We’re recommending Turner & Hooch mostly for the dog. ... Without Hooch, the show is mostly a generic basic-cable mystery series; if it can’t develop better relationships between its characters, the dog will still be the only thing keeping us watching.

Despite not having confidence that the show can services all the stories it’s set up, The Gloaming definitely has a sense of place, and we’re so curious about the relationship between the two main characters, we’ll keep watching.

Because the bulk of the hour is chock full of bells and whistles and topical references, it might not have the same staying power as some of his earlier specials.

There’s enough here for any Stath fan to love, and anyone unfamiliar with Demetriou to go looking for more afterward. There are times like these, however, where I might wish sketch comedy collections had chapter dividers so you could SKIP more easily past the less effective scenes.

Again, it’s really hard to get excited about anything in Irvine Welsh’s Crime outside of Dougray Scott’s performance. But once again his performance draws viewers into the story.

Despite our misgivings about the cohesion of the story in the docuseries, Desperately Seeking Soulmate: Escaping Twin Flames Universe is still an interesting study in how easily someone can manipulate people who are vulnerable and looking for answers.

The contestants are game, and they banter with the hosts and each other well. But there isn’t a whole lot of tension, even in the final round, and the money at stake isn’t enough to lend that final round a boost of tension just by showing how much is at stake.

While Marriage Or Mortgage may be a cobbled-together version of other, better reality shows, it also has enough charm to it to make it a fun watch.

If you’ve seen some amazing LEGO sculptures and wonder who does that sort of thing, LEGO Masters will be a good insight into master builders’ skill set and thought process.

It’s still The Circle, and the social distancing aspect of the series is more relatable than ever. But we were disappointed that the French version has a group of (mostly) generic, interchangeable contestants.

The second episode of Tulsa King gave us hope that the series can be an enjoyable series with a bit of a sense of a humor about its fish-out-of-water conceit and that Stallone can turn down the Sly schtick. But there were still a lot of issues that make us think that the show could end up being as nuanced as a plate of spaghetti topped with ketchup.

Spacey Unmasked is a relentless series of stories detailing horrific behavior by Kevin Spacey, but it also tries to give a little context by delving into the actor’s life. Still, it’s hard to watch.

Ted Lasso Season 3 starts rough, but it does find its footing by Episode 4. It’s the worst season so far to date, but there is enough there for fans to hope — if not “BELIEVE” (har, har) — in a triumphant conclusion to the season. We’ll just have to wait and see.

March is a bit of a frustrating show, because in one respect, producers Cheryl Horner McDonough, Jamail Shelton, Shari Scorca and Marcel Fuentes have shown viewers a world that has been largely unexamined until now. But in other respects, it doesn’t seem like it goes deep enough in its first episode.

We’re certainly intrigued by the mystery that’s at the center of The Resort. But we also hope that Milioti and Harper get more of their own story to dig into, as opposed to being just a typically bored married couple who come together under extreme circumstances.

Like a lot of the animated programs Fox has put out in the past 15 years, this one needs some patience. Perhaps the rapid-fire jokes we see in group will give way to these individual stories that will mine laughs from the characters. But right now, the show is so overpopulated it doesn’t give any of these characters room to explore.

Cush Jumbo and her character are the reasons why we’re going to keep watching Criminal Record. Not that we hate Peter Capaldi’s character, but at the outset he feels much more generic than Jumbo’s character, and given that the two of them face off during the entire season, that could end up being a big problem.

Despite the excellent cast, there were lines and situations that were so clunky and predictable that we shook our heads that they made it to the final cut. But there is an interesting twist at the end of the episode that leads us to believe that some of the clunkiness will eventually be ironed out.

We’re hopeful that Feud: Capote Vs. The Swans will provide some juicy scenes among its amazing cast, and that will be enough to keep us watching. But the story itself is so low-stakes that it just leaves us cold.

The new series is incredibly watchable, but flails when it comes to knowing what to focus on.

Bryan Cranston puts in a typically compelling Bryan Cranston performance. It’s really the only thing saving the show from being clichéd and dull.

There are nuggets of information in there that are enlightening. ... For the most part, though, it feels like we’re going to see four hours of mostly praise and maybe some good-natured ribbing from associates who think Branson tells his own story in a more grandiose way than how it actually happened. Your enjoyment of that will depend on how you feel about Branson.

We’re recommending Franklin because we were pleasantly surprised with how well Michael Douglas slipped into the role of Benjamin Franklin. But the rest of the show left us mostly bored.

Does Motorheads sound like a very mid show? Sure. But it’s a well-done mid show, which is all we’re asking for as far as teen shows are concerned.

The main reasons to watch DI Ray are Parminda Nagra’s lead performance and the theme of her fighting against bias in her department. We just wish the case being investigated, and some of the characters surrounding Ray, were more compelling.

We’re a bit wary that all the stories the first episode of The Crow Girl introduces won’t come together, and it’s a tonally inconsistent episode. But we’re also going to keep watching, mainly because of the potential twists and turns involved with those stories merging at some point.

The second season of Outer Range certainly isn’t boring, but we just wonder if all the time jumping is going to either get confusing or just make for a bunch of jumbled mysteries without answers.

We like the cast of The Inheritance enough to keep watching, but it feels that the show is too distracted by lots of side stories to really concentrate on the mystery at its center.