Manuel Garcia-Rulfo thrives in the courtroom scenes that pepper Lincoln Lawyer. .... Lincoln Lawyer is also at its best when its centerpiece attorney is in reaction mode to the moves being made by the people in his personal and professional lives, which increasingly overlap.

Worn Stories is definitely one of the more unusual docuseries you’ll stream this year. But it’s also warm, personal and heartfelt.

The beats of the season are rote, the characters verge on cringe-worthy cliche, and The White Lotus seems to be lazily conforming to a formula that’s already inspired countless pale imitations since its 2021 series launch. .... The biggest thing the The White Lotus Season 3 has going for it, though, is its phenomenal cast. The actors that Mike White has assembled give each character a pathos that maybe wasn’t originally there on the page. .... Ultimately, The White Lotus Season 3 is still the best at what the show sets out to do.

The YA series continues to make the love triangle between childhood friends compelling as the show enters college and adulthood.

Seven Worlds, One Planet will blow you away with its visuals and its unprecedented access to certain species, even if the presentation itself can be dry at times.

Because of key performances from Doherty, Hall and Bennett-Warner, Chloe goes from a predictable stalking tale to an entertaining thriller that may take some unexpected turns.

Karen Pirie is a pretty straightforward entry in the genre of British/Scottish police mysteries. But the first season presents a solid, twisty case and the title character is refreshingly young and not grizzled. Those two factors make the show an engaging watch.

The first episode of The Good Mothers sets up a powerful story.

There are still plenty of gruesome jokes to make you nearly gag, like a platoon of tampon surfers and a teenage boy’s penis that has a Long Island accent for some reason. But this time around the changes everyone is going through are a bit more abstract, for the better.

Even though the case has been settled for almost 40 years — and Sutcliffe died in November — The Ripper is fascinating to us because it will examine the underlying factors that slowed down the investigation, instead of talking about the killer himself.

Twenty Twenty Six is a funny take on a workplace focused on putting together one of the world’s biggest sporting events, helmed by a person who is experienced with all the craziness and somehow manages to get things done in spite of it.

Through the first two episodes, Ms. Marvel is a fun examination of the usual coming-of-age issues couched in Kamala’s idea that being a superhero is so much less complicated than actual life.

Katrina: Come Hell And High Water brings the storm and its aftermath down to a personal level in a way that makes the horrors of what happened fresh all over again.

Up Here certainly has the pedigree to be a good musical rom-com. But Whitman and Valdes elevate what is already good material by just being so damned cute together.

Like a night plastered at your favorite bar, it may not be the most important or essential show this year. But, god, is it a blast.

We wish Unorthodox didn’t have the menacing specter of Esty’s estranged husband (more accurately, his family) interfering with her story of discovery, but the story is well-told despite the thriller aspect.

If actors believe comedy is hard, then improv comedy is harder. Translating a live improv comedy show to a TV audience? That’s double-diamond difficulty. And Middleditch and Schwartz are among comedy’s moguls.

What Not To Wear's Clinton Kelly and Stacy London are reunited in a series where they help clients discover their own style.

So far so good for Secrets of the Whales. Nature-doc lovers will eat this stuff up like, I dunno, a generous-of-spirit orca to a half-eaten stingray.

Though optimism for its worthy cause is infused in every scene, there’s an underlying sadness to Hollywood.

Murderbot is certainly a quirky show, but it has a good combination of fun and human moments, punctuated by a surprisingly funny performance by Alexander Skarsgård.

The music is great, obviously, but I keep coming back to the stories that My Kind of Country is telling. ... My Kind of Country is the right show for the worst of times.

If there’s anything we need right now is something reliable to make us laugh. And Animaniacs fills that bill, just about as well as it did in the go-go ’90s.

Burden of Proof offers a different way to do true crime storytelling, emphasizing the toll that uncertainty takes on those experiencing it in the wake of an unsolved disappearance. It offers no easy answers to the kidnapping of Jennifer Pandos nor the strife left behind in her absence. But it uses that lack of conviction as a compelling plea for compassion.

The lack of talking heads does get a tad monotonous, as does the constant identification of each voice speaking, but it’s a small price to pay for the fascinating stories that were collected from the archival interviews. Laurel Canyon really evokes the magic of the late ’60s and early ’70s and the area that generated so much fantastic music.

It is a will-they-or-won’t-they rom-com? Is it a friendship story? Is it a saga about moving into adulthood and figuring out your life and your priorities and enduring heartbreak and loss? Will it make you cry? Yes, it’s all of those things, and it manages to capture all the muddled, complicated, aching emotions of them all.

With naysayers proven wrong, the newly confident Bel-Air hits its stride in Season 2.

Despite its compressed format, Vietnam: The War That Changed America has remarkable footage and fascinating interviews with people who had a first-person perspective of what it was like to fight the Vietnam War.