With Reedus doing his usual stellar job as the brooding but caring Daryl, TWD: Daryl Dixon is on pretty solid dramatic ground.

Thanks to a fine performance from Stanfield as well as a story that’s just starting to get spooky by the end of the first episode, The Changeling hooks in the viewer and gets them ready to follow Apollo on a journey that promises to be full of scares and surprises.

The mood is taut and tense as the final six episodes of Top Boy play out, with Dushane and Sully vying for control of the East London drug trade and the Summerhouse estate existing at the center of a changing social climate.

Never Let Him Go is an emotional, respectful, measured take on the Scott Johnson case and the forces that contributed to his killer not being found for over 30 years.

The tone and pacing of Predators is the key to what makes it a compelling watch. The cinematography is spectacular, as you might expect from a series like this. Hardy’s narration provides lots of tension without sounding foreboding.

We’re not investing in the stakes of the missions Archer and the team take on. We’re investing in all of the goofs, crass moments, and self-involved absurdities that come along with it. That’s what was funny in 2009, and it’s funny in 2023 as Archer prepares to shut it all down.

This is the triumphant return to the world of Adventure Time fans have been waiting for, and it sets the stage for one of the most interesting concepts the show has seen in some time. Whether you’re holding out to see where your favorite heroes are in this timeline or how things will shake out for our new heroines, it’s well worth settling into every week as it hits Max.

The show remains hilarious, ambitious, and binge-worthy as it carries itself to the finish line.

This version of One Piece is off the wall without being over the top, a highly necessary distinction illustrating that it’s far more watchable than not.

Live to 100 leans away from woo-woo and self-promotion, and gives us a reasonably compelling investigation into longevity.

With a wealth of archival performance footage and an intriguing visual style, Wayne Shorter: Zero Gravity is an open door to exploring the saxophonist’s legacy, but also creativity as a beacon of light.

Wanted: The Escape Of Carlos Ghosn is slightly padded, with a couple of interludes about Ghosn’s family history that don’t connect by the end of the series. But it’s mostly riveting, showing just how Ghosn managed to get the better of the Japanese justice system, for better or for worse.

Despite some plot contrivances in the first episode, we’re still recommending Who Is Erin Carter? because Evin Ahmad does a good job making Erin a bit more credible.

The early going of Invasion season two definitely has fun with the idea that a tech mogul disruptor-in-chief could one day enter a mind meld with encroaching aliens. Nikhil will be one to watch as his motives become more clear.

Nothing in Ahsoka matches the level of technical proficiency we got to lap up in Andor. Nevertheless, it is a must-watch for true Star Wars stans. It’s not just that Dave Filoni has finally brought his most beloved animated characters to life; he is potentially rewriting the rules of the Star Wars universe with them.

Fans of Nailed It! will enjoy The Big Nailed It Baking Challenge, but we wonder if they’ll start tuning out once the contestants actually start nailing their challenges for real.

Fleming shares with the audience a photo of his family, with him as a child, the youngest of the flock, the only one staring into the camera. At points during the special, he's also well of where the stage cameras are. This comedian is ready for his close up.

We wish Harlan Coben’s Shelter gave us a bit more of a cohesive story in its early going instead of what feels like taking all of its mysteries and putting them in a storytelling blender. But the charm of the leads and the fact that the mystery has multiple layers give us hope that as things are revealed, the storytelling will become a bit less frenzied.

While the pacing is still inconsistent, the second season of Killing It continues to mine the chemistry between Robinson and O’Doherty as well as how tough it is these days to come from nothing and achieve success.

We’re recommending Depp V. Heard for the edited-together trial footage, especially the back-and-forth testimony from Depp and Heard themselves. The rest of it is just irritating, but not irritating enough to keep us from watching.

Down For Love is warm and funny, and shows yet another example of how universal the concept of looking for love is.

Solar Opposites Season 4 is another round of madcap, nihilistic comedy that doesn’t stop at anything to make you laugh. It’s irreverent, foul, and unmistakably Adult Swim fodder that’s found a home on Hulu, but that’s part of what makes it so good.

Telemarketers made us laugh just as much as it made us outraged. We were eager to see just where Lipman-Stern and Pespas go with their mission to expose all charity fundraising companies.

My eyes roll at the thought of another road-trip series to far-flung locales, but Men in Kilts has just enough personality and lighthearted spirit to warrant your time.

Billions pushes into its seventh and final season with as much quippy verve as ever, a fleet of existing grudges, new and interesting allyships, and the welcome return of Damian Lewis as Bobby “Axe” Axelrod. Let the demons run free.

It feels like Painkiller wants to say something profound bout how the opioid crisis was started, but does so in a way that feels completely tone-deaf.

The show has maintained its likeability and goofy comedic tone after four seasons, and it’s impressive just how many levels it manages to operate on.

Strange Planet has the potential to be one of the most human animated series we’ve seen this year, despite the fact that none of the characters are actually human.