The storytelling of Angelyne leaves a lot to be desired, but Rossum’s performance cuts through the script gymnastics, making us curious about what parts of Angelyne’s life the series will explore.

We were happy to take in the contemplative pace of The Madison as well as watching Pfeiffer’s performance. But we’re also concerned that Sheridan’s penchant for leaden dialogue and sketchy portrayals of female characters are going to ultimately drag this show down.

There is a germ of a good overall show there, especially because Kyla-Drew is already a mature comedic performer at the tender age of 17. The relationship between Sasha and Brian will be the key to whether Dad Stop Embarrassing Me! becomes anything but a showcase for Foxx to do his shtick.

While Douglas Is Cancelled has a lot of story flaws, the dialogue is funny for the most part and is expertly delivered by Wilkinson, Gillan, Kingston and the rest of the cast, which might be enough to endure this non-controversy for four 40-minute episodes.

Dirty Pop smartly ties its year-by-year timestamps to songs, like Backstreet’s “I Want It That Way” and “We’ve Got It Goin’ On,” or NSYNC with “It’s Gonna be Me,” which allows us to follow how huge the 90s boy band phenomenon really got, and wonder how those groups allowed themselves to be swindled for so long. .... The AI thing is a weird outlier in contrast to how any of the other footage in Dirty Pop is used. The docuseries readily admits the footage was manipulated. But it gives off a reek of also manipulating the viewing audience.

What’s Next? The Future With Bill Gates is informative, and Gates and the producers speak to an impressive array of experts and A-listers. But we wish it had a bit more of a wary eye about its subjects.

We have a lot of reservations about Dr. Death, but considering the show will examine just how a butcher like Duntsch can keep getting hired by major hospitals who should be vetting their hires better. The cast helps things along, despite their sometimes over-the-top performances.

We’re keeping our fingers crossed that Cosmos: Possible Worlds transcends its muddled first episode. But we’re wondering if the concept has reached its limit for now, and maybe we should wait another decade or two before seeing another version.

The show isn’t interesting enough to get past its glaring flaws.

STREAM IT, but only if you’re a huge fan of soccer in general or Beckham in particular. There’s lots of great footage of Beckham on and off the pitch over the past three decades and just enough personal stuff to keep viewers engaged. But don’t expect too much in the way of revelations or controversy.

Pieces of Her is fast food storytelling presented on a high end plate. Collette and Shapiro do their best to lend depth to an otherwise shallow story. Which means if you just want a tawdry thriller to zone out to, Pieces of Her will suffice. But if, like me, you want something deeper, you’ll find Pieces of Her’s biggest mystery will be how this tonally mismatched, structurally messy show came to be.

We like Iliza and hope that the first episode of The Iliza Sleshinger Sketch Show was just loaded with a lot of duds.

This is a premiere that would’ve greatly benefitted from being one of two episodes released today, or part of a longer episode that actually took us somewhere — anywhere — new.

This revival may not be great – especially with our outspoken minx missing – but it’s watchable, even when it feels like a trainwreck. I can’t wholeheartedly recommend And Just Like That… to the casual viewer based on this strange mess of a pilot, but for those who still harbor a soft spot for Carrie Bradshaw and her crew, there’s something worth indulging in here.

Masters of the Air is a thrilling, entertaining watch that lacks the depth of its HBO-produced predecessors.

It’s entertaining in a flimsy, forgettable way, giving us everything we’d anticipate expect from a period drama, and not much more.

Tales From The Loop feels like something that should be hung on a wall, admired and interpreted rather than a show that a viewer can lean in, watch, and get involved in.

There’s nothing that’s awful about Devils; it’s not eye-rollingly dumb and the performances are decent. It’s just that the first episode grinds along so slowly, you just wonder when the real story is going to kick in. It does, at the end, but by then you might be too bored to care.

It’s going to be a reluctant STREAM IT from us. The series has a lot left to accomplish to roll the tide, but if Netflix invests time in the show to establish the characters and build on the storyline, it can easily build towards something bigger and scarier, and less mismatched.

His humor works best onstage and onscreen when he’s trying too hard or moving outside of his comfort zone (as the boxing sequence demonstrates), or when he’s playing against a solid foil, such as Dwayne “The Rock” Johnson or Ice Cube in multiple movies. This hour only seems to prove that as a husband in his 40s, Hart truly gives zero f**ks; as a comedian and famous person, however, he still cares too much about where he stands.

Because a) there’s the seeds of a good character-driven sitcom there, and b) Lorre and his writers have a track record of improving their shows. They’ll get every chance in the world to make it a decent show, but it’s not one right now.

Cursed works when it sticks to Nimue and Arthur, and doesn’t when it comes to just about anything else. But it still may be worth watching for those who want to scratch their fantasy itch.

Whedon is adept at utilizing the large casts of his shows and movies and making sure the stories he writes services all of them. In The Nevers, he succeeds in some respects but other parts of this show need some work. ... It feels like Whedon has set up a very complex story for himself, one that we’re not sure he’ll have the time to explore the way it should be explored.

We’re recommending Depp V. Heard for the edited-together trial footage, especially the back-and-forth testimony from Depp and Heard themselves. The rest of it is just irritating, but not irritating enough to keep us from watching.

We’re recommending B Positive mostly on the strength of the cast and the ability of Lorre and his showrunners to make the adjustments they need to find the show’s sweet spot. ... But this is one of the shakiest premises we’ve seen yet in a Lorre sitcom.

The thing that’s frustrating about Anatomy of a Scandal is that it’s ostensibly about serious issues like sexual violence, entitlement, and grey areas of the law, but it’s actually just a stupidly breezy thriller.

If you’re looking for light-hearted laughs, this will do the trick. But SKIP IT if you want something better. Dig into Lopez’s back catalog on HBO Max for harder-hitting material, or for a fresher perspective from a younger generation, go with Cristela Alonzo’s Lower Classy on Netflix or Jesus Trejo’s Stay At Home Son, which just came out a month ago on Showtime.

STREAM IT if you’re an NCIS fan. NCIS: Hawai’i will give you more of the same stuff you love, with the Aloha state as a beautiful backdrop. If you’re expecting anything deeper than that, though, you should SKIP IT.