This is a premiere that would’ve greatly benefitted from being one of two episodes released today, or part of a longer episode that actually took us somewhere — anywhere — new.

This revival may not be great – especially with our outspoken minx missing – but it’s watchable, even when it feels like a trainwreck. I can’t wholeheartedly recommend And Just Like That… to the casual viewer based on this strange mess of a pilot, but for those who still harbor a soft spot for Carrie Bradshaw and her crew, there’s something worth indulging in here.

Masters of the Air is a thrilling, entertaining watch that lacks the depth of its HBO-produced predecessors.

It’s entertaining in a flimsy, forgettable way, giving us everything we’d anticipate expect from a period drama, and not much more.

Tales From The Loop feels like something that should be hung on a wall, admired and interpreted rather than a show that a viewer can lean in, watch, and get involved in.

There’s nothing that’s awful about Devils; it’s not eye-rollingly dumb and the performances are decent. It’s just that the first episode grinds along so slowly, you just wonder when the real story is going to kick in. It does, at the end, but by then you might be too bored to care.

It’s going to be a reluctant STREAM IT from us. The series has a lot left to accomplish to roll the tide, but if Netflix invests time in the show to establish the characters and build on the storyline, it can easily build towards something bigger and scarier, and less mismatched.

His humor works best onstage and onscreen when he’s trying too hard or moving outside of his comfort zone (as the boxing sequence demonstrates), or when he’s playing against a solid foil, such as Dwayne “The Rock” Johnson or Ice Cube in multiple movies. This hour only seems to prove that as a husband in his 40s, Hart truly gives zero f**ks; as a comedian and famous person, however, he still cares too much about where he stands.

Because a) there’s the seeds of a good character-driven sitcom there, and b) Lorre and his writers have a track record of improving their shows. They’ll get every chance in the world to make it a decent show, but it’s not one right now.

Cursed works when it sticks to Nimue and Arthur, and doesn’t when it comes to just about anything else. But it still may be worth watching for those who want to scratch their fantasy itch.

Whedon is adept at utilizing the large casts of his shows and movies and making sure the stories he writes services all of them. In The Nevers, he succeeds in some respects but other parts of this show need some work. ... It feels like Whedon has set up a very complex story for himself, one that we’re not sure he’ll have the time to explore the way it should be explored.

We’re recommending Depp V. Heard for the edited-together trial footage, especially the back-and-forth testimony from Depp and Heard themselves. The rest of it is just irritating, but not irritating enough to keep us from watching.

We’re recommending B Positive mostly on the strength of the cast and the ability of Lorre and his showrunners to make the adjustments they need to find the show’s sweet spot. ... But this is one of the shakiest premises we’ve seen yet in a Lorre sitcom.

The thing that’s frustrating about Anatomy of a Scandal is that it’s ostensibly about serious issues like sexual violence, entitlement, and grey areas of the law, but it’s actually just a stupidly breezy thriller.

If you’re looking for light-hearted laughs, this will do the trick. But SKIP IT if you want something better. Dig into Lopez’s back catalog on HBO Max for harder-hitting material, or for a fresher perspective from a younger generation, go with Cristela Alonzo’s Lower Classy on Netflix or Jesus Trejo’s Stay At Home Son, which just came out a month ago on Showtime.

STREAM IT if you’re an NCIS fan. NCIS: Hawai’i will give you more of the same stuff you love, with the Aloha state as a beautiful backdrop. If you’re expecting anything deeper than that, though, you should SKIP IT.

This is a really tentative recommendation. The performances in The Crowded Room should be compelling enough to hook you in, but we’re just not sure the story is going to progress fast enough for people to not throw their hands up in frustration by the second or third episode.

Stream it, but only because all of the characters from The Full Monty that you loved in the ’90s are back and as quirky as ever in the new series. But, just like the dog that got kidnapped in the first episode, the show is a bit shaggy and aimless, which may make your goodwill for these characters wane after a few episodes.

Human Resources is by no means a bad show. If you love Big Mouth, it has the same humor and characters that first made you a fan. But it’s also not a show that lives up to its full potential.

Restaurants On The Edge won’t show you anything about running a successful restaurant, but at least it’ll be easy on the eyes.

Stream it if you loved SpongeBob; Kamp Koral: SpongeBob’s Under Years might have more generic animation, but it retains a lot of what made the original show a hit. But if SpongeBob makes you want to run screaming, definitely SKIP IT.

We’re not looking for edge with Amazing Stories, but in 2020 even family-oriented shows should have more complex and less Hallmark-Channel-worthy stories than what we saw from the first episode.

STREAM IT, but only for the fantastic racing scenes. If you’re looking for a show that’s got any drama that happens off the track, Senna will probably disappoint.

Stream it, but only for the performances of Roberts, Penn and the rest of the cast of Gaslit. The series leans too hard on the farcical to help viewers come away with any real information about the Republican side of the Watergate scandal.

If you’re a fan of the Marvel Cinematic Universe or if you are super into the zombie apocalypse genre, then you’ll want to STREAM IT, because this show was made specifically for you. Otherwise, despite the vivid animation and high-octane action sequences, Marvel Zombies isn’t the most accessible title, so if you’re not the target audience, you may be better off SKIPPING IT

If you were a fan of The Weakest Link in the early ’00s, you’ll like this version. But it suffers from the same issues the American version did back then: The show’s pacing is slow and repetitive, and the insults hurled by Lynch are more funny than truly intimidating or designed to tick off the contestants.

We’re just not sure that this is anything but a money grab by them and Netflix. ... We still recommend it to anyone who watched the first season and wants to find out more. But, it certainly isn’t essential watching to anyone, whether they liked the first season or were repulsed by it.

The more enjoyable aspects of the special came during the bits that had nothing to do with Trump but everything to do with how weird 2020 is. ... Other sketches hit or missed as much due to the celebrity co-star’s willingness to throw him or herself into the character. So, much like SNL, then.