Bodies takes what could be a confusing premise and crafts four distinctive stories that will eventually be linked together.

The ghost hunting part is sometimes played up for camp and at tother times taken very seriously by members of the team. Listen, those parts are going to either be wildly entertaining or come off as complete horseshit, depending on what you believe about the presence of spirits. But the emotions expressed by the team and the bond they’re forging with each other and the people they help is real.

We’re giving The Ex-Wife a marginal recommendation because we’re not sure if the characters or story are going to get any deeper than what we saw in the first episode. We’re pretty sure it won’t, but at least Buckens and Montgomery are compelling enough to keep us watching.

Serrano and Searle manage to give their four main characters enough layers in the first 30 minutes to hook viewers in and see just how Santi’s story plays out.

The world doesn’t necessarily need one from Coleen Rooney’s POV in order for us to understand the situation better. If you’re a fan of football or WAG culture, you’ll certainly appreciate the level of access this series gives to the Rooneys and their inner circle, but general audiences can safely SKIP IT.

Lessons In Chemistry contains layers of ingredients that build on and play off of each other: romance, drama, history, the second wave of feminism, all snuggled neatly into a 13 x 9 pan. When combined, they’re all greater than the sum of their parts.

The Greatest Show Never Made is a fun docuseries about a scam that could only have seemed to happen in 2002, at the start of the reality TV frenzy.

The first episode of Little Bird progresses a bit slowly, but sets up a powerful story about an Indigenous woman who wants to find the family she was forcibly taken from when she was a child.

Pat’s psychiatric facility, with its generically inky green light, screaming patients strapped to gurneys, and generally depressing air is pretty over the top, and a house creaking in its joints and beckoning people through suddenly open doors doesn’t really grab us. It’s almost like Shining Vale needs to go for the horror jugular first, before it integrates its solid jokes and noteworthy themes.

While, like most anthologies, the stories are uneven, Creepshow still has good stories that combine creepy, scary and funny in the right proportions.

John Carpenter’s Suburban Screams leans far too heavily on docuseries and true crime mechanics to really consider its horror elements, which ultimately just feel like window dressing.

This version is updated with interesting plots, clever dialogue, and lots of pop culture references. While some pre-teens will enjoy it, it feels like the target audience skews a touch older thanks to some genuine creepiness throughout.

The first two episodes are off to a promising start, and we hope that the quality carries through to the end of the season. Based on what we’ve seen, we’re confident in saying that Rick and Morty is back and better than ever, broh.

Flanagan’s ability to weave this story is helped by the fact that he has regulars like Greenwood, Gugino, Thomas and others in prominent roles, and pros like McDonnell and Lumbly joining his family of players. They know what’s required in a show like this and they make the most of what Flanagan gives them.

The storytelling chaos that Loki sews can cause headaches. But this series remains worthwhile and entertaining because its cast is so great. Tom Hiddleston, Wunmi Mosaku, Gugu Mbatha-Raw, Owen Wilson, and Sophia Di Martino keep us in this thing even as the premise sometimes skids along the edge of a deep, unknowable chasm.

It’s one thing to say that the new Frasier is missing the chemistry between the cast members that made the original series so special. But it also tries way too hard to parallel the original in the most crucial spots, making it painful to watch at times, and not nearly as funny as it could be.

The Spencer Sisters is the type of show you might end up binging if you’re at home and not feeling great this coming fall. You’ll certainly be entertained by it, even if you don’t remember much about it after you’re done.

Though this isn't an exceptional true crime series, it does provide the ins and outs that fans of the genre look for, and it's not a huge time commitment.

Despite our misgivings about the cohesion of the story in the docuseries, Desperately Seeking Soulmate: Escaping Twin Flames Universe is still an interesting study in how easily someone can manipulate people who are vulnerable and looking for answers.

Is there an overriding plot aside from escaping the rubble? Is there any kind of character development? Not really. But a show this crazy doesn’t really need that, as long as it continues to be daring through its entire run.

Our Flag Means Death continues to emphasize story over gags, and manages to be both funny and touching at the same time.

Everything Now is a charming teen dramedy with some serious emotional issues underpinning the adventures of a teen just wanting to do teen stuff.

Lupin continues to be a very satisfying watch because of Omar Sy’s performance and the well-written and executed heist scenes.

The biggest surprise here? How entertaining this dumbass franchise is in 2023.

The Sixth Commandment lays out the true story of the Ben Field case in a deliberate but effective manner, punctuated by some fine lead performances.

If you’ve been hankering for another heaping helping of slow-moving, romantic drama a la Virgin River, then Sullivan’s Crossing should help satisfy that craving.

STREAM IT, but only if you’re a huge fan of soccer in general or Beckham in particular. There’s lots of great footage of Beckham on and off the pitch over the past three decades and just enough personal stuff to keep viewers engaged. But don’t expect too much in the way of revelations or controversy.

While Burning Body has its flaws, the performance of Úrsula Corberó helps viewers get past them and get into this very complex story.