but it’s actually just a stupidly breezy thriller.