With naysayers proven wrong, the newly confident Bel-Air hits its stride in Season 2.

Despite some of the distracting flourishes, Killing County examines a topic that we don’t see a lot of in the true crime docuseries genre.

While Murdaugh Murders is a somewhat concise guide to the murder charges around Alex Murdaugh, there are better options out there.

The first two episodes feel like a missed opportunity, given the cast. But what we’re hoping is that things will get better as its first season goes along, and there’s enough there to keep us interested while hoping it gets better.

Stream it, but only if you really loved Season 1 of Carnival Row. The first episode of its final season is a big mess storywise, and doesn’t help viewers catch up from a first season that seems like it debuted eons ago.

It’s not the funniest sitcom out there, but there’s a lot of warmth and a lot of character-driven stories and humor.

It’s worth streaming Hello Tomorrow! for the visuals and for Crudup’s lead performance. But it’s going to need to show us more than what it’s showing in its first episode for us to continue past the first handful of episodes.

Cinematic, emotional, and actionably nostalgic, the third season of Star Trek: Picard feels like the truest representation of what returning Patrick Stewart and the TNG era was supposed to be for.

Animal Control‘s first couple of episodes elicited some big laughs and has already established an ensemble with some good chemistry. There’s nowhere to go here but up.

Wu-Tang: An American Saga mirrors and honors the expansive nature and broad range of creativity that defined Wu-Tang themselves, even if it sometimes struggles to hammer the whole thing into straightforward TV series storytelling.

Red Rose starts off on solid footing, setting up a season full scary twists and turns that we hope don’t get too ridiculous.

Despite the fact that the interview portions of African Queens: Njinga feel more like window dressing than anything else, the dramatic segments are well-written and acted, making those talking head segments less intrusive.

A series that may just be the first dating show of its kind that could be called prestige TV. ... Whether any of these people fall in love — it’s irrelevant. I’ve fallen in love with this gourmet Gordita and junk food has never been this filling nor tasted this exquisite. ... Perfect Match is your perfect match.

Despite our reservations about Delevingne as the host of Planet Sex With Cara Delevingne, the show manages to cover a lot of ground and still be informative about topics we thought we already knew a lot about.

This Valentine’s Day special is unexpectedly sweet in all the right places. It doesn’t shy away from how much Harley and Ivy care about each other, It’s fast, funny, and frantically horny. And if you’re a fan of Harley Quinn as a series, there’s plenty to love here, too.

With this hour, he allows us, too, to accept the inevitability of death and loss while also embracing the courage of feeling whatever grief or levity might come our way. Either way, we can put down the bat and pick up the feather. So to speak.

A home run. ... Marvel’s Moon Girl And Devil Dinosaur is a dynamic, smart, visually arresting series that has a unique girl at its center, a puppy-like dinosaur, and stories that will entertain both kids and their parents.

If you’re a basketball fan, you’re surely familiar with the broad strokes of Bill Russell’s greatness, but if you want the whole story, Bill Russell: Legend is a worthwhile telling of it.

Stolen Youth isn’t just an informative look at a shocking case. It’s a well-made docuseries that’s always respectful to these survivors.

The show is and always has been an incredibly well-acted soap, buoyed by Badgley’s excellent lead performance, and its continued commitment to taking things to crazier places than it ever has makes it more than worth your while.

The first couple of episodes of The Ark are rough, because the characters take time to settle in. But the first episode brings up enough intrigue to make those episode worth watching until everyone finds their place in the story.

From hip hop’s inception and its emergence and growth, Fight the Power: How Hip Hop Changed the World offers a powerful message that connects influence, innovation, and a unifying beat to how we continue to think and speak about the artform today.

Not Dead Yet wastes the talents of Rodriguez and the rest of the cast in a show that’s shockingly unfunny.

As nascent true crime sensations go, a fan of the genre could do worse than Jack Murphy and the chronicle of Murf the Surf.

Season 2 of Bloodlands layers even more intrigue onto what’s generally a straightforward, unfussy detective drama, with James Nesbitt’s raw anger leading the way.

Season 2 of Harlem continues the winning formula from Season 1, thanks to its four great leads playing characters that are well thought-out.

There’s something incredibly charming and, dare I say, empowering about For the Love of DILFs lo-fi aesthetic.

Dear Edward has some good performances, but a lot of poorly-sketched characters shuffling their way through an extraordinarily bleak drama.