Christian Science Monitor's Scores

  • Movies
  • TV
For 4,492 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 'Round Midnight
Lowest review score: 0 Couples Retreat
Score distribution:
4492 movie reviews
  1. The bad thing about A Guy Thing isn't the talent of its stars but the warmed-over triteness of the material they're forced to work with.
  2. Hop away from this one fast!
  3. Divine Intervention is the "Dr. Strangelove" of the Palestinian-Israeli conflict, bringing barely acknowledged fears to the surface so they can be understood.
  4. In its cinematic approach, though, the film is as slick as any Hollywood thriller, directed by Fernando Meirelles with visual flourishes - jazzy editing, lurid colors, crackling sound effects - that dilute the impact of what might have been an indelible cautionary tale.
  5. It's a troubling, courageous, compulsively watchable work of art.
  6. A glistening gem among caper movies, this impeccably elegant jewel-heist drama takes its title from Buddhist lore, its cast from France's great gallery of leading men, and its style from the unique blend of cinematic savoir-faire and brooding existential angst.
  7. It combines a fresh and exciting style with stunning performances and that rarity in current film, a deeply humanistic story.
  8. This well-acted melodrama paints a convincing portrait of its Montana milieu, and its best scenes suggest real insights into the paradoxical attitudes toward masculinity and sexuality that American men often feel compelled to assume.
  9. Clooney shows strong filmmaking imagination in his directorial debut, but the movie's driving force is Charlie Kaufman's screenplay, a genre-bending romp that blurs all boundaries between the factual and the fantastical.
  10. Hoffman's acting is poignant and compassionate, etching a profoundly sad character with no trace of compromise, and Bates gives one of her most controlled performances ever.
  11. The trouble with Chicago is the sense it conveys that nothing is really at stake -- there's no moral or ethical question that can't be turned into toe-tapping fun.
  12. Has a sense of emotional urgency and deep-dwelling grief.
  13. Max
    Reveals a key aspect of fascism's cynical use of art and architecture to mesmerize a weak and vulnerable society.
  14. It's an uneven film, but Dickens admirers shouldn't miss it.
  15. Kidman, Moore, and Streep do some of their best work, backed by a first-rank supporting cast.
  16. Spielberg's directing is a tad less tricky than usual, but he doesn't have much talent for psychological suspense, which is the heart of the story. DiCaprio underplays nicely and Walken is superb as the con artist's downtrodden dad.
  17. Lively characters, snappy dialogue, and snazzy visuals make this an uncommonly fine animation.
  18. Morton acts up a storm, and Ramsay continues her rise as England's hottest young female filmmaker.
  19. Bullock is cute. Grant is even cuter. They have the timing and panache of a first-rate comedy team.
  20. The movie is designed to show off Liotta's acting skills, but pointless mayhem and sheer nastiness crowd out any virtues it might have had.
  21. The movie is strong in sound and fury, weak in nuance and insight.
  22. Arguably the subtlest, most carefully textured film of Cronenberg's career.
  23. Although it's touching and sincere, Washington's directorial debut is weakened by a too-slow pace and a story that offers few real surprises.
  24. The movie is flawed by implausible psychology and moments of weak acting. But it's more than redeemed by Lee's passionate ideas about America today.
  25. Most moviegoers will leave buzzing about the climactic Battle of Helm's Deep. But in my eyes, this is Gollum's show more than anyone else's, even the special-effects wizards behind the scenes.
  26. This drama has won an armload of international prizes, including multiple honors in Spain's equivalent of the Oscar race, marking Mañas as a director with a bright future.
  27. A very well-meaning movie, and it will stand in future years as an eloquent memorial to the World Trade Center tragedy.
  28. A pleasant experience, if not the dazzling entertainment Lopez fans were hoping for.
  29. The facts of this true-life story are highly dramatic, and they'd have much more power without the sappy sentimentality Beresford needlessly adds to the movie.
  30. Nicholson makes the movie so poignant that it's hard to resist, but I wonder if Payne and Taylor are rejecting the skeptical attitudes of their other films to become more popular, hoping a softer emotional tone will help this picture win the Oscars that have eluded their more tough-minded works.

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