The series features insightful conversations with fascinating public figures, and is genuinely educational.

We’re not completely sure that the story in The Bastard Son & The Devil Himself won’t get muddled again like it was at the beginning of the first episode. But we have faith that it will keep things focused on Nathan and his attempt to keep evil at bay.

Big Mouth is still as raunchy, funny, and surprisingly sweet as ever.

Even if Kroll doesn’t spill the tea on what happened on set here, he’s still more than willing to open his big mouth with embarrassing details from his own life. As he says: “Guys, we are all just doing our best.” His best is better than OK.

All of which just makes it seem as though Oswalt didn’t write enough material in lockdown, but wanted to or felt he was obligated to deliver another special this year, so here we are. ... Skip it. Unless you’re a die-hard Patton Oswalt fan, in which case you’ll stream it, lovingly enjoy the best parts and forgive the rest anyhow.

While the stories themselves are pretty fully told in their 11-15 minute runtimes, it’s definitely to the viewer’s advantage to watch all six episodes to get the full picture. ... Tales Of The Jedi brings some familiar prequel trilogy characters back to our screens, in stories that fill in more Clone Wars canon, which is always a plus.

Karen Pirie is a pretty straightforward entry in the genre of British/Scottish police mysteries. But the first season presents a solid, twisty case and the title character is refreshingly young and not grizzled. Those two factors make the show an engaging watch.

So far GdT’s CoC is terrific, and future outings hold even greater promise. STREAM IT, I say, and stream the HELL out of it.

In Season 2, he [Mike White] doesn’t just recreate the magic of the first installment, but he stretches his own creative muscles. The White Lotus Season 2 is a resounding triumph.

The Peripheral does a good job at setting up two future worlds that are relatable to a wide audience, and Moretz is great as Flynne.

Skip the first episode, go to episode two and stream it instead before you make your decision to commit to the rest of the season. The sketches in the season premiere don’t really heighten effectively past their premises, while at least the second episode, also available now, goes a bit harder.

From Scratch is a perfect slice of escapism for the wine moms and independent women of the world. It’s not worthy of awards, but it is worth recommending to my fellow die-hard romantics as a blithe bit of distraction from everyday stress and sorrows.

It would have been interesting for Unsolved Mysteries to get the authorities on record. But according to a postscript, those agencies denied a request to speak.

Like the first season, The Vow Part II moves quickly, even as it dives deeper into the people who were and still are loyal to Keith Reinere, finding out their reasoning, motivation and rationalizations. Those conversations, paired with the information from the trial, will make for an interesting second season.

The show is as addictive as ever, once the show gets out of the pods and into the real world, and it will definitely spark plenty of conversations (and, more importantly, memes). But honestly, the most surprising thing about Love Is Blind Season 3 is that somehow this show figured out a way to weave complex relationship studies through all the drunken shenanigans we expect from Netflix reality shows.

Fire Country has more story and stronger characters at the outset than a CBS procedural like this usually has, and that’ll carry the show when the fires start looking all the same as each other.

Shantaram doesn’t really dig too deep into the issues facing India in the 1980s, or how an expat like Hunnam’s character fits in given those issues. It’s a slow-moving thriller that we hope picks up some momentum as the series goes along.

While The Playlist doesn’t give audiences the satisfying dose of schadenfreude that other tech bioseries have provided, it does effectively show just how many perspectives there are to the start of a massive success like Spotify.

Whether you’re a fan of Tegan and Sara or looking for a queer, playfully nostalgic teen series, High School’s endearing, admirably restrained take on the genre is worth an afternoon of your time. More 30-minute dramas, please!

In another producers hands, The Watcher could have been a taut, tense thriller. But with Murphy and Brennan at the helm, it becomes more campy than tense, and even a stellar cast can’t save the show from itself.

Right now, it’s more of the two of them feeling each other out, and how the very experienced and skilled Mary and her friends will train the newbie in how to keep themselves safe. ... This isn’t This Is Us, after all. But given how quickly the “Scooby gang” of this show has been established, The Winchesters is off to a decent, albeit familiar, start.

Sure, it’s great to see Brendan Fraser and Tom Welling on our screens, running around defeating bad guys together. But Professionals is such a slapdash show that it doesn’t really tap into the potential of two fan-favorite stars playing off each other.

Let The Right One In is a bit uneven, mainly because some stories are less interesting than others, even if they’ll all get connected somehow by the end of the season. We just want to see how Mark and Ellie manage Ellie’s unusual life, and we want to see more of that as the show goes on.

If you want to get into the mind of Jeffrey Dahmer, there’s no better way than hearing from the killer himself, and Conversations With A Killer: The Jeffrey Dahmer Tapes gives viewers more than enough opportunity to hear from Dahmer about the impulses that led him to kill.

The funniest show on TV is back for its final season. ... The show is as fantastic as it always was. ... It's a fitting end to the chapter and thankfully it hasn't lost any of its charm, punchy dialogue, or hilarious performances during the time off.

The Midnight Club continues Mike Flanagan’s ability to creep and scare the pants off viewers while building stories with great characters. The varied tones of the club’s stories should bring an interesting wrinkle to Flanagan’s usual dark and tense style.

The Mole isn’t quite as fun as the Anderson Cooper version, but it’s still a solid reality competition format that we’re glad is getting new life with Netflix.

It may be a low bar, but if we’re watching a network series where we don’t roll our eyes or throw up our hands at what we’re seeing on the screen, there’s a good chance that we’ll want to see more of it. And Alaska Daily had enough to like to make us want to see more.