There are parts of Neversong that hit the right notes, if you will, but they are too few and far between for the unique visuals and music to carry one’s enjoyment, and patience, through to the end.

Crucially, if you stand back and think of what the series could be evolving into with current hardware then you can’t help but look at DW6 as a disappointment.

At first I felt like Wonhon was a revenge fantasy built on the outrage of the atrocities committed during the Korean War (a time when Japan annexed Korea and worked to entirely wipe out their culture and history), but it’s not. Not entirely. It gives players a peek through the looking glass at just a few of those horrible truths and grants them some catharsis as they’re able to put some of the victims at ease, even if what they believe they need in that moment is the bloodshed of those that wronged them. But when that starts to come apart all we see is the suffering caused at the hands of War Pigs. It’s just a shame that the game ends before it really gets to explore those avenues any further, leaving it to fall a little short in both the gameplay aspect and in its observations of an abhorrent smear on World History that is all too recent.

If you really like puzzles and parkour mechanics, check this one out, otherwise you might not find what you’re looking for.

With a little more care put into the game’s story and more unique special objectives, Jane Wilde could have been something great.

Sorry kid – maybe next year.

Lips disappoints by lacking in features in almost every area, and although the microphones set a new standard for future singing games to strive towards, the functionality is often worse than games nearly half-a-decade old.

The actual game has smooth and responsive controls, an appropriate soundtrack and a particular lean-back quality that I do enjoy, allowing me to quickly jump into a game that is pretty relaxed and simple to play. But that is just enough.

Blue Dragon Plus is not a bad game. Despite its failings, it manages to be a perfectly competent RPG, but it does nothing to excite the imagination or stimulate the player. If it were a colour, it would be beige.

Guards‘ makes a good case to bring accessible mechanics for anyone who does not enjoy turn-based strategy games due to their complexity, delivering those people a game that can be easily picked up and played for for a few turns before becoming tired of its unique, but limited gameplay. For veterans, however, Guards is unlikely to keep your attention for long, if at all, its a title that can get boring all too quickly with its lack of level, enemy and visual variety.

There’s nothing outright bad about Conglomerate 451. If you want a dungeon crawler with this specific motif and you’re okay with a less than stellar underlying game that for all intents and purposes gets the job done, this should fit that bill. It gets the atmosphere right and there’s plenty to do, and especially for the asking price, what’s on offer here is not unreasonable.

The new mechanics that the developer tried to add to the mix end up making everything much less fun than they might have seemed conceptually. Adding this with the historical parts of the game makes it feel like a lot of the player’s agency has been taken away.

Personally I found it a bit on the dull side but perhaps it might make an ideal Christmas present for a more elderly relative, as long as they have a DS that is.

Unfortunately there is so much wrong with it that it doesn’t even manage to reach average status.

How the developer of Star Wars: Battlefront and the publishers of the Battlefield series let this one out the door in this state I will never understand.

Despite the tedious missions, wonky controls and piss-poor visuals, it can cast a strange spell over you.

Unfortunately there’s not enough here to justify itself at all – nothing that mixes up the already wonderful gameplay, nor any story purpose, nor extra benefits/modes/items to care about. I only hope that this doesn’t dissuade the team to move on to other things because I would love more Textorcist – there isn’t anything else out there to scratch the same itch. The problem is that, with how fun those first set of big baddies were, we now expect each fight to be pumped full of creative ways to push the player, to always one up the previous encounter, and that’s just a seriously hard target to meet.

There is really nothing astonishing about this game. The anime (and the manga) does it all so much better – go spend a couple of hours watching that instead.

Check vs. Mate could have been very good if the developers hadn't been lazy with character animations, or if someone had taken the time to write a legitimate story.

In the end, Mini-Mech Mayhem‘s charming aesthetic might win kids over, but whether or not they’ll have the patience for the tedious controls and length of matches is another thing entirely. The concept of a strategy game playing out on a virtual board is an intriguing one, but like many PSVR experiments, this one fails to execute its ambitious concepts effectively, much less create an alternative experience to traditional console-based strategy games played with a controller.

Perhaps a better, more Mean Girls like way, to summarize the game in one simple phrase is like this. It’s just not Fetch.

The original Force Unleashed shot for the stars, and fell short, but at least you could commend it for trying. Force Unleashed 2 feels sterile and barren in comparison, refusing to try for anything spectacular, and managing to reuse and recycle its few good ideas countless times over its short run.

Call me disappointed in the end for Dungeon Fighter Live. I was hoping to have a nice smoothie of fun, beat-em-up gameplay, RPG elements and loot blended into one, but I came away saddened and frustrated.

Garfield’s Wild Ride can’t overcome the licensed app blues. Whether you play this on an iOS or Android device, it’s probable that the experience will be underwhelming, if not frustrating.

Regardless of quantity concerns (which is a valid complaint), where The Order more crucially falls apart is in regards to quality. It does not matter if a game is one or one hundred hours long, you need to enjoy playing it, and The Order fails at that most crucial of tasks. This is unforgivable, and instantly makes it impossible to recommend.

TowerMancer leaves a lot to be desired, which is just so annoying because it feels like they almost had something great, something you wouldn’t be able to pull yourself away from. It has an underlying addictive quality but it constantly works to push the player away with repetitive levels, fixed-path victories, and non-stop griefing. I really do hope to see another iteration from the team with a wider variety of everything – level setups, hazards, rooms, options. It could be a fab little time waster, but in its current state I think most people are just going to come away aggravated, disappointed, or both.

The Postal games have always been unoriginal by gameplay standards, but have always made up for it with hilarious situations. Unfortunately, this Postal game seems to have taken too much from inspirations like Gears of War. It literally feels like they spent half the time the game was in development watching Jackass, and the other half reading 14 year old boys' Blogspots. They then combined the two and decided to make a clunky game out of it.

The original Force Unleashed shot for the stars, and fell short, but at least you could commend it for trying. Force Unleashed 2 feels sterile and barren in comparison, refusing to try for anything spectacular, and managing to reuse and recycle its few good ideas countless times over its short run.