None of the collections have skewed negatively for me yet, and although a couple of them I didn’t particularly register with, that continues to be true. I’d say these remarkable bundles are must-plays as long as you understand that balance and don’t get turned off by the odd dud.

Lunistice has been created to give fans of platformers who are on their way to middle age something to reminisce with. The developer has done a great job in replicating what made the platformers for the PlayStation and Saturn so enjoyable that I could not help but smile as I played. The game brings tight controls, silky smooth gameplay, and a wonderful visual style that upholds the charm of those consoles of old; there is something aesthetically pleasing about it. Lunistice might not be a long game, but what there is a blast to play. Not all games have to push the boundaries of the medium, some can just give us a jolly good time. Lunistice does that without needing hours of your time, yet engages the player with its platforming and level design. Lunistice is a good pick for anyone who wants to enjoy a platformer that feels stripped straight from the late 90s for an afternoon or two. Plus, at an incredible price of £4.99, checking out this blast to the past will not hurt anyone’s gaming budget.

Thy Creature is a game that wonderfully displays its horror with great artwork, and it shows that the developers had fun crafting their vision of the traditional Frankenstein story. While the puzzles are simple when outside of battle, moving them into the framework of a bullet-hell and having the player need to resolve these while avoiding waves of horrors is a fascinating blend that somehow works. It sure is a challenge, but one that always ends in a satisfying feeling. It might be easy to beat for veteran bullet-hell players, but for the average gamer, this game will offer an unsettling challenge that will test you over its 10-hour adventure. It will frustrate, it will amaze, but overall, it sits as a good game with a unique blend of two genres that it somehow makes work together.

There is something remarkably enjoyable about taking a wild war machine and going ham against a stupid amount of enemies – pushing that enemy count up to as much as your PC can handle in free battle mode and watching all hell break lose is something magical. If only the rest of the game was as brilliant as its impressive shipbuilding.

It is hard to ignore Gun Jam’s lack of content in its current state, as it feels like the game should be in Early Access now rather than fully released. There are elements that clearly should be featured, tutorials, and ways to look at high scores, that are criminally missing that hurt the overall presentation, while the limited stages and song count hurt the general package. That said, what is here shows the foundations of the game’s mechanics and quality. Gun Jam feels like the game is a few updates away from being a good rhythm-based shooter hybrid because what is here is fun to play. The soundtrack is top-notch, an absolutely great set of head-banging tunes. Even despite that unfinished feeling, rhythm fans will most likely enjoy and appreciate what is available and what the developers are moulding. With the team at Jaw Drop Games having heard the feedback from players and promising to support the game with content in the future, which I hope they stick with in the long run, Gun Jam should be able to eventually join the list of good rhythm games that its promising beginnings seem to exhibit.

It’s nice to see Puppet Combo mess around and make whatever they want to because what are these games if not investigative deconstructions and crazed experiments, but next to the greats like Babysitter Bloodbath, Nun Massacre, and The Glass Staircase, Christmas Massacre sits closer to the bottom of the list alongside Samhain and the likes.

Spirit Hunter: Death Mark II is a sequel that decides to change a few elements to offer a more streamlined, less frustrating and generally overall better experience than the previous entries in the series. But there is a negative that comes with making the game easier to play and changing the investigation elements to be side-scrolling. While I enjoy this change, the lack of variety in the environments means it can become dreary during the slowly-paced elements between the interesting and climatic parts of each chapter. That said, the main element, the visual novel storytelling, brings a compelling horror tale that blends twists on Japanese folklore with a modernised setting to offer a strong atmospheric story with twists and turns to the end. Spirit Hunter: Death Mark II is a game for visual novel fans who enjoy tales about the supernatural with adult themes.

There’s a ton of depth that is often lacking in such bonny titles and plenty to keep you engaged for well over ten hours. Plus the difficulty is absolutely perfect for a real hungry brain-teaser lover such as myself. The only negative thing I can even really say about it is that it’s not exactly a novel concept as there are many other games that will have you programming bots. Human Resource machine is incredibly similar with its drag-and-drop command layout, I got quite addicted to Bitburner a year or so ago which uses a real programming language to have you level-up in a sort of an idle game, and I’m very excited for Linkito that lets you build out entire systems with logic gates and bits of hardware. That doesn’t stop Star Stuff being great, though – it actually means there’s somewhere to go from here if you want more. Give it a shot.