Christian Science Monitor's Scores

  • Movies
  • TV
For 4,492 reviews, this publication has graded:
  • 55% higher than the average critic
  • 2% same as the average critic
  • 43% lower than the average critic
On average, this publication grades 2.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 67
Highest review score: 100 'Round Midnight
Lowest review score: 0 Couples Retreat
Score distribution:
4492 movie reviews
  1. There's a new visual idea every second, each teeming with energy, pitch-dark comedy, and inspired cinematic lunacy.
  2. Stylishly made, if less intellectually resonant than first-rate Mann films like "Ali" and "The Insider."
  3. A spicy critique of tabloid TV is buried in romantic-comedy material that strains too hard for cuteness. Ditto for Murphy's acting.
  4. The story suggests a more violent "Seven Samurai," full of jungle mayhem and eloquently filmed action-movie suspense.
  5. Not always compellingly made, but intelligent and perhaps prophetic.
  6. Moody, atmospheric, and bewitching, like other first-rate examples of modern Thai cinema.
  7. Worth a dozen "Blair Witch Projects," with much more harrowing psychology and pithy dialogue. It's a bone-chilling plunge into no-holds-barred storytelling.
  8. The story is so eager to highlight macho action scenes that it loses track of the important historical and political issues it raises.
  9. This is an op-ed polemic, and it's refreshing to see one so skillfully produced by filmmakers with a shoestring budget and meager access to mainstream distribution. A must-see movie, no matter what your politics are.
  10. Denzel Washington is stellar, and so is Tak Fujimoto's cinematography, which is as edgy and antsy as the story it tells.
  11. The action is snappy and quick, but why does this youth-targeted adventure pit white male heroes against a trio of villains comprising a black man, an Asian man, and an ugly woman?
  12. Shyamalan remains a stilted screenwriter, but Roger Deakins's cinematography is spooky, creepy, eerie all the way.
  13. Full of bright colors, offbeat people, tuneful sounds.
  14. The multicultural cast gives a shred of substance to what's otherwise a standard adolescent gross-out flick.
  15. Leconte justifies his vaunted reputation by lending freshness and feeling to what could have been a gimmicky tragicomedy.
  16. Dull despite its suspense-driven story.
  17. Acted as a drama, paced like a ritual, filmed as a slice of rural Iranian life.
  18. Braff makes a striking directorial debut while leading a superb ensemble cast.
  19. Smart, funny, stimulating.
  20. This intensely topical satire tackles a wide range of important issues, from corporate whistle-blowing to the toll sexual license takes on stable family structures.
  21. Stylishly directed and smartly acted, especially by the filmmaker-star, who gives one of his best performances as the unerring swordsman.
  22. This time it's just chasing, fistfighting, and shooting. A disappointment from the director of "Bloody Sunday."
  23. Cartoonish effects and overacting make this more corn than catnip.
  24. At its best, A Home at the End of the World has great emotional strength. But it's not the towering achievement it might have been if Cunningham had stayed truer to his original inspiration.
  25. The parallel stories don't always dovetail with each other smoothly, but the acting is strong and the atmosphere is powerful.
  26. Thoughtful, exciting, moving.
  27. Ingenious, eye-opening documentary.
  28. The director's cut of this 2001 cult fantasy is a deliriously subtle exploration of storytelling possibilities, and a deliciously wry teen-pic to boot. Brilliant.
  29. Even the delightful Duff disappoints.
  30. Less ambitious than "Blade Runner" but more coherent than "Artificial Intelligence: A.I.," which it vaguely resembles, I, Robot is best during homely moments when Smith shows his human side.

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