In a sense, 3Souls is amazing because it has the decency to be universally bad. There are no qualifiers that need to be added, no "Well, if someone enjoyed this other game, they might enjoy 3Souls." There is no one that will like this, and 3Souls is one of those rare games that is entirely devoid of any merit. It is a short, pointless, boring chore that doesn't have a single good idea from beginning to end. The only good thing is they waited so long to release the second and third episodes that hopefully everyone else out there forgot this existed and won't have to play it. This isn't a reason to dust off the old Wii U again. If anything, this is a reason to launch it through the window and never look back.

There are legitimate moments of fun and almost a harkening back to major JRPG classics in Tokyo Xanadu eX+, but all too often the pacing detracts from being truly great. The battle system is excellent, with a single but significant flaw of fighting with only one character, despite the large crew acquired. The entire game would be better served immensely by being about half its length, as nothing truly gets kicking before it burns out on itself.

Monster of the Deep: Final Fantasy XV has a few technical flaws, but at its core it is a very fun and lengthy fishing RPG. This VR game comes highly recommended to even those who did not like the original Final Fantasy XV thanks to its ease of play and in-depth character customization. Fans of the original titles will find much to appreciate here, like the frequent cameos of the cast and the ridiculous unlockable outfits. This is one for the few PSVR games that feels like a full game and not a tech demo with dumbed down gameplay. Even if this was not a VR game, on its own merits there is nothing like Monster of the Deep thanks to its delightfully weird hodgepodge of game ideas. This was a game nobody expected to be good, yet in spite of the odds, Square Enix really did deliver one of the more enjoyable VR games on the market.

Unbox: Newbie's Adventure does have appealing factors, such as a breadth of challenges and large sprawling hubs; however, the game is somewhat let down by poor visuals coupled with frustrating platforming sections that can often go wrong by no fault of your own. Unbox has released in a year where mascot platformers have returned with a vengeance, and unfortunately cannot stand toe to toe with them.

Syberia 2 is an all-round success, improving upon the port of the original adventure in many ways. The core story may take a different slant to the previous one, and some puzzles may not live up to the high bar set in the first outing, but this is still a highly enjoyable journey throughout, with everything perfectly adapted for the Nintendo Switch setup, looking great in docked mode, but working even better when played in portable form using the touch screen. Kate Walker's third escapade cannot come to Switch soon enough!

Witty, charming, and full of personality, Chaos on Deponia is an incredibly endearing point and click adventure that will make audiences forget they have been playing with a controller the entire time. Moving with the analogue stick is incredibly fluid and cycling through hotspots with either the shoulder buttons or the right analogue is an inspired decision that completely negates the need for a mouse. Puzzle solving still feels natural and the new control scheme never gets in the way of the action. With a hilarious script, beautiful animation, and fantastic voice direction, Chaos on Deponia is as enjoyable in 2017 as it was in 2012.

Odysseus Kosmos and his Robot Quest is by no means the perfect introduction to an episodic series, but it's one that still manages to thrive thanks to high production values and a genuinely interesting premise. The artwork is beautiful, featuring gorgeously animated sprites and well-drawn environments, and the puzzles build an intimacy with the environment. The script is lacking, and far too much time is spent establishing the story with little payoff, but Oddy's quest being episodic means that this can be remedied going forward. Odysseus Kosmos and his Robot Quest isn't the best it could be, but it lays down the foundation for a point and click adventure with a lot of heart and soul.

Although WWE 2K18 brings a number of changes and improvements to the long-running series, its handling of the MyCareer mode is truly baffling. Whatever ambitious qualities it might have had are buried under a snore-inducing grind. Almost everything from boots to suplexes is locked away inside loot crates. If the player wants to craft their own wrestler and guide them to glory, they're better off sticking to create-a-superstar and participating in the WWE Universe. Otherwise, their avatar is going to be a poorly-dressed schmuck with a very limited set of abilities. Take this critic's advice, and just ignore MyCareer entirely. The other gameplay modes are where the entertainment is at.

Tequila Works has just about squeezed this beautiful game from other home consoles into the smaller form of Nintendo's Switch. Despite the chronic performance issues that are found throughout in this iteration, it all just about holds together well enough, and, thankfully, the core adventure shines through so brightly that gamers preferring to sample this on-the-go, whilst they are not getting the smoothest version, will be satisfied enough with the sacrifices made to make Rime work in the first place.

Those who want their rhythm games to have a high level of challenge, a memorable soundtrack, and more variety in terms of gameplay, stay away from Super Beat Sports. Those who are content with something that's (relatively) cheap, casual-friendly, extremely cute, and fun despite a lack of depth, try out the demo, and if you like what you see (and hear), by all means, feel free to throw your money at it.

Dead Synchronicity: Tomorrow Comes Today doesn't try to reinvent the wheel or fix some of the genre's frequently occurring, yet small, flaws, but that's not a problem, as point-and-click adventures are mainly about the story and presentation. In that regard, this will surely offer a fun, and heavily dark, ride in the few hours that it will last. The only problem? It strongly feels as if it is missing its final chapter.

Anyone who was already a fan of de Blob will likely enjoy replaying it on the PS4. This is as straightforward as ports go, with no added features or graphical effects. Regretfully, the pre-rendered CGI cut-scenes have not been given the care they deserve, and the controls were not carefully considered when translating them to a DualShock 4. There should have been a bit more effort put into this instead of almost none. Some annoying control quirks aside, the core gameplay still manages to be addictive. The timeless style of the visuals and jazzy music gives this a charm that is rarely achieved. Hopefully, this will pave the way for the superior de Blob 2's PS4 conversion.

DreamBreak fails to offer much because it's just so dull. Sure, the controls are bad for the most part, but that's made up for by some enjoyable, yet again, mostly boring gameplay. It never aims to be much more than a typical adventure game, and fails to even get that right thanks to its myriad of issues. Due to that, it really can't be recommended to anyone other than genre diehards, and that cousin of yours you're trying to trick out of his birthday money. "Bet you can't beat this game without throwing the controller." Don't take that bet!

For anyone who's looking to experience Cities Skylines and doesn't have access to a PC, this is the version to purchase. It's a thoroughly enjoyable game that really captures the old-school simulator catharsis. It's very addictive and with promises of more patches and potential for more DLC, it's probably going to be the long term leader of the city building genre on consoles for a long time to come. Heartily recommended to all who are interested!

Anyone who enjoyed League of War: Mercenaries will likely appreciate League of War: VR Arena since they have the same DNA. The audience that enjoys the kind of VR experience that involves mostly sitting back and watching things happen will probably want this. Fans of the RTS genre won't find much to enjoy here, which is a shame because the idea of a deep VR strategy game with an overhead view is a fertile concept that is worth exploring. With so little involvement for the strategy and the chaotic nature of the wars, this is a very hard title to recommend. Like head-cheese, League of War: VR Arena is definitely an acquired taste.

There is nothing majorly wrong with any single part of Space Pirates and Zombies 2, but the inconsistency drags it down. From an actual good/dark story, to oddly ham-fisted "zombie" references, it is not clear what direction this title wants to go, and both two sections leave more to be desired as they only are purely average. The lore is interesting, and it is unfortunate this does not dive into it more, which is like the game in general: everything works, but it leaves the player wishing there was more.

Unpolished, glitchy, and short, are some of the adjectives that describe Ben 10. It is an obvious and transparent, holiday season cash-grab, that just wants to make a quick penny out of a popular IP. Sure, there are good licence games out there, but this isn't one of them. It is recommended to find something else to put under the Christmas tree, unless the receiver really is into the licence, and happens to own a Nintendo Switch without anything else to play on it…

Thimbleweed Park is a modern throwback to the classic point-and-click adventures from LucasArts, with heavy influences from Maniac Mansion and The Secret of Monkey Island. It has an engaging story at the beginning that slowly intertwines with the various other characters to become a little more open, as there seem to be bigger, underlying issues than figuring out who the killer is. Although the game is forgiving by banishing cheap deaths to extend gameplay, it doesn't make the puzzles any easier to figure out. Thinking outside the box for illogical solutions to logical puzzles is the way to go, yet it can be frustrating and grating at times.

The Universal Classics pack of for Pinball FX3 delivers on three charming film-based tables of the '70s and '80s with Back to the Future, Jaws and E.T. With booming soundtracks to complement the tables, each stage captures the essence of their based-films perfectly. From the magical moments of E.T. to the heart-stopping moments of Jaws, there is a lot to do in each during that great chase for the top of the score leaderboards. While some tables are easier than others, it certainly does not make the experience any less fun, as this pack is a great way to begin the table collections for Pinball FX3.

While it has all the makings of a long-lasting space adventure, Morphite lacks any real emotion in the story it tries to tell, while lacking the denizens to populate the various planets found within. Everything feels quite empty and lifeless, made further haunting by Myrah's need to scan everything on the planet while breaking into temples to steal the rare Morphites that turn out to be…not so rare. This feels more like a concept piece for a brand new title, and it's hard to justify this as a purchase for what it offers currently. The story is bland, the procedural worlds are even blander, and the side-quests are completely broken and poorly maintained.

Unlike UNO, there really is no reason to pick Monopoly for Nintendo Switch over its physical counterpart. The multiple boards, pieces, and unlockables are nice in theory, but they're plagued by inadequate load times, a choppy frame rate, and a surprisingly unfriendly UI. The inclusion of online is a good bonus for anyone desperate to play Monopoly on the go, but that's only in the hypothetical situation where someone happens to be online and is willing to throw a few hours into a laggy match. Monopoly should have been an easy adaptation over to the Switch, but it simply isn't worth purchasing when the actual board game can't be bogged down by technical issues and bizarre direction.

UNO for the Nintendo Switch is a mixed deck. On one hand, it offers online play and a new cooperative mode which are more than enough to add a modern spin to the classic card game. On the other hand, there's no way to play a regular match of UNO with just one Switch and buying a deck at any corner store would be more affordable. This isn't to say the Switch interaction and the physical card game are totally equal, however. UNO's presentation is top notch and it is fairly priced when compared to other Switch games. On top of adding in a host of rules and decks, fans of the card game will be sure to find plenty to appreciate in 2v2, the online, and the slick UI.

Thanks to half the game not utilizing the Godheads, that half is relegated into a standard couch experience. Even when the gimmick is brought in full force, it has a tendency to feel more obnoxious than fun. Fans of arena style titles, but not those who like a lot of depth, will probably find something of value in Oh My Godheads' digital battlefields. However, this feels more like a base game, for which the developer can build upon later. It feels surprisingly empty, and in the hallowed halls of local multiplayer, like it's just too plain and bland overall - which is sad, because the first couple of hours are actually pretty fun.

Xenoblade Chronicles 2 tries its hardest to match the grandest of grand RPGs out there on the market, attempting to become Nintendo's own Final Fantasy. In doing so, though, whilst still wonderfully vast in its scale, and gripping in how things play out for the most part, it has lost its way slightly, becoming bogged down by an overly complex pre-battle system, marred by fights that mostly feel too hands-off/automated, and some terrible character visuals and voice work. There is indeed a lot to love about this, yet so much that makes you yearn for something more.

Resident Evil: Revelations 2 is neither a better nor a worse game than its predecessor. It improves upon it on many levels, but also does take a few steps back in others, mostly in its RAID mode, which, while still a thoroughly enjoyable and recommendable experience, does not quite replicate the excellence of its big brother's by trying to appeal to a broader audience with a lower difficulty. The campaign here, however, is a lot more interesting this time around, and is an absolute highlight in split-screen co-op on the same console, offering a kind of local multiplayer experience the likes of which is not often enough seen on home consoles these days. Shame the campaign can't be enjoyed online for people who don't have a trusty Player-2 at hand's reach! Please, Capcom, though, fix these loading times, because it's hard to believe that with the game installed onto a SD card, the game couldn't load any faster than this.

There is absolutely no denial that this game is very good, with a decent campaign to play through and an absolutely amazing online mode to sink hundreds of hours into. However, because it is this game's third incarnation on a Nintendo system, whether or not to purchase Resident Evil: Revelations will all come down to whether one wants to play it again, or whether or not it is their very first time. First-time players should not hesitate, as this is probably the best way to play this game - ever! Potential double- or even triple-dippers should simply consider what they are looking for. It is likely that the online mode won't be supported much longer on the older systems, and the Switch allows you to play it in the best conditions, save for the lack of means of communication with people met inside the game. Nothing can be taken away from how good the RAID mode is, though, so those who can't help but want more of it on the newest system shouldn't have any reasons to feel ashamed of themselves. It's a blast to blast oozes into oblivion.

Not without its weaknesses, the conclusion to Telltale's Guardians of the Galaxy series nonetheless takes things out on a high note. It's clear that Telltale's storytelling and gameplay are wearing out their welcome, so hopefully the teased follow-up season will do more to reinvigorate this shaky franchise. Despite this, if the earlier episodes had you wondering whether Guardians of the Galaxy would amount to anything, well, don't stop believin'.

Episode four is the good kind of unremarkable for a Telltale game. It maintains the quality storytelling and action that has been present throughout this season while fixing the technical difficulties from the last chapter. It's nothing revolutionary for Minecraft: Story Mode, but it really doesn't need to be. It just needs to be entertaining and engaging through its two-hour runtime, and that's something that it manages to do with ease.