Collider's Scores

  • Movies
  • TV
Select another publication »
For 1,792 reviews, this publication has graded:
  • 58% higher than the average critic
  • 6% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 2.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 The Life and Death of Colonel Blimp (1945)
Lowest review score: 0 Jeepers Creepers: Reborn
Score distribution:
  1. Positive: 1,137 out of 1792
  2. Mixed: 540 out of 1792
  3. Negative: 115 out of 1792
1792 movie reviews
view
per page
  1. Eric Larue
    There are several interesting ideas and stories floating around Eric LaRue, but Shannon can’t seem to decide which ones to focus on. While there are some genuinely fantastic, inspired moments, they frustratingly never quite come together, leading to a baffling viewing experience. Hopefully, Greer will get another chance in the spotlight of a more worthy film.
  2. Damsel
    Rather than embracing the more nuanced themes, the film shies away from deeper introspection.
  3. Speak No Evil
    If you want to give the 2024 film as fair a shot as possible, go in without seeing the original. However, if you only want to devote your time to seeing one version of this story, it should be the original Speak No Evil. It's truly one of the darkest, meanest, and most devastating horror films out there
  4. Fuze
    Fuze has the bones of a great idea, and one that does seem like a great fit for Mackenzie, given his past work. But Hopkins’ script is too generic an action exercise, from its bland plot to its nothing characters, that it’s hard to find anything to truly care about.
  5. My Spy: The Eternal City
    My Spy: The Eternal City is an underwhelming action-comedy sequel that is best as a covert coming-of-age tale, but more frequently suffers as a grab-bag of tonality that abandons what helped My Spy succeed in the first place.
  6. V/H/S/Halloween
    V/H/S/Halloween is dark and demented, and is the funniest movie of this franchise. But if the V/H/S series just turned it down a notch and tried some different storytelling formats, the next one could be even better.
  7. Mufasa: The Lion King
    While better than its prior installment, Mufasa: The Lion King still feels like an unnecessary prequel to an unnecessary remake.
  8. Chicken Run: Dawn of the Nugget
    The style, tone, heart, and comedy of Aardman deserve better than Dawn of the Nugget’s formulaic story which doesn’t hold a candle to the original.
  9. Anemone
    While it’s certainly great that Daniel Day-Lewis is back in his element, and Ronan Day-Lewis can craft impressive, imposing imagery, Anemone is just too much empty space, waiting to be filled with something.
  10. A Minecraft Movie
    I do believe that there was a scenario where A Minecraft Movie could have been the next Lego Movie. That's clearly what Warner Bros. likely wanted out of this, but instead, we're left with a mostly disposable live-action family movie that will certainly please the young ones in the audience and will be tolerated by the parents.
  11. Lee
    Unlike the real-life woman, Lee settles on being ordinary when it could have been extraordinary.
  12. The Sweet East
    The Sweet East ends up saying quite a bit, though little leaves any real impression.
  13. The Seven Faces of Jane
    The Seven Faces of Jane is a curious experiment, but ultimately, a failed one.
  14. In the Blink of an Eye
    Stanton has done truly incredible, groundbreaking things in animation, and he’s almost certainly got a great live-action film in him, but In the Blink of an Eye makes one wonder if Stanton should go a bit smaller and work his way up to such grandiose concepts like this.
  15. Caddo Lake
    It's a suspenseful family drama that drowns in the location's surroundings, unable to capitalize on its Shyamalanian influences.
  16. Den of Thieves 2: Pantera
    Gudegast's film feels almost artificially programmed in its adherence to criminal caper tropes, unable to steal our hearts with the bromantic charms of cops and robbers with boundary issues.
  17. Dancing Village: The Curse Begins
    If you haven’t feasted on Indonesia’s bounty of recent horror releases, don’t start here. Dancing Village: The Curse Begins is like elevator music in comparison.
  18. See How They Run
    All in all, See How They Run is a derivative amalgamation of too much tribute and too little originality. Don’t get me wrong, it’s fun and the perfect film to bring your Nana to, but it's ultimately pretty forgettable.
  19. Terrifier 3
    The budget might have ballooned to ten times what Terrifier had, and the kills have gotten far more gruesome, yet Terrifier 3 is still the same mixed bag that this franchise has always been.
  20. Dìdi
    Ultimately, Dìdi's problem is that it is charming but aimless. Izaac Wang is perfectly cast as Chris, and he has amazing chemistry with this cast, but there just isn't enough to go off of. It feels like we're looking into a vignette of someone's life rather than taking in a fully realized story.
  21. Atlas
    It’s moderately entertaining thanks to its VFX but falls short on its performances and story as the overall idea exceeds the final product.
  22. Clown in a Cornfield
    Chaos ensues, dozens of better movies are ripped off, and despite a few fun kills, it leaves you feeling not very much of anything.
  23. Maria
    Pablo Larraín's Maria is a one-note exploration of another public figure that just makes the same points over and over again.
  24. Bad Behaviour
    Englert has talent, and there's ambition and chunks here that work in bits and pieces, but unfortunately, Bad Behaviour is too scattered and too unfocused to add up to much at all.
  25. AUM: The Cult at the End of the World
    With more time and focus, Aum could have been the next hit series bought by a streamer, but as it is now, it doesn't dig deep enough and leaves an incomplete narrative about this deadly cult.
  26. Slingshot
    Slingshot is more of a murky mystery where the big revelations don't hold up under scrutiny.
  27. The Last Breath
    The Last Breath is competent to a point, without ever exceeding — or even achieving — baseline aquatic horror standards.
  28. Fixed
    Fixed has the stylish hand-drawn animation that Genndy Tartakovsky is so well-known for, but the juvenile humor feels beneath a filmmaker of his stature.
  29. DC League of Super-Pets
    With a great voice cast, curious characters, and glimpses of an engaging art style, all the movie had to do to be great was rely more on the original things it brings to the DC universe. Instead, DC League of Super-Pets is satisfied being just another commonplace superhero tale.
  30. Consumed
    It’s a generic blend of human drama and otherworldly horrors. Consumed never makes the most of its Wendigo punctuations, whether hampered by budgetary limits or to-the-point scripting that overstays its welcome at nearly 90 minutes.
Page:

Top Trailers

See all »
See all trailers »