With fine performances and spectacular cinematography, the new version of All Creatures Great And Small will definitely make fans of Herriot’s books want to go back and revisit them, and it will also bring new fans into the fold.

There’s an inherent charm to bowling. Born to Bowl capably channels that charm, and it’s a fun watch.

This version is updated with interesting plots, clever dialogue, and lots of pop culture references. While some pre-teens will enjoy it, it feels like the target audience skews a touch older thanks to some genuine creepiness throughout.

High On The Hog is not only informative, but makes a real emotional connection between food and the history behind it, and a lot of that is thanks to the “relaxed intensity” of Satterfield.

Turning Point: The Vietnam War is a thoughtful, meticulous and considered examination of the U.S.’s involvement in Vietnam and how it changed how we saw our government.

The Chair is funny as heck with some earned moments of real emotion, and a killer cast. Six episodes flew by, and we hope to see more of Pembroke’s English department soon.

While the reenactments in Equal were distracting, we were enlightened by this examination of a piece of history we knew little about, and enjoyed what Porter brought to the project via a narration style only Porter could pull off.

Elite is already stirring up its component parts for a satisfyingly spicy, gossipy, and bloody series conclusion.

Excuse Me, I Love You is admirably performance-heavy. While the snippets of crosstalk and behind-the-scenes chatter are fun, and will certainly be revealing for fans (the choreography rehearsals are particularly interesting), it’s a thrill to see and hear all of the singer’s most giant singles come to life onstage, complete with that elaborate choreo to go with each one.

Steeped in blood, sopped in whiskey, and lit in brooding pools of yellow and gray, Peaky Blinders is mood TV escapism with a satisfying historical bent.

Berlin And The Lady With An Ermine has lost none of the Berlin series’ charm or joie de vivre. It’s still a show that’s more fun than thought-provoking, which is exactly what it’s intended to be.

Once again, Time does a good job of showing inmates as humans, and how their lives suffer on the inside as they deal with real-life problems happening on the outside.

If you’re a basketball fan, you’re surely familiar with the broad strokes of Bill Russell’s greatness, but if you want the whole story, Bill Russell: Legend is a worthwhile telling of it.

It’s like a nice light dessert after all the heavy fare the network offers. We love seeing and hearing from the intensely uncomfortable Wilson, and marvel at how his filmmaking instincts take him in very strange and interesting directions.

Hip Hop Uncovered has found a great angle to make the history of hip hop fresh again. It doesn’t hurt that the filmmakers get perspectives from so many big names about the history of the genre and the power brokers who made it work behind the scenes.

There was nothing quite like American Gladiators in its prime, and The American Gladiators Documentary captures the magic, weirdness and spectacle of it all in an entertaining and nostalgic package.

After watching the first three episodes of Euphoria Season 3, it’s unclear whether there’s hope for Rue and her friends, but there’s definitely a chance this polarizing HBO show might end its run on an incandescent high note.

Wanted: The Escape Of Carlos Ghosn is slightly padded, with a couple of interludes about Ghosn’s family history that don’t connect by the end of the series. But it’s mostly riveting, showing just how Ghosn managed to get the better of the Japanese justice system, for better or for worse.

Lessons In Chemistry contains layers of ingredients that build on and play off of each other: romance, drama, history, the second wave of feminism, all snuggled neatly into a 13 x 9 pan. When combined, they’re all greater than the sum of their parts.

The fact that they [the Stidhams] did sit down to talk to the filmmakers makes the docuseries 200% better. And that’s mostly due to the magnetic and somewhat unhinged personality of DeAnn Stidham.

The second season of Landman is stronger than the first, mainly because the women on the show are in a stronger position than they were last season, giving Thornton’s Tommy all he can handle.

In its first hour, The Outlaws manages to have a bunch of funny moments, one or two thrills, and tells more than enough about its ensemble to keep us watching.

Bad Surgeon: Love Under The Knife is going to detail this two part fraud on the part of Macchiarini, and it’s a compelling watch.

Kaiju No. 8: Season 2 appears to have the vibrant visuals, exciting characters, and twisting plot to keep viewers hooked from start to finish. At the very least, it certainly knows how to pull you in and keep you wanting more. This genre might not be everyone’s cup of tea, but if you liked Kaiju No. 8: Season 1 or similar anime series, then you should enjoy this too.

Finding Alice strikes the right balance between drama and comedy, sadness and laughter, with a fine performance by Keeley Hawes at its center.

All of this suspicion and continuous threat of violence makes Snowfall an unsettling, utterly compelling watch, since it’s removed its own set of guarantees.

Disco: Soundtrack of a Revolution emphasizes the beats and songs that built a classic sound, and the communities, often marginalized or under-represented, who did the hard work – and all of the dancing! – to bring it to life by the light of a turning glitterball, before the music ever went slick and mainstream.

Believe it or not, The Secret Lives of Mormon Wives Season 2 might be even better than Season 1.