Christian Science Monitor's Scores

  • Movies
  • TV
For 4,492 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 'Round Midnight
Lowest review score: 0 Couples Retreat
Score distribution:
4492 movie reviews
  1. The result is hardly a subtle film, but it has a stronger sense of combat's real costs and consequences than more sensationalistic pictures like "Black Hawk Down" and "We Were Soldiers" provide.
  2. If lush landscapes and exotic wildlife are what you're after, this isn't the safari for you. But many moviegoers will respond to its mixture of family drama and Holocaust-era history.
  3. The story of Laurel Canyon doesn't ultimately live up to the technical polish Cholodenko brings to it, but it's worth a visit if you want to check out the latest emotional vibes emanating from the Hollywood Hills.
  4. The movie's real spectacle is the sight of so many talented people slogging through such idiotic material.
  5. Noe's despairing view of human nature is as thoughtful as it is grim, limning the most appalling aspects of earthly experience in terms recalling Dante and Bosh, among other apocalyptic artists.
  6. Ten
    Iran's greatest filmmaker is fond of stripping personalities bare through conversations they have while riding in cars. Here he pushes his favorite dramatic device to its limit.
  7. The movie should fascinate anyone interested in politics, publishing, and the uneasy marriage between big money and mass communication.
  8. Solid acting and engaging characters round out the neatly assembled tale.
  9. Three brief comedies filmed in English for a German television series. The most thoughtful is Seidelman's contribution, The Dutch Master."
  10. It gains a major charge of dramatic energy from Kurt Russell's ferocious acting, almost certainly the best of his career.
  11. Petroni's directorial debut is too bittersweet and atmospheric for its own good, wrapping a potentially strong story in too many layers of misty emotion.
  12. More concerned with quickening our pulses than broadening our minds.
  13. At 225 minutes long, it feels like a trilogy in itself. That wouldn't be a problem if it had energy and imagination, but those qualities are missing, as is any sense of historical or philosophical context.
  14. Akerman is among the most imaginative filmmakers in her native Belgium or anywhere else, but here she doesn't get very far beneath the surface of her subject.
  15. There are lots of lively tunes in an excellent cause, but in the end you wish you'd either probed more deeply into historical events or heard more uninterrupted minutes of inspired performing.
  16. This low-budget drama tries very hard to convey messages of tolerance and compassion, but it's too weakly acted and directed to have much impact.
  17. The main characters are unremarkable, and most of the acting is dull.
  18. Take a chance on Gerry. It's only a movie, and you'll get out alive no matter what happens on the screen. You might even find you've had a rare adventure.
  19. While this isn't a masterpiece on the level of his great "Chunhyang," it packs a sophisticated cinematic punch.
  20. Movie-style romance may never look quite the same. Neither will flower petals.
  21. The film is a disappointment, and at more than two hours' running time, a very long disappointment.
  22. The drama makes up in intellectual weight what it sometimes lacks in psychological interest and cinematic realism.
  23. The characters of this Dutch comedy aren't very interesting or original, but it has a stylish look and spirited performances.
  24. The kind of comedy that aims at "edginess" and "sassiness" without managing to be edgy or sassy for a second.
  25. This is a sad and funny true-life tale that speaks volumes about the difficulties of independent filmmaking.
  26. The first half packs some clever surprises, but eventually you'll wish you'd signed up with another movie.
  27. The drama's elegant structure, which takes you through a series of surprises so smoothly and logically that it might be over before you realize you've seen one of the new year's most intriguing, intelligent movies.
  28. In the Mirror of Maya Deren, creatively written and directed by Martina Kudlacek, is an eloquent memorial to her unique accomplishments -- and an excellent introduction for those who have yet to discover them.
  29. Junge's testimony is a salutary reminder that Hitler was like other people in ways, and that the evil he manifested could visit us again if more civilized humans don't remain watchful.
  30. It's regrettable that director Costa-Gavras puts more of his storytelling energy into simplistic psychology and suspense-movie action than historical depth and philosophical insight. This prevents Amen. from becoming a Holocaust drama for the ages.

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