If you go into The Price Of Glee with the right mindset, you’ll get some good information about just how much pressure the stars and crew of Glee were under. You have to basically ignore the producers’ attempts to link two of the stars’ deaths directly to the show itself, and definitely ignore their attempts to get any of the interviewees to call the show cursed.

There’s something about Coyote, created by David Graziano, Michael Carnes and Josh Gilbert that feels a little bit off. It’s not the performance by Chiklis, which is his usual combination of tough but with seeds of doubt.

It’s your typical Coben yarn, with multiple and seemingly unrelated threads going on at once, characters who have dark secrets that are alluded to but not mentioned outright until enough tension is drawn out, and mysteries upon mysteries.

Has the feel of a high-quality procedural to us instead of a super-serialized prestige show.

Before the final scene of Paper Girls, we were going to give this show a big old thumbs down. But that final scene set the stage for a show that has the potential to be a fun ride, or at the very least something that’s a little different than what we’ve seen before.

Between Seyfried’s performance and the bread crumbs we get about Mickey’s past in the first episode, there’s enough to keep us watching Long Bright River. But we can’t shake the feeling that, without Seyfried in the mix, the show would be indistinguishable from other procedurals of its type.

Zachary Quinto is a big reason why Brilliant Minds works in its first episode. But for it to continue to work, the rest of the characters need to be developed, and Quinto’s character needs to have his flaws explored in more depth.

Despite the fact that there are some very funny and weirdly satisfying aspects of Fake Famous, it somehow seems incomplete. ... Instead of trying to find new people willing to go with the experiment, he essentially concentrated on Dominique leaning into the experience. Yes, the social experiment still worked, but we would have liked to have seen more examples of it working than just a single person.

The first episode of Freud is a bit confusing, but if you put the real Sigmund Freud out of your mind, you should be able to buckle in and enjoy the ride on this psychological thriller.

If you’re a fan of the usual Bachelor drama, then Listen To Your Heart should satisfy that craving.

HBO’s new spin on the story is so gorgeously acted, though, you can’t stop thinking about the theatrics of it. The very thing that will hook you — Isaac and Chastain’s full-throttle performances — might also take you out of it.

There is enough going on in Young Wallander, especially the immigration storyline, that will keep viewers watching. But we just wish Wallander himself was a more interesting character.

If the first episode is any indication, the cases are still the same brand of Jerry Springer-esque crazy that they’ve always been. ... For them [fans], Judy Justice should be more of what they love, even if it doesn’t really break new ground for Sheindlin or the judge-show genre.

Because the series is so one-sided and speculative, The Man With 1000 Kids has to be seen with a bit of jaundiced eye. But that doesn’t keep us from being fascinated at the results of what happens when one man feels the need to donate his sperm everywhere he can.

1992 isn’t reinventing the wheel when it comes to thriller series. But it’s just audacious enough, especially with its use of a cartoon rooster mascot, to make it watchable.

The presence of the old guard will keep fans interested in CSI: Vegas. But the new crew hasn’t distinguished themselves for the most part just yet, and they’ll need to do that soon before the presence of Petersen, Fox and company overwhelms the show.

The story is what’s going to keep viewers watching, because there aren’t really any compelling characters to latch onto.

Holidazed will make you dazed after the first episode, because of all the stories and characters that are introduced. But then the show should settle into what is basically a series of mini Hallmark-style holiday films, with all the feelgood scenes those films are known for.

Subtlety isn’t really a strong suit of Unchosen, but what we hope is that the show’s rough edges in that category will be smoothed down as the psychological thriller at the core of the series develops.

You may tire of the message Scott Burns is trying to get across by the end of Extrapolations‘ eight episodes, but there are moments in there that will be affecting and effective. You just may have to try your luck to find them.

Mainly because Sophia Bush and Jason Isaacs are compelling to watch — individually and together — Good Sam rises slightly above the run-of-the-mill network medical procedural. But the relationships and characters will have to evolve to keep us tuning in.

The only reason why we’re recommending Irish Blood is that we like Silverstone and the rest of the cast. But the first episode has some tone and story problems that definitely give us pause about the rest of the first season.

There’s enough that we like about The Copenhagen Test to recommend it. It feels mostly like a solid conspiracy drama with a little bit of sci fi mixed in, but we hope the muddled first episode isn’t a bad sign of what the rest of the season will be like.

We’re on board for the thrill of the trip and the stunning visuals we’ll see on Long Way Up, plus seeing McGregor and Boorman renew their friendship will be fun. But the privilege shown on this trip is staggering and detracts from our enjoyment of the show.

As squinchy as we feel about the voyeurism in Gypsy Rose: Life After Lock Up, we’re curious to see an inside look at how Gypsy Rose Blanchard has handled her first few months of true freedom in her adult life.

Nightsleeper has the potential to be a tense six-episode thrill ride or it could be a predictable bore. The first episode makes us think it might be the latter, but there are enough good elements in the first episode to keep us watching.

Ultimately, though, the show will come down to the chemistry between Mariela Garriga as Castillo and Maribel Verdú as Gutiérrez. The first episode doesn’t show the two of them interacting much, so the jury is still out there.

The Walking Dead: The Ones Who Live is basically a love story wrapped in the usual TWD post-apocalyptic shell. But what we hope is that the love story breaks through that shell and shows us something we haven’t seen from the franchise before.