There are several high points of Code Vein II, ranging from graphics, different environments, and the character creator. The major complaints that detract from higher praise are bad pacing issues and a story that often takes a back seat. Combat is faster and more fun than the first game, and the much more open world is a needed change from the endless alleys of before. Despite a lot of positive points, though, there is a sense that the entire thing doesn't mesh together to make a better experience.

The wild absurdity and sharp controls make every session a joy, especially in multiplayer, where the competition gets downright savage and sweaty. You can play it solo, but it’s kind of like singing karaoke by yourself. Mach Breakers is a cult gem that refuses to play it safe, leaning into over-the-top antics that few arcade games attempt.

A slick, approachable blend of classic Puzzle Bobble/Bust-A-Move gameplay and rhythm mechanics, QQQbeats!!! is tons of fun, and said fun is elevated by a very good soundtrack and charming presentation. Its simplicity makes it a title that’s easy to pick up and play, yet it’s surprisingly hard to master, so be prepared to lose 10 (or more) consecutive matches against a teenager from abroad. The somewhat low mechanical variety and limited number of modes curb its long-term appeal, however, so approach cautiously.

Arcade Archives: Karate Blazers offers the retro-loving community a ‘90s beat ’em up that does the unthinkable: it’s even more generic and repetitive than the rest of its ilk. A charmless imitation of Final Fight, while functional and initially enjoyable, its overly long and repetitive levels quickly drain what little fun there is to be had here. Aside from the four-player co-op appeal, it remains an unoriginal, merely “okay” arcade relic mainly suited to devoted old-school collectors - and even they can find better pieces of software to spend their money on.

REANIMAL on Nintendo Switch 2 marks a striking reinvention for Tarsier Studios, taking the studio’s talent for intimate horror and expanding it into a richer, more confident adventure. Tight controls, a smartly reactive camera and impressive AI make every escape and puzzle feel fair, while the island’s layered design blends openness with subtle guidance to create a world that rewards curiosity without losing momentum. It’s a bold step beyond the Little Nightmares formula and a clear statement of what Tarsier can achieve on its own terms.

This is an impressive port of a game that absolutely scratches that itch for a portable action-adventure game. Tomb Raider may warrant complaints for its poor writing, dated mechanics, and not evoking the feeling of being an entry in the 30-year-old series, but if all of that can be set aside - which is probably easier for those that have no attachment to the games prior to this one than longtime fans - then you've got a solid third-person shooter with plenty of enjoyable combat, platforming, and puzzle segments in your pocket.

Like a sharp set of kitty claws, Mewgenics perfectly scratches the itch of ‘just one more round’ with an intriguing level of strategic depth, but one that never feels overwhelming. The randomised nature of things means it’s the kind of experience that always stays fresh, and yet at the same time is super easy to pick up and play, before realising several hours have passed. Add to that a killer art style that pays homage to McMillen’s previous entries, but has its own unique flavour thanks to the collection of cats, and a kick-ass soundtrack that makes those brutal boss battles worth playing again and again for the battle theme alone, and it is far from an outrageous bet to expect Mewgenics to sweep up a raft of awards and plaudits over the coming year and beyond.

Warhammer 40,000: Dawn of War is a gloriously loud, bolter-filled RTS that offers a small but awesome taste of that unique flavour of grimdark. Space Marines shout, Chaos cackles, everyone distrusts everyone, and war (as well as badass battle attire) is the only constant. Its story is serviceable but still tasty (and clearly made for fans), while combat delivers constant, satisfying spectacle, keeping the whole thing engaging decades later. Sadly, while the Anniversary Edition offers the base game along with all three expansions, it brings few if any modern comforts to the table, once again leaving you in the hands of modders.

Much like the game itself, Two Point Museum stands as the culmination of years of perfecting systems from the initial entry in the Two Point universe. With an excellent progression system and a great tutorial from the outset, anybody can pick this up and run with it to create the museum of their dreams.

Heading Out is one of those games that will either grip you from the outset or show all of its hand in the first hour, never to be looked at again. If invested in the character and the story, a really interesting tale will be laid out with lots of opportunity to review and revise the outcomes. If it’s a fully realised driving experience that is being wished for however, this may get left on the side of the road.

In anime-styled puzzle horror adventure High School Dirty Secrets, a student wakes trapped in a dark school where a killer and plenty of girly panties can be found, and while said school has a very good, oppressive atmosphere, the almost goofy use of fanservice, the repetitive walking-simulator gameplay and the not-that-well-handled story make this fail both as a scary ride, as well as an engrossing quest filled with mystery and riddles.

Nioh 3 modifies the series formula, producing mixed results. The game features a more varied action combat system for fights and challenges. As far as action goes, it still features some of the best mechanics in the genre, even if it's on the easier side, and regular enemies are exploitable. Storytelling and worldbuilding lack depth, but the headliner has always been getting lost and fighting for survival in these types of games. At worst, this is just another decent soulslike action RPG that doesn't break the mould. The big open world is welcome, but it does not deliver on its full potential due to uninspired level design.

Dark Auction falls into a rare spot that the plot and writing is actually pretty interesting but the story is still tough to recommend. The characters feel real, and the tension and mystery is very good, but it goes nowhere fast. There are certainly some other problems such as the auction puzzle parts being a big letdown, and the main mystery not being as big as it first seems, but mostly it is just that more needs to happen. The overall plot meanders, and it really grinds down what should have been a brisk and interesting story that could have been told in half the time or less.

Boulder Dash 40th Anniversary Edition is not everything that fans could have hoped for. What should have been a wonderful celebration of a classic series turns out to be a middling package marred by a lack of control options and default controls that don’t offer the best experience. Getting rid of the classic game progression system and failing to include a proper leaderboard system really limit the potential of what could be otherwise one of the most comprehensive collection of caves for a decent introduction to the franchise for newcomers. Thankfully, the classic Boulder Dash formula remains as addictive as ever and is executed competently here.

Attempting to channel that special The Goonies magic, indie metroidvania The Good Old Days borrows its premise and aesthetics (kind of) but stumbles in execution. The muddy level design, punishing backtracking and the especially poor controls are hard to stomach, and despite being made with multiple runs in mind, this ultimately isn’t fun or worth finishing even once.

While the audio and visual elements of Dragon Quest VII Reimagined are top-notch, those familiar with the depth of the original might not be entirely on board with the drastic changes. Although some are legitimate improvements, there is always a nagging feeling that there could have been a definitive Dragon Quest VII, and not just a "reimagined" iteration. Despite some misgivings from a long-time Dragon Warrior VII fan, this is still a righteous JRPG that delivers on most fronts. It’s easier than ever now, but thankfully not so easy that failure is impossible, and no one is likely to be stuck for long.

This is a series that has far more iterations and versions that anyone could possibly imagine. While a huge contributor to the 'grand strategy' genre, Romance of the Three Kingdoms 8, even remade and expanded, is too dense with too little payoff to highly recommend to anyone except series fans. General strategy gamers will be put off by the death-by-menu gameplay and lack of interesting things happening for what amounts to playing small hands of poker and shuffling Microsoft Excel spreadsheets.

Within about two hours one can see almost everything Super Box Delivery: Beyond the Horizon has to offer, which is a shame as, even with its severe lack of content, it manages to be quite the tasty snack - one that could easily turn into a big meal with a little more time in the oven. A wasted opportunity, really.

Final Fantasy VII Remake Intergrade arrives on Switch 2 with a confidence that immediately sets it apart from the competition, delivering an experience that feels both ambitious and assured from the moment the journey begins. The heart of the remake beats strongly throughout, with Midgar’s drama, intimacy, and spectacle preserved in a form that feels remarkably complete on hybrid hardware. The adaptation shows clear intent, shaping its presentation with care so the emotional weight of every scene lands exactly as it should. The world retains its grandeur, the characters retain their depth, and the adventure retains its power to sweep players into something far larger than the sum of its parts. The result is a version that feels consistently engaging, impressively cohesive, and far more polished than many would expect from such a lavish production running on a portable system. Intergrade’s additional content enriches the experience further, offering moments of charm, energy, and narrative texture that round out an already substantial adventure. This release stands as a testament to what a thoughtful adaptation can achieve, proving that scale and spectacle need not be sacrificed for accessibility. A beloved classic has been reimagined once more, and the hard work gone into it ensures that its magic remains undeniable on Switch 2.

Offering a refreshing, polished experience, Animal Crossing: New Horizons - Happy Home Paradise is an excellent DLC package to sit alongside the core Animal Crossing: New Horizons base game. Refined, flexible decorating options with a large catalogue of unlimited items mixes up the pace for creative freedom without the hording slog of the regular island. Happy Home Paradise is, quite simply, a playground of cosy fun.

A fairly by-the-book platformer where gameplay never goes to any great heights or depths. Certain small aspects regarding platforming and combat can occasionally become annoying, but these negatives aside, the art and general charm of the game is quiet compelling. The story hints at some dark sci-fi plots, and exploration is satisfying, if sometimes annoyingly difficult. The characters are especially attractive with their highly animated visual novel portraits, which gives a sense of life this genre often doesn't have. Overall, though, Kotama and Academy Citadel feels like it needed more cohesion to really come together.

Despite its occasionally tedious mechanics and uneven pacing, Atlas Wept succeeds where it matters most: in its heart. Its melancholic tone, thoughtful themes, and simple-yet-endearing cast linger long after the credits roll, elevating it above its mechanical shortcomings. Fans of narrative-driven indie RPGs, especially those drawn to EarthBound/Mother-inspired experiences, will find much to admire here. It stumbles in terms of gameplay, but its emotional resonance ensures it will be remembered fondly.

It is an excellent sign when the range of negative points of a game are so few that they are of an almost insignificant nature. Temirana: The Lucky Princess and the Tragic Knights meets that criteria. The issues discovered are minor, and the strength of narrative and difference in each romance route are genius and plentiful, making it a top-class addition to the visual novel library on Nintendo Switch. A minority might be put off by how long each romance route takes, but for VN fans the longer the better! A sequel would be very well received too, such is the desire for more adventures from the not-so-cursed royal lady.

Some gamers enjoy experiences that gamify mundane work activities. The fun is how accurately it can capture the experience of the profession. The Mortuary Assistant: Definitive Edition not only cheapens the effort put into making cadavers presentable for funerals, but it also turns into a major hassle with Paimon constantly pestering Rebecca, thinking it’s amusing to remind her of her past heroin use. This could have worked if more thought had been put into the embalming process and if the presentation had been more polished.

Syberia Remastered is an uneven revival. Its redesigned environments successfully capture the spirit and atmosphere of the original, but a couple of issues (visual and otherwise) prevent it from becoming the definitive version. For the uninitiated it’s a mostly accessible entry point into a classic story; for long-time fans, it’s an…okay reinterpretation. It's sadly one more reminder that preserving magic is sometimes harder than creating it in the first place.

Charon’s Staircase unfortunately feels like it is caught between strong ideas and weak execution. Its thematic ambition, atmospheric sound design, and willingness to explore uncomfortable subject matter make it stand out, and it feels pretty memorable even if it isn’t great. At the same time, a variety of technical shortcomings, repetitive gameplay, and puzzles that tend to vary between mindlessly boring and frustratingly esoteric hold the overall game back. Horror is a crowded genre and this feels like one most people can skip without missing out on much. For players drawn to slow, narrative-driven psychological horror, there is some value to be found. For most others, the only thing frightening about this is how much money they’ll waste.

It is easy to want to like Simon the Sorcerer Origins at first glance. The artwork is beautiful, and the puzzles are clever and creative. However, Simon sadly comes off as a murder-hobo rather than a charming rogue. Also, while the game's comedy is quite fun in itself, it needs more palate cleansers. As is, this feels like a six-hour-long slapstick show, a genre best served in 30-minute portions.

The Lord of the Rings: Return to Moria is a fantastic multiplayer survival game. The mining is fun, the fighting is serviceable, and the progression feels really nice. The fact that it brought back Gimli and is set in the Fourth Age is really cool, especially since the player has a custom character in the story. Best experienced with friends, but totally fine to play alone. This title really deserves more attention than it got! Highly recommended to all fans of Middle-earth.