Amber Brown is a delightful family sitcom, highlighted by Bonnie Hunt’s witty, easygoing writing style and Carsyn Rose’s revelatory lead performance.

While there’s a lot about Uncoupled that’s frustratingly shallow, Harris’ performance and the show’s frequent funny moments are more than enough to keep us watching.

Before the final scene of Paper Girls, we were going to give this show a big old thumbs down. But that final scene set the stage for a show that has the potential to be a fun ride, or at the very least something that’s a little different than what we’ve seen before.

As much as we couldn’t take our eyes off Gugu Mbatha-Raw during the first episode of Surface, her performance can’t save a show that doesn’t seem to have enough story to justify an 8-episode series.

Barrera sells the idea that she can absolutely survive, making her resourcefulness in the situation almost plausible. Now we just need to see where the plot goes, which will play out in those flashbacks. ... One of the things we like about the six-episode limited series is that the episodes are all around 30 minutes, so you’re not seeing Liv wandering around the wilderness for hours on end.

We’re certainly intrigued by the mystery that’s at the center of The Resort. But we also hope that Milioti and Harper get more of their own story to dig into, as opposed to being just a typically bored married couple who come together under extreme circumstances.

When you watch the first episode of The Most Hated Man On The Internet, all you want is to see Hunter Moore get his comeuppance. Thanks to this relatively brief docuseries and its speedy pace, you’ll get that wish pretty quickly.

In the grand television tapestry of manipulative teen girls, Pretty Little Liars: Original Sin isn’t revolutionary. But it is fun. Original Sin reworks the central themes and mysteries of the first series just enough to turn this tried-and-true premise into an all-out horror romp. No lie.

Primal Season 2 is an absolutely magnificent addition to an already fantastic set of episodes. It’s one of Tartakovsky’s best by far, and he’s proven that this is a franchise that’s only going to get better with time. From top to bottom, it’s one of the best animated series going right now.

Despite the self-indulgent aspects of The Last Movie Stars, Ethan Hawke has created a fascinating docuseries about one of the biggest Hollywood power couples ever, as well as the issues that defined their marriage.

Rap Sh!t suffers a bit from some broad gags and the phone-centric gimmickry we cited earlier, but at its heart is a story of two friends taking on the patriarchal world of hip hop, and that story is one we’re eager to watch.

Between the CGI blood, the disjointed dramatic scenes, and the somewhat stilted expert interviews, it feels like anyone who wants to get the history of the Colosseum in Rome would be better served reading its Wikipedia entry than slogging through 8 hours of Colosseum.

The Captain is broad enough to entertain anyone, but it’s an absolute must-stream for baseball fans.

Farzar could be a good show, but unless you’re a big fan of dick jokes — and we know you’re out there! — you’re not going to find a lot to laugh at with this show.

Packed with humor, heart, and some of the coolest action scenes of the year, it’s a show that will leaving you alternatively screaming at and cheering for your television. Resident Evil is simply a great time.

We’re excited about what Robinson is developing, right from the first half-hour. It’s going to be a hangout show, sure, but a hangout show where Phoebe and her friend group are going to comment on everything they think is trash, which is pretty much everything. So social comedy, fun hangout situations, and character-driven jokes… The formula seems to obvious, we wonder why more current sitcoms don’t do this.

It’s telling that Wexner himself did not want to be interviewed for the docuseries. That association with Epstein is going to be explored in-depth in the subsequent two episodes, especially episode 2, and it seems like that is what is going to dominate, more than even the usual vagaries of the fast fashion world that Wexner helped pioneer.

D.B. Cooper: Where Are You?! is a stylish docuseries that fills in a lot of blanks about a legend that has made a permanent home in our pop culture firmament, and the investigation that’s no closer to being solved now than it was in 1971.

There’s plenty of material here to fill the breezy half-hour episodes of What We Do in the Shadows, where bits ricochet wildly off crown molding and claw foot furniture.

Despite the Goop-ish feeling we get seeing a man of privilege getting to go on psychedelic trips while counting Netflix’s money, there is still information that he imparts in How To Change Your Mind that will, well, change your mind about psychedelics.

The result is a defiantly unpredictable mix of cringe and pathos that delivers a distinct blend of genuine emotion and laugh-out-loud humor. In a streaming world that thrives on conformity, The Rehearsal is the audacious outlier that delivers a wholly unique viewing experience.

If The Anarchists were just about the movement itself, it would be boring and enraging. But because it’s about how the movement got infiltrated by people who made things increasingly chaotic and violent, we’re ready to see where the rest of the series goes.

Claim To Fame isn’t high art, but it’s fun to guess along with the housemates, even if you can Google your guesses and find out who the housemates are before they’re revealed on the show.

Black Bird has enough interesting performances and just enough of an intriguing story to smooth over some its more generic and cliched parts. Lets hope the rough patches smooth out as the story goes along.

Boo, Bitch is a show whose main characters do more than enough to carry a show that has mostly generic secondary characters in an overdone genre. Without Condor and Colletti playing the main roles, the show would have been very forgettable.

Trigger Point has lots of tension, and a fair amount of action. What it doesn’t really have is much character development or an intriguing central plot. But you try to look away as Lana tries to defuse bomb after bomb after bomb.

The tone of the show can be a bit too cheeky at times, but it does have a light touch, and Melanie’s almost-giddy sex-positive personality certainly helps the shy couples open up.

The jokes are more quippy asides than things that are borne out of character. Some of them hit, but most miss. In fact, almost the entire first episode felt like a lame attempt at replicating the HIMYM formula, save any memorable characters.