Christian Science Monitor's Scores

  • Movies
  • TV
For 4,492 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 'Round Midnight
Lowest review score: 0 Couples Retreat
Score distribution:
4492 movie reviews
  1. Bardem is brilliant.
  2. Superbly acted.
  3. It's an ideal match, and Eastwood deserves accolades as both director and star of this powerfully made picture.
  4. Forgettable fun.
  5. Isn't just a double whammy, it's a whammy squared - a goofy, stylish heist movie that'll steal moviegoers from other pictures.
  6. The director of "Rushmore" and "The Royal Tenenbaums" scores his most funny-sad movie to date.
  7. As a nonagenarian, de Oliveira is the world's oldest working filmmaker, and still one of the best. This is a lovely, lively, timely treat for the eyes and mind.
  8. Quite restrained for what's basically a horror movie, and very well acted.
  9. A stirring documentary, and would be more so if it focused more on social problems than on Briski's own work.
  10. It's too emotionally honest and psychologically dense for its own good. It's a movie that demands more than one viewing to absorb all its ideas and feelings.
  11. It's great, fantastical fun.
  12. The story meanders, but the subject is timely and important.
  13. Intimate and engaging.
  14. Gripping, suspenseful, and spiced with fascinating information about the long history of chess between human and mechanical opponents.
  15. Longer than necessary, that is, for the story it has to tell. This flaw aside, the drama is well crafted and sometimes touching, with especially forceful opening scenes.
  16. A must-see account that casts a harshly illuminating light on a key period of recent American history.
  17. It's astounding that the ingenious creator of "JFK" and "Wall Street" could make an epic on war and empire that's so utterly simplistic and unreflective.
  18. Its main message is that everyone should believe and behave in exactly the same way. Groupthink wins again!
  19. Visually sublime and intellectually dense, this is one of the extremely rare movies that prove cinema can be as complex and profound as the very greatest art works in any form.
  20. Tries to be a new "Something Wild"; ends up being tamer than tame.
  21. Too bad the clever bits are swamped by no-brainer gunfights, rescues, and chases galore.
  22. The delights of the movie lie in its zany characters, its goofy settings, and above all its surrealistic visual style.
  23. Spain's most important living filmmaker isn't at his very best in this complicated tale, but it raises still-timely questions well worth pondering.
  24. It's inexplicable that Wong's early masterpiece has been virtually absent from American screens since he completed it in 1991.
  25. This indirect rehash of "To Catch a Thief" trades Hitchcockian shrewdness for the slickest kinds of Hollywood glitz, gloss, and vulgarity.
  26. Forster keeps the picture as a whole in perfect tune with Depp's approach.
  27. The movie catches occasional fire when Bridget suddenly says what's really on her mind. The rest is silliness.
  28. The movie's style is fairly staid, but it's hard to imagine how Neeson could be better, and the subject is handled with taste and tact.
  29. Splendidly acted and directed.
  30. Santa Claus's bag couldn't hold as many clichés as the screenplay dishes out.

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