The voice cast is excellent; Hong is especially good as the adventurous Grandpa. .... Gremlins: Secrets Of The Mogwai should be a good entry point into the Gremlins legend for kids, and it’s sophisticated enough that their parents should enjoy it, as well, even if they watched the original movie with their hands covering their eyes.

Plot lines don’t veer too far into WTF territory without a payoff. Through vulnerability and introspection, Platonic strikes a nice balance between lighthearted and serious storylines.

Rainn Wilson And The Geography Of Bliss is aided by Wilson’s history, genial grumpiness and what seems like a true desire to figure out what makes people happy.

The Sercrets Of Hillsong is an effective picture of a megachurch that tried to modernize the old-fashioned Pentecostal service, despite being not only just as ultra-conservative as other evangelical ministries, but in possession of lots and lots of secrets.

Primo is a fun, feelgood family sitcom that shows a type of family that we rarely see on TV.

XO, Kitty works because Cathcart knows Kitty very well at this point, the story takes turns that aren’t the usual artificial romcom plot contrivances, and there’s enough layers to make the show more than just about its central romance.

The Family Stallone is mainly a harmless reality distraction. But it’s not going to give much insight into Sly’s life with his family. So if that’s what you’re looking for, you’re going to be disappointed.

We’re on the fence. At times, High Desert comes off as an overflowing sack of chaotic scenes passing for a story, but at other times, when it’s focused on where it’s going, it can be fun to watch.

While we hope the show, and Obama, stay as grounded as it does in the first episode, Working: What We Do All Day is still a good glimpse at just what work is like in America, especially in these post-pandemic times.

Mulligan is derivative. You can’t avoid that truth. But it shows some promise, and is just funny enough to warrant your attention for another episode or three.

Black Knight may take a couple of episodes to fully build out its world, but it’s not a slow-paced introduction to this post-apocalyptic version of Seoul, with stunning visuals and well-done fight sequences.

If all you knew about Gadsby was hearing comedians debating whether Gadsby was even a comedian, then this might help settle that debate once and for all.

Fanning and Hoult are as winning as ever, and the series wastes no time diving back into its playful retelling of one of Russia’s most famous monarch couples.

It has a little bit of everything for a variety of viewers, and serious drama that’ll undoubtedly keep us on the edge of our seats. If you’re ready for something a little different, you should absolutely give Unicorn a try.

Class Of ’09 is too busy jumping between timelines to tell a cohesive story that has any kind of momentum.

The Muppets Mayhem is a funny, fast-paced show which doesn’t sacrifice story or characters for pop culture references and celebrity cameos. And the fact that it’s family friendly is a bonus.

Though we liked the experts that were interviewed for Queen Cleopatra, as well as Adele James’ performance as the famous queen, the dramatic sequences leave too much to be desired to keep us from just reading about Cleopatra online to get the information we want.

While Sanctuary moves a bit slowly at times, it’s a fascinating look inside sumo wrestling that should be of interest to anyone who has an interest in Japanese sports culture.

Jones and Oyelowo carry the first episode of Silo with great performances. But the rest of the cast, as well as the hopeful ending and Yost’s proven storytelling ability, tells us that the show won’t be a typical depressing dystopian drama.

Bupkis has some flaws, and Davidson at times suffers from the generosity he and his co-creators have given to the rest of the cast and guest stars. But it’s still a funny show that takes some surprising early emotional turns that still feel earned.

The Other Two is so dense with jokes, even if not every single one hits, it’s consistently, reliably funny. Between the industry humor, the gifted physical comedy, and the characters who are ever-evolving, the show is still reliably sharp, dark, and full of surprises.

Star Wars: Visions feels like the best Star Wars we’ve had all year. ... Star Wars: Visions may be too good. ... It makes you wish that Lucasfilm would loosen the reigns a bit. It turns out that Star Wars feels most like Star Wars when it’s defying all expectations.

Young Jedi Adventures is a fun show and a fine introduction to the Star Wars canon for kids who aren’t ready to see the smoking, charred remains of Uncle Owen and Aunt Beru. I do wish that the show was a little wittier and weirder, but it is what it is.

As a dating show, Jewish Matchmaking is very watchable, especially because Aleeza is funny and warm and because most of her clients are really keeping an open mind. But it’s not really going to give non-Jewish viewers any real insight into the traditions and mores surrounding marriage in the various sects of the community.

The Sum of It All proves adept at upholding one of the best things a music doc can do, which is reveal its subject on a personal level.

Stream it, but only because Rosselló’s story is so harrowing. The series itself is done in such a lurid manner, and is stretched out so thin, that it’s tough to wade through the BS to get to whatever new information the series is offering.

A Small Light is an extraordinary story about a historic figure people don’t know a lot about, with a compelling lead performance from Powley.

While sometimes White House Plumbers finds it hard to satirize what is already ridiculous at face value, it still gets off some big laughs and is bolstered by the performances of Harrelson and Theroux.