Collider's Scores

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For 1,792 reviews, this publication has graded:
  • 58% higher than the average critic
  • 6% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 2.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 The Life and Death of Colonel Blimp (1945)
Lowest review score: 0 Jeepers Creepers: Reborn
Score distribution:
  1. Positive: 1,137 out of 1792
  2. Mixed: 540 out of 1792
  3. Negative: 115 out of 1792
1792 movie reviews
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  1. The Housemaid
    When it's sexy, violent, or bonkers, it's a wildly enjoyable romp, and lead Sydney Sweeney kills it any time she's allowed to dial emotions up to 10 (as fans of Euphoria or Immaculate can attest to). Was it great? For the majority of its runtime, no. Would I watch the sequel it teases? Yes. Inside you are two wolves, and if they're watching The Housemaid in different parts, the one watching the ending is the happier wolf by far.
  2. White Noise
    Satire is one of the trickiest things to translate from page to screen and White Noise never really cuts as deep as it should because the communication of the jokes is so rushed — via DeLillo’s style that’s quicker to process on the page than it is to export to the screen.
  3. Suncoast
    Though Suncoast features wonderful performances, its clichés dim its impact.
  4. Brief History of a Family
    The ultimate ambiguity might be enough for some to praise Lin's work, but there's simply not enough to chew on by the end of the story for it to be a resounding success.
  5. Over Your Dead Body
    What starts as a more violent Mr. and Mrs. Smith takes an unexpectedly brutal turn, becoming borderline unamusing. Taccone pushes himself to try and break from his usual comic mold, but with Over You Dead Body, he ends up pushing too far.
  6. Borderlands
    Borderlands is a fun ride, but a bloated cast and breakneck pacing don’t allow it to reach its full potential.
  7. Hot Milk
    The sluggish pacing and lack of specific characterization make it feel longer than its hour-and-a-half runtime, though the strong performances and beautiful cinematography are just enough to keep it from ever becoming a total slog.
  8. Ashes
    It becomes apparent that the story is trying to do too much, with far too little time to do any of it well.
  9. Godzilla x Kong: The New Empire
    Godzilla x Kong is a vacuous de-evolution into monster-on-monster action but also arguably the best possible version of that transition. There’s no doubt that this is fairly moronic, but it still manages to be an improvement over what we’ve seen from the last two installments in this cinematic universe.
  10. Wildcat
    For as much care and passion that the Hawkes put into Wildcat, the film never knows what it wants to be or even what audience it wants to be speaking to.
  11. Anaconda
    Anaconda had the premise and bones to be something really special when it comes to meta remakes. It had a great cast and a surprising amount of heart, but that's simply not enough to save the movie's rough pacing and pointless subplots from the jaws of a giant snake who barely appears on the call sheet.
  12. Red One
    It’s constantly trying to build its own strange mythology to set up sequels that might never come, cracking jokes that rarely hit, and struggling to decide whether it wants to take itself seriously or be more self-aware about its general absurdity.
  13. Rosario
    If you haven't seen many demon possession movies, or on the opposite spectrum, if you can't get enough of them, Rosario is a decent 90-minute watch. It's not awful, it's not going to insult you, but it's a retread of better movies with every predictable plot point you can imagine.
  14. Flight Risk
    Some elements and moments are effective, but they're layered with subplot details, character performances, and related choices that don't work as well as intended, firmly grounding an otherwise promising concept.
  15. The Killer
    There is a good film in here that could be made more present if the story itself was punched up as much as the enemies are. This is unfortunate as every dynamic moment of deadly destruction is undercut by ones that are ultimately uneventful.
  16. The Teacher
    The Teacher is not what it sets out to be. It is too melodramatic, too bloated, and too messy to work.
  17. We Kill Them All
    Unfortunately, We Kill Them All doesn't know how to escalate its story beyond its initial premise, fumbling to make this concept work once it has been laid out. While the movie seems to that that less is more, the weaknesses of the film prove that isn't the case with this film.
  18. Off the Record
    Although Off the Record is well-intentioned, it misses more beats than not.
  19. A Widow's Game
    A Widow's Game sets out to be an intriguing portrayal of a high-profile case but doesn't really hit the mark.
  20. Sting
    Sting is a horror movie about a killer spider from outer space that somehow falls short of the fun potential of such a premise.
  21. I Get Knocked Down
    Chumbawamba was clearly a band that wanted to do great things and fell short of that goal, and similarly, I Get Knocked Down is a curious concept to explore, but gets bogged down in its apparent attempts to be weird for the sake of being weird.
  22. Samaritan
    The movie doesn’t stand out for its action scenes, has nothing new to say about the old good-versus-evil conflict at the center of any superhero story, and is incapable of giving its villains real purpose. Stallone is a strong man, but even he cannot carry the weight of an entire movie alone.
  23. We Have a Ghost
    Neither wacky enough to be a winning comedy nor clever enough to be a horror sendup, We Have a Ghost is a film that leaves little to grasp onto as it all just ends up slipping through your fingers.
  24. The Menu
    For all the promise of its main cast and sturdy thriller premise, The Menu is a work that seems destined to slip from your mind.
  25. Elvis
    While Luhrmann can do his best to recreate the glitzy, nonstop nature of Presley’s life, in those final moments, it’s easy to see that Elvis lacked the weight that this real footage captures. It’s that little bit of substance that reminds how hollow the previous hours of style have been.
  26. Boston Strangler
    It’s clear that Boston Strangler so desperately wanted to copy the recipe for Zodiac and bought all the same ingredients.
  27. Consecration
    Smith is still a competent director, and Consecration can boast some moments of brilliance sprinkled all over it. However, the messy script drags Consecration down, and fans still expecting a new Triangle will have to wait a little longer.
  28. Haunt Season
    It's trying to be a slasher movie so we ultimately have to judge it by those standards. And as a slasher, with its thin plot and flat killer, Haunt Season doesn't cut it.
  29. The Devil and the Daylong Brothers
    The Devil And The Daylong Brothers is brimming with potential. It's not afraid to take some risks, which is more than you can say for over half of the movies that get released every year. Its only setback is that it puts its style ahead of character development.
  30. Goodnight Mommy
    It is still a well-made film, with fantastic acting and a beautiful, modern house set out in the middle of nowhere, but it is not the shocker that it was when it was new. Knowing the twist, and the minor changes that were made for an American audience really soften the movie. If you enjoyed the original, the American remake would be perfect fodder for your parents.
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