Ultimately, Skillhouse boils down to a bunch of stuff that just happens to characters we don't care about, who make choices that don't make sense for reasons that aren't well grounded, in a place that's poorly shot, in order to say things that have been better said elsewhere.

Ultimately, History of Evil lacks the teeth and the scares to be a truly effective horror movie, acting more as a mildly infuriating thriller.

Breathe is empty bluster and nothing more. It’s like a vacuum of where a movie should be, sucking all the air out of the room until nothing is left.

The Strangers: Chapter 2 is a true disaster, one of the worst horror films of the year, and it’s a damn shame this is what this franchise has come to.

With vaguely established threats and storylines, Megamind vs. The Doom Syndicate is the movie equivalent of meeting a friend you missed for many years only to realize that the encounter didn’t really need to happen.

The documentary doesn’t seem interested in expanding the conversation, and getting to the roots of modern society’s issues.

Me Time just goes through the motions of a wacky comedy without any of the actually funny components.

It can be said the film does indeed provide a full summary of Foreman’s recounting of the major events in his life where he comes out looking pretty great, but that hardly makes for a compelling work of cinema.

While Ridley gives her all to a more thoughtful and nuanced performance, The Marsh King's Daughter remains a film on a directionless journey to nowhere. Even with the commitment of its lead, it just gets lost in the woods before falling flat on its face.

All the emotional beats from start to finish are just completely unearned — it's as if every foundational aspect of a good horror story has been washed away, too.

With a lack of any undersea horror action, off-kilter characterization punctuated by poor acting, and a script that is taking itself way more seriously than it has any right to, there’s no enjoyment to be taken from this shameless attempt to capitalize on a lucrative IP.

The movie might be called Jackpot!, but no one is leaving this one a winner.

Sneaks is borderline unwatchable.

Who knows what Paws of Fury: The Legend of Hank could’ve been when it was originally envisioned over a decade ago, but what it ultimately became is a tiresome, tedious, and uninspired animated adaptation of a classic parody that doesn’t have any of the original’s comedic wit or bite.

What could've been a halfway decent dumb idea becomes a full-on nightmare of bad choices and terrible filmmaking.

This review isn’t to say Winner is a “good or bad” person or that her actions were “good or bad.” This review is to say that the movie about Winner and her case is bad.c

It is a slog of epic proportions that utterly wastes the talents of all involved. Completely lacking in cleverness and without any sense of direction, it is a cinematic drought of entertainment that only has any intrigue in how baffling an artifact it remains. It may not be the worst movie of the year, but it is certainly the most annoying.

Everything in Jeepers Creepers: Reborn is cringe-inducing to the point that even getting to the credits becomes a chore. And the fact the movie is taking itself seriously only makes everything more painful.