The series is enjoyable though extremely forgettable.

The friendship at the center of Everything I Know About Love is what is going to fuel the show and keep it flying off into just showing hipster nonsense. But the first episode felt much longer than its 43-minute runtime because of all that hipster nonsense.

Little Demon makes sure to root most of its humor in character and situation instead of gags. Sure, there are plenty of gags, but we just love the idea of a seemingly relatable story being layered over by ridiculous circumstances.

We’d rather see a bioseries about Mike Tyson where Tyson is intimately involved, because we’re pretty sure it will have a lot of subtleties about Tyson’s life that Mike lacks. His life deserves better than a series that treats him like a curiosity more than anything else.

This feels like Netflix wanted to make sure that this adaptation didn’t get too saccharine, but in doing so, it just made things ever so slightly weird and off-putting.

There are a lot of elements that make Welcome To Wrexham a fascinating watch, namely how two Hollywood superstars are going to come into a small Welsh town and try to turn around its football team without making like they’re saviors.

While it could be a touch funnier, Mo is very watchable because of Mo Amer as well as its cross-cultural focus.

In Chad & JT Go Deep, their characters are as earnest as they are detached, like stoners who make no little plans but falter on the perception and follow-through. And that earnestness can mostly make up for wherever the humor becomes so indirect as to be scattershot.

We trust Greg Garcia to not beat a dead horse with pandemic gags on Sprung. But for the first episode, they are a good way to introduce the story of Jack and the rest of the characters, and Garcia is well on the way to establishing character humor as the center of the series.

Echoes is without question one of the most messy and confusing shows we’ve seen in awhile, and there really seems to be nothing for a viewer to grab onto that would tempt them to move to the second episode after the first is over.

House of the Dragon isn’t good; it’s great. ... House of the Dragon is definitely the show Game of Thrones fans want, full of drama, fire, and blood. Oh, and lots of dragons.

The Undeclared War sports good lead performances, some creative storytelling and a plot that steadily builds tension. And we don’t have to look at that much code, which is a plus.

She-Hulk: Attorney at Law is unashamedly mundane, weird, funny, and feminine — and that’s why it is such a success.

There’s some behind-the-scenes stories that will be entertaining to hardcore fans. Largely, though, there’s a stiffness to the proceedings, a conscious attempt either not to be Winning Time or to directly rebut it. ... Legacy seems so determined to avoid controversial subjects that it comes off dry as a result; even the show’s willingness to discuss the Buss family’s internal struggles over control of the team feels somewhat contrived.

This is a winning portrait of two guys in South Central L.A. with opposing life philosophies who find they each have something to learn from the other.

As with most anthologies, your mileage may vary with Tales Of The Walking Dead, depending on which episode you watch. But the performances are entertaining enough to make up for some fractured storytelling and weird, overly positive vibe.

The show continues to be a realistic and empathetic portrayal of what being a teenager looks like.

This new version of A League Of Their Own explores territory that the original movie didn’t even attempt to explore. Whether that makes the series a coherent whole is yet to be seen. But it certainly is off to a good start.

It treats Oly’s surprise pregnancy as a fact of this girl’s life, and it will be interesting to find out how she manages being a mother and an overachieving student.

Any worry that Baby Groot would wear out his welcome was unwarranted. Each short zips along at a perfect pace, deploying sight gags that hit their mark every time.

Despite the slow pace, easy clues and overreliance on guffaws, we still found ourselves playing along as if we were watching the older versions on BUZZR. And the modernized version of the ’60s theme song is pretty fun. If the show gets a second season, we hope Fallon and Quinn tighten things up to make the show move a bit faster.

I Just Killed My Dad is the rare true crime docuseries that tells a story that hasn’t been picked apart and retold over decades, and tells the story in a brief, relatively compact manner.

Season 3 is not just the most thrilling and emotionally charged installment yet… Locke & Key Season 3 is a fitting ending to Locke & Key, and easily one of the best seasons of a fantasy series released this year.

If you’re a casual fan of English soccer, it’s a great way to immerse yourself in an up-and-coming teams success. If you’re a hardcore fan, it offers you the behind-the-scenes looks you can’t get enough of.

While not our cup of tea, we definitely see how appealing The Sandman would be to fans of Gaiman and his work. We’re just not sure it’s particularly accessible to those of us who are new to the story.

Reservation Dogs improves on its excellent first season by deepening the community on the rez, making it less about the Dogs and more about traditions, people who think they know the traditions but don’t, and just how funny and rich life there can be, even if people have to be creative to get by.

Mike Judge’s Beavis And Butt-Head is more or less the same show that was such a hit in the ’90s. And because it’s about idiots doing dumb things, the funny stuff will always be funny, no matter what decade it is.

It’s interesting to revisit 1999, to look at the crackly VHS footage and say “What did it all mean?”, especially in the context of the decade that came next. Trainwreck: Woodstock ‘99 doesn’t dig all the way into those larger questions. But it does offer a primer, and its share of insights.