An interesting premise, a striking visual style, and a mysterious game world that's bound to keep the gaming community pondering on what's going on in here, Hello Neighbor had the potential to be an iconic classic. Instead, the final release is nothing more than an overpriced, clunky, and incomplete mess of an experience. It's a shame, really.

VR titles are meant to entice new audiences to experience gaming, for beginners to take delight in the interactivity offered and ensure that a new gamer is made for life. Even ignoring this demographic, seasoned gamers should find pleasure in even the simplest of VR activities. Spuds Unearthed ultimately fails in all respects. There is very little amount of fun to be had here, with overcomplicated tutorials which feel unjustified, and a difficulty spike that is so high and frustrating that there is little to no incentive to continue past the first few attempts. Real time strategy titles could really shine in a VR environment, with simple deployments and issuing of orders, until then, this attempt is best shelved and forgotten.

Sadly, The Red Strings Club will fool some into thinking it follows in the footsteps of classics from WadjetEye Games purely because of its aesthetics. Do not be mistaken, though. This is not a patch on any of that company's releases, nor is it affiliated with it at all. Instead, this takes an intriguing style and theme of the world gone mad for technology, mixes in some extremely random love story between the lead duo of hacker and bartender that bears no relevance to the underlying tale, adds in a heavy dose of some of the most painful attempts at puzzles, and then perfectly tops it all off with an overly wordy script filled with too much padding.

Excave II: Wizard of the Underworld is a better game than the original, but that isn't saying much since they are both very boring and tedious hack 'n slash dungeon crawlers.

While an interesting concept, Magin: The Rat Project Stories just falls short in every department after the beginning. The writing is so filled with profanities that it comes off as immature rather than adult. What is worse, though, is that the card-based combat system becomes repetitive because the game punishes the player for experimenting. Great concept on paper, but poorly executed.

Uninteresting and uninspired, Dauntless is certainly impressive in its own right, but as far as actual gameplay goes, what's present fails to engage beyond the surface level. Perhaps that'll be enough for most who download the free title, but between aesthetically resembling Fortnite and aping Monster Hunter's combat wholesale, Phoenix Games has failed to contribute anything truly novel to the experience. Dauntless is as derivative as they come, and while that lack of price tag may be appealing, there are much better games to spend one's time (and even money) on. Go play Monster Hunter instead.

Transference is wasted on Xbox One, since it does not support VR. It is not only unbelievably short, it is lacking in content and substance. It is a perfect example of a one and done kind of game where you never look back after completing it, and then forget all about it. It might get brought up later in life, but even then, memories of playing it will be foggy at best. Half-remembered dreams are more memorable than Transference.

Road to Guangdong can be commended for its unique concept and colourful imagery, but that is all it has. The mundane feel of the story is part of the appeal, as is the relaxing vibe, but there is no substance or discovery to be had, since there is no agency or wrong path. Driving is barely deeper than driving in one direction. Keeping the line under the red bar, and just selling whatever that can found is as engaging as picking out maggots from a heap of rice. The original OutRun is over 30 years old now, and yet manages to have more going on when driving.

When it comes to Dead Rising 4: Frank's Big Package, the same question comes up over and over again: Who is this for? Here's a title that not only fails to win over fans of Dead Rising, but it also fails to win over fans of videogames. Slaying hundreds of thousands of zombies is not compelling entertainment, especially when the combat mechanics are so unsatisfying. The entire adventure just feels tired and cynical, sapping players of the necessary energy to carry on with their day. This critic racked up well over 25 hours of play and didn't laugh, not even once. What else needs to be said? Maybe this game is for people who no longer wish to experience joy.

Overall, Angry Bunnies is a bad Angry Birds clone that suffers heavily from being rushed and bad physics, which is one of the things that made the original strive.

There's nothing here that fans of the genre haven't seen before. If the inexplicable attack patterns and unfair deaths don't drive people away, they will soon discover that there's nothing really compelling or clever about the game. In short, it's not worth the grey hairs.

Quite obviously rushed through development in order to come onto the market at the same time as the film, this is sure to be another movie-to-game bargain bin dweller in a few weeks.

Presumably some of the bugs and related issues might eventually get patched out; one thing that does not change though, is the core of the game. Given it is mostly a clone of a game over 15 years old, for all intents and purposes it is worse than all across the board. Almost every aspect of [i[Warcraft III is better than this game. This would need a massive overhaul to come close to recommending.

CID The Dummy could have been a decent enough little game were it not for Wii controls shoehorned in.

Junior Classic Games knows its target crowd, and yet does as much as it can to stuff things up for them. Youngsters will get a kick out of their first forays into popular paper games like Hangman and wordsearches, as well as the different animals on show, but there is nothing here to keep them playing beyond the initial try or two.

Past all of the cringe dialogue and turgid gameplay, perhaps Dustborn’s biggest sin is feeling more like vacuous agitprop than an actual story. Whatever fight against fascism Pax – and by extension Red Thread Games – had in mind, it's an unintentionally hilarious one since her words feel as plastic as her bat.

The core of the gameplay is basically fetch quests occasionally broken up with uninspired combat sections on the seas. It's all quite dull and repetitive. It's trying to thrive on its charming style and the usual addictive nature of survival games, but even that isn't enough. In addition, there are two to three hours of gameplay here to fully complete the game. It's hardly fun for even that briefest of time.

In spite of a fairly interesting and unique set piece, JCB Pioneer: Mars never quite manages to take advantage of its Martian background. Detrimentally slow pacing, performance issues, and a shallow gameplay loop, all work to break down what should be a memorable survival title into just another piece of shovelware coasting by on a solid premise. Worst of all, it is incomplete as of its release, still being sold as an Early Access title on Steam. It's not impossible that it will have its (very) rough edges softened with time, but the possibility of playing a complete and well made game eventually hardly justifies a purchase.

While The Meating clings to its NES roots, those roots ultimately feel more like dead weight than a solid foundation. It succeeds in capturing the look and feel of those classic NES titles, but at the same time it struggles to innovate or offer a compelling reason for players to invest their time. In the crowded landscape of retro-inspired indies, The Meating fails to distinguish itself. The end result is something that feels more antiquated than nostalgic, and like most meat that has been left out too long it is probably best to steer clear and look for something a bit fresher.

Tedious, meandering, and needlessly obtuse, Soulblight is far better conceptually than it is in execution. The prospect of uncovering the mysteries of a dying world is gripping enough, but the story is told in such a convoluted manner that forming any sort of narrative attachment is virtually impossible. Not helping matters are the title's poor technical performance on Nintendo Switch and the sheer insufferable nature of its combat. Coupled with a top-down aesthetic that frankly does the gameplay no favours, Soulblight offers little of value despite a relatively interesting premise.

From being a technical disaster and unfunny self-aware piece of software, Shaq-Fu: A Legend Reborn is an embarrassment to Shaq-Fu's 16-bit legacy. The original may not have been much, but at least it was not made ironically. The original was made by a talented team that did the best it could with what it had. A Legend Reborn is made with current technology and it somehow looks uglier and plays worse than the game that was coded in the '90s with pixels.

Since the title doesn't even attempt to hide its shortcomings, it feels like its creators are perhaps aware that parents might not read up on the title's shortcomings before purchasing it for their child, safe in the knowledge that it's a recognisable brand. That, if true, is something to really take issue with. Thankfully, the world is full of people with a conscience, who will deter folk from this monstrosity and tell them to go play Mario Kart instead.

The highest compliment that can be said about Pop-Up Pilgrims is that it is not broken. At best, this is an extremely uninteresting and dull game. It plays like some kind of first-year student project that is only slightly elevated by some competent, yet generic art assets. VR is capable of so much more, yet here is a perfect example of a gross misuse of the platform.

“A cold-case detective thriller without genuine detecting” sounds more like a strange joke than proper description for this game. Combine that alongside poor storytelling and shoddy presentation, and it’s sad to say John Morley’s final case ends with a pitiful whimper rather than a bang.

At times, the secret to enjoying a video game is patience. Like a seemingly incomprehensible puzzle, it's up to the player to take their time, giving careful consideration to every aspect. However, as Noahmund proves, patience can have its limits. There is merit to be found in this strategy RPG, but it's buried under a number of issues, namely the uneven pacing, annoying combat, and progress-halting bugs. Some people might be able to struggle through them; others will feel that their time is better invested elsewhere.

Bleeding Edge has almost nothing to offer. What potential it has in it is woefully stuck in a product that is so meagre and void of content. It is like taking a single slice of cheese, and trying to cover an entire pizza pie; there just not enough here to make this work passed a few hours, and that's all. There are not enough modes, not enough interest in the community to keep it going, and the combat is way too simplistic for high level play.

This game is torture to play with the Wiimote, looks pathetic and lacks even stripped down versions of features that other platforms have.

The concept behind Late Shift is not necessarily a bad one, but if you're going to design a game around an interactive story, it is crucial the story is actually well done. This isn't the case here, sadly, and is a mess of continuity errors, laughably bad acting, and straight up nonsensical plot points. It doesn't matter which decisions you make, because you're always going to get a bad ending by virtue of having to play the game to get to it. This is a short, entirely forgettable experience that isn't even worth the low price of admission. There is some novelty here because of it being FMV, but with how bad things are, it certainly feels more like FML than anything else.