Collider's Scores

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For 1,792 reviews, this publication has graded:
  • 58% higher than the average critic
  • 6% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 2.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 The Life and Death of Colonel Blimp (1945)
Lowest review score: 0 Jeepers Creepers: Reborn
Score distribution:
  1. Positive: 1,137 out of 1792
  2. Mixed: 540 out of 1792
  3. Negative: 115 out of 1792
1792 movie reviews
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  1. Moonshot
    There is never a moment when you're swept away by the romance of Walt and Sophie and that should be the point of all of this.
  2. Bigbug
    After a decade away, Jeunet has returned to embrace all of his worst eccentricities to create an absurd mess.
  3. Killer Book Club
    For all the classic horror stories it gestures at, Killer Book Club never is able to tell a memorable one of its own. No matter how many empty escalations and confrontations with the killer it makes its way through, the real clown show is the film itself.
  4. The Bikeriders
    While Comer makes a committed effort to carry the film, it falls flat in its excessive filler, undeveloped characters, and symphony of bonkers accents.
  5. Renner
    Renner lands as a forgettable and tedious watch, made worthwhile only by surprisingly dynamic performances from the small ensemble cast.
  6. The Strangers: Chapter 1
    For now, stick with the original.
  7. Bionic
    Bionic is another sci-fi dud for Netflix, bringing nothing new to the genre and not much more to its action sequences.
  8. Him
    The vibe of Him is trying to make the audience unnerved, but the story and imagery being presented are too goofy to take this attempt seriously.
  9. Winnie-the-Pooh: Blood and Honey 2
    Blood and Honey 2 still isn’t exactly “good,” and it might be a bit premature to start working on a sprawling Poohniverse, but considering the dregs this series began at, this is a flawed improvement that’s still a bear of little brain.
  10. Lilo & Stitch
    Lilo & Stitch feels like it was made by a boardroom of folks who wanted to sell more Stitch merchandise. Chris Sanders and Maia Kealoha have enough charm to keep families entertained, but it's also hard to deny that these two characters are just as, if not more, endearing in a film you can watch right now on Disney+.
  11. Greenland 2: Migration
    For all of its dourness, there is still a bit of entertainment to be found. It's just too bad the film is taking itself far too seriously.
  12. Bride Hard
    Despite Rebel Wilson's signature comedy and her reunion with Pitch Perfect co-star Anna Camp, there is little that can justify an audience member giving this film a chance.
  13. Forbidden Fruits
    Beyond some decent performances that aren’t done justice by this script, and some fairly wild leaps into horror, Forbidden Fruits isn’t ripe, it’s just rotten.
  14. Our Little Secret
    Come for Lohan, stay for Harding, and watch until the end for Kristin Chenoweth — all while ignoring some of the most robotic dialogue your ears ever heard.
  15. Star Trek: Section 31
    While it's always a pleasure to see Yeoh kick butt and take names among the stars, Section 31 wastes her talents as well as its own premise on a middling heist movie devoid of anything that might actually identify it as a Star Trek movie.
  16. Unicorns
    Unicorns seems like a much older movie, torn from an era in which queer people were not allowed to tell their own stories, instead being reduced to secondary characters in straight plots.
  17. My Oxford Year
    Instead of burrowing into their differing ideas about life, liberty, and the pursuit of happiness and how they differ based on class and background, Anna and Jamie’s romance is based entirely on them exchanging progressively earnest platitudes, quotes taken from centuries-old poetry that the script dumbs down and shoehorns into every moment between the couple.
  18. Back in Action
    Most people are likely clicking on this film for Foxx and Diaz, and they, too, do their best with what they’re given, but the dull, exposition-heavy script never gives them the chance to flex any of their dramatic muscles, and they rarely get to be truly funny either.
  19. Ordinary Angels
    There’s a fascinating and beautiful true story at the core of Ordinary Angels, but the bland way it’s told does it a massive disservice.
  20. Old Guy
    Old Guy looks the part of a classic, character-based action-thriller, but, ultimately, the script is far too flimsy for the film to coalesce into something interesting. It's too bad, as Waltz could almost certainly crush in one of these, given the right material.
  21. Mean Girls
    The fate of fetch may be up in the air, but Mean Girls as a musical movie? That's clearly not going to happen.
  22. AfrAId
    It's a Frankenstein'ed monstrosity made of different horror approaches, except instead of bringing something to life, unrevivable ideas remain limp and useless.
  23. Familiar Touch
    Sarah Friedland's directorial debut is a visually striking but shallow exploration of dementia.
  24. The Virgin of the Quarry Lake
    Ultimately, the concept behind The Virgin of the Quarry Lake might have embodied Mariana Enriquez's short stories, but it feels too jumbled and fails to meet its full potential.
  25. A Family Affair
    As the film attempts to weave itself into a screwball comedy, it unexpectedly bobs into a weak character study, skewing situations and characters while never quite touching the ground or giving us reason to care.
  26. Uppercut
    Uppercut, by director Torsten Ruether, benefits from Ving Rhames' strong screen presence, but a lack of believability in both character development and plotting keep the character study from working.
  27. Unfrosted
    Seinfeld has made a directorial debut that ends up feeling like a bowl of sugary cereal: not a terrible thing to eat, but not as fulfilling or substantial as you might’ve hoped it would be.
  28. Werewolves
    It all leads to a final fight that should feel epic but ends up being more disappointment.
  29. Regretting You
    Although the cast does what they can with a script that never cuts deeper than the surface, their performances aren't enough to give Regretting You the emotional resonance expected from a story like this.
  30. The Gallerist
    The Gallerist is a disappointment, especially considering that Yan’s last movie as director was the vastly underrated DC film, Birds of Prey (and the Fantabulous Emancipation of One Harley Quinn) from 2020, a hyper-stylized, playful, and unconventional take on the superhero genre. It would’ve been wonderful to see that version of Yan here, creating an unhinged look at the art world that was experimental, spirited, and daring in the way that film was.
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