We’re recommending Depp V. Heard for the edited-together trial footage, especially the back-and-forth testimony from Depp and Heard themselves. The rest of it is just irritating, but not irritating enough to keep us from watching.

Down For Love is warm and funny, and shows yet another example of how universal the concept of looking for love is.

Solar Opposites Season 4 is another round of madcap, nihilistic comedy that doesn’t stop at anything to make you laugh. It’s irreverent, foul, and unmistakably Adult Swim fodder that’s found a home on Hulu, but that’s part of what makes it so good.

Telemarketers made us laugh just as much as it made us outraged. We were eager to see just where Lipman-Stern and Pespas go with their mission to expose all charity fundraising companies.

My eyes roll at the thought of another road-trip series to far-flung locales, but Men in Kilts has just enough personality and lighthearted spirit to warrant your time.

Billions pushes into its seventh and final season with as much quippy verve as ever, a fleet of existing grudges, new and interesting allyships, and the welcome return of Damian Lewis as Bobby “Axe” Axelrod. Let the demons run free.

It feels like Painkiller wants to say something profound bout how the opioid crisis was started, but does so in a way that feels completely tone-deaf.

The show has maintained its likeability and goofy comedic tone after four seasons, and it’s impressive just how many levels it manages to operate on.

Strange Planet has the potential to be one of the most human animated series we’ve seen this year, despite the fact that none of the characters are actually human.

The first eight (of ten) episodes of Only Murders in the Building Season 3 left me feeling decidedly “meh.” Sure, you can’t really snub your nose at Meryl Streep bantering with Martin Short — even I have to admit that watching the show’s stars collide is worth the price of admission — but the storytelling kept letting me down.

The stylistic flourishes of Winning Time: The Rise Of The Lakers Dynasty can be distracting at times, but the story is still solid (even if it’s not fully factual) and the performances are still across-the-board excellent.

The Lost Flowers Of Alice Hart is a portrayal of domestic abuse that starts out a bit obtuse, but given the intense subject matter, that obtuseness is an effective way to bring people into Alice’s story.

Physical‘s third season is as dark as ever, but thanks to the (darkly funny and decidedly not adorkable) addition of Deschanel, we’re invested and can’t wait to see how Sheila’s story ends.

Christina’s story falls squarely in the”truth is stranger than fiction” category. Though the supernatural abilities have nothing to do with Amber’s death, the fact that this woman was stigmatized because of her supposed powers and they caused people to believe she was capable of murder is unique and fascinating and worth a look.

The final season of Reservation Dogs looks like it’s going to take some creative risks, which is going to make a pretty damn good series even better.

Sometimes it’s nice to just let a show cook, and The Witcher continues to make weird meals with its oodles of diabolical double crosses and inevitable “there’s a spell for that” moments that bang the story off in another new direction. (Seriously, there are portals everywhere.) There’s a bit of uncertainty creeping in, given the backstage drama of Cavill’s departure. But everybody else in this series is fully invested and really, really good.

Dark Winds continues to be a compelling show because of McLarnon’s lead performance and the complexities that its Indigenous setting brings to its mysteries.

The league itself exists in the shadow of its founder. Determining whether that’s forever is another tenet central to Heels, and that gives all of the characters surrounding Jack and Ace the space they need to flourish. But beyond the trials of family, what Heels is most adept at exploring is the dao of professional wrestling itself.

How To With John Wilson is a show that’s perfect for streaming when you’re in the mood for something with a little weirdness, a little optimism, and a lot of funny.

I found myself streaming the whole season in a day, in part just to find out where the second season was heading. Because the second episode made that even less clear, somehow. Eventually, several of the characters you’d come to know and love from the first season to make their way back into the lives of Julio and Luis.

The format of How To Become A Cult Leader isn’t quite as grating as its predecessor, How To Become A Tyrant, and that leaves room for the show to provide a lot of information about how the cult leaders it’s profiling managed to wield so much influence.

Good Omens returns after a four-year hiatus with a good story and the same funny chemistry between its stars.

Twisted Metal is noisy and violent, with some decent performances, but that’s about it.

I’m amused – and compelled to see if Command Z can maintain this level of reasonably biting comedy through all 90 minutes.

The show is going to have to move at a swift clip to answer for everything but it’s already gotten the ball rolling just one episode in.

Whether you watch 4 minutes or 40, Drag Me to Dinner is a delight.

Of her three specials on Netflix, I’d still point you toward her middle hour, 2019’s Growing, instead of this. But if you have been missing some Amy Schumer in your comedy diet, by all means STREAM IT.

George Carlin might’ve beaten Gaffigan and most everyone else to the punch 15 years ago by joking about how long to keep your dead friend’s phone numbers, but only by now could you also find a comedian such as Gaffigan to remind us that strangers will invariably inherit those phone numbers, and might wonder how they ended up in your family’s group chat.