Meyers remains the least likely you’d expect to see doing stand-up comedy, and yet somehow, he’s also the most proficient of them at doing it right now.

Even if Pluto strikes some sci-fi watchers as a bit derivative or self-serious, animation fans should appreciate its designs, fluidity, and invention. This is a great-looking show, and effective testimony for how sometimes fantastical stories are better-served by animation rather than live-action.

The Boys continues to build towards a climactic confrontation, but with a story that has reached the point where it’s become personal and intimate. We hope that continues, even if it exists alongside the action and funny moments.

We Need To Talk About Cosby is definitely hard to watch, and that’s the point. It brings up many of the same feelings Bell himself is working through via his direction. But that discomfort is a big indication that Bell is doing his job.

Lizzo, in her first stab at reality programming, is a complete natural at hosting duties. And Watch Out for the Big Grrls promises to promote exuberance and empowerment over manufactured drama and assorted reality world tackiness.

If you’re a casual fan of English soccer, it’s a great way to immerse yourself in an up-and-coming teams success. If you’re a hardcore fan, it offers you the behind-the-scenes looks you can’t get enough of.

Wilderness isn't one of those shows that's going to challenge you with a plot full of moral dilemmas and high drama. It's a show that’s more than a bit mordant and campy, but that and the performances of Coleman and Jackson-Cohen add to its appeal.

Mindy Kaling’s knack for creating three-dimensional characters makes The Sex Lives Of College Girls a funny and addictive show, despite the fact that there’s really no new ground being broken by its premise or characters.

As powerful as Schuman’s decision to come forward is – and it’s only given more strength when in conjunction with the stories of her fellow accusers – it’s the indictment of the entertainment biz as a clearing house of terrible behavior that makes a significant impact in Fallen Idols.

Single Drunk Female gets off to a strong start with its first episode and gets better as it goes along, because it builds a world of nuanced characters right from its first scenes.

Vox Machina is a fun, chaotic ride through the world the players in Critical Role have been building upon for years. It takes the characters viewers are likely already familiar with, and establishes a story that both fans and newcomers can get into without catching up on the series.

Wise Guy: David Chase And The Sopranos provides a lot of insight into what made Chase tick and what went into the creation of the landmark series.

It may seem crazy to think that professional mermaiding is a thing, but after you watch MerPeople and see the happiness coming from the people who are doing this work, you way want to do that work, too.

The Traitors pits some of the most memorable (and duplicitous) personalities against each other using a formula that’s wickedly dramatic and fun.

This is a fun, romantic look at life on the spectrum that will hopefully shatter some stereotypes.

Queens is one of the best new fall network series because it’s smarter than it needs to be and leans hard into its frothy premise.

English Teacher is still a funny workplace comedy, despite the fact that the Alvarez’ character is becoming more self-righteous as the series goes along.

What If…? is a fun exploration of alternate versions of the MCU, with animation that does a good job of conveying the action that’s baked into the MCU recipe.

Lovecraft Country is a pulpy treat: sexy, scary, and featuring a poignant examination of some of the true horrors in American society.

The Grey’s cast has changed over the years, but the show has managed to stay familiar and retain so much of what makes it addictive. Time will tell if Pompeo’s absence diminishes what made this series the flagship of Shondaland, but for now, it’s off to a great start.

La Fortuna’s distinctive story, combined with the standout performances from Tucci and Peters, make the show one we want to stick with.

American Conspiracy: The Octopus Murders is a fascinating look at a case that not only has huge implications about how the U.S. government ran in the 1980s and ’90s, but it’s also gives a lot of insight into how journalists can get so deep into stories that sometimes have pretty humble beginnings.

Demascus is funny in the right spots and weird in all the right ways, but it’s also an interesting take on Black identity, whether it’s in the current world or the technology-enhanced version of it that’s in the series.

Even though the drama in Delirium mostly revolves around one character, that character is very layered and complex. Even if the characters around her are more one-dimensional, we want to see just how Augustina got to the point where she’s in that delirious state.

Alice in Borderland is bloody, violent, and sometimes stingy with narrative facts. But it revels in making or breaking the rules it’s created for its topsyturvy world, and the core characters are compelling and fully rendered.

Season 2 is a delightful improvement over the first season. If you loved to hate And Just Like That... Season 1, there are still enough bonkers moments to fuel your hate-tweets. And if you’re a SATC diehard, you’ll find yourself swooning (and screaming) over where the decades-long saga takes Carrie, Charlotte, and Miranda next.

Christina’s story falls squarely in the”truth is stranger than fiction” category. Though the supernatural abilities have nothing to do with Amber’s death, the fact that this woman was stigmatized because of her supposed powers and they caused people to believe she was capable of murder is unique and fascinating and worth a look.

Stargirl is a fun ride, and the performances by Bassinger and Wilson make the first episode keep a lively pace.