For 7,613 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,116 out of 7613
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Mixed: 1,475 out of 7613
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Negative: 1,022 out of 7613
7613
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Mark Caro
An overblown clunker full of bad jokes, howling cliches and by-the-numbers action sequences.- Chicago Tribune
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Reviewed by
Loren King
Despite the deftness with which Bigelow handles the transitions, the modern story never attains the intrigue and tension of the period tale.- Chicago Tribune
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Reviewed by
Mark Caro
Revives the art of smart, scathing movie conversation as it skewers Manhattan's singles scene while providing a goodly number of laughs. Like its subject, the movie may have its prickly moments, but it's awfully fun to watch.- Chicago Tribune
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Reviewed by
Mark Caro
Its jokes aren't funny. Its sloppy direction comes courtesy of Jordan Brady, who made "The Third Wheel," another reportedly failed comedy gathering cobwebs at Miramax.- Chicago Tribune
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Reviewed by
Mark Caro
Demme gets a lot of flavor and spice into his "Charade" remake, but he can't disguise that he's spiffing up leftovers that aren't so substantial or fresh.- Chicago Tribune
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Reviewed by
Michael Wilmington
The film seems a mad mix of staid PBS bio-drama, flamboyant musical comedy and surreal cartoon nightmare.- Chicago Tribune
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- Critic Score
Like the film itself, Jim Doyle is smart enough to be engaging and lovely to look at, but he's too one-dimensional to be satisfying.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's good, hard-edged stuff, violent and a bit exploitative but also nicely done, morally alert and street-smart.- Chicago Tribune
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Reviewed by
Michael Wilmington
The acting in All or Nothing is superb. Everyone creates a character we can immediately register and recognize as true.- Chicago Tribune
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Loren King
The British intelligence operation at Bletchley Park that cracked the Enigma code is truly the stuff of great drama. But that story doesn't offer Matt LeBlanc in a wig and heels.- Chicago Tribune
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Loren King
An adequate horror movie for the Halloween season, but it too easily sinks into haunted-house-film conventions, even if the haunted house is decked out as an Italian luxury liner.- Chicago Tribune
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Michael Wilmington
The film has many strengths, but one of its major assets is its solid sight line. Though we might expect it to go sentimental - with its cute cat, torn families and sympathetic, pretty protagonists - it doesn't.- Chicago Tribune
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Reviewed by
Allison Benedikt
De Broca never develops the transforming love onscreen and ends up with an awkward and indigestible movie.- Chicago Tribune
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Reviewed by
Mark Caro
The biggest surprise may be what the filmmaker doesn't show; he withholds a big dramatic payoff, so the audience must fill in the blanks.- Chicago Tribune
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Reviewed by
Michael Wilmington
There are better holocaust dramas than Grey Zone -- "Schindler's List" for one, and due later this year, Roman Polanski's magnificent "The Pianist." But few will disturb you like The Grey Zone -- mostly because it won't try for tears.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's a warmly realistic comedy-drama that pulls you right into its lively, well-drawn L.A. milieu.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's a movie that puts Samuel Jackson in kilts, Robert Carlyle in a red Jaguar, and the audience -- if they have any sense at all -- out in the lobby, looking for another picture.- Chicago Tribune
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Reviewed by
Patrick Z. McGavin
The film is a disturbing and frighteningly evocative assembly of imagery and hypnotic music.- Chicago Tribune
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Reviewed by
Michael Wilmington
Skates over depravity when, like Crane, it should have dug down deeper.- Chicago Tribune
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Reviewed by
Robert K. Elder
Ends up a few frames short of the perfect horror film, but very few.- Chicago Tribune
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Reviewed by
John Petrakis
This is the debut feature for Columbia College graduate Gilio, and it shows great promise.- Chicago Tribune
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Mark Caro
Some of its parts are nifty, but the sum of these parts is nothing.- Chicago Tribune
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Reviewed by
Michael Wilmington
Moore's best movie, and one of the most blisteringly effective polemics and documentaries ever.- Chicago Tribune
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Reviewed by
Michael Wilmington
This is one of those films that encapsulate most of its maker's key thoughts and feelings while also connecting us vividly to a fascinating past. No one who loves French film (or movies in general) should miss it.- Chicago Tribune
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Allan Johnson
A film that comes close to re-creating the funny-but-serious environment of stand-up comedy.- Chicago Tribune
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Reviewed by
Michael Wilmington
One hopes that this is Hollywood's last go-round with Swept Away. Watching this fiasco, I kept having nightmares about a possible cartoon version, co-starring Cruella de Vil and Shrek.- Chicago Tribune
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Reviewed by
Michael Wilmington
The whole film, in fact, seems too fast for its own good. It plays like a synopsis, jumping from scene to scene, grief to grief, and it doesn't let us relax into the various worlds it's creating.- Chicago Tribune
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Reviewed by
Michael Wilmington
An Adam Sandler movie with class, and if that sounds like an oxymoron, so be it. The movie is a happy nightmare of silly-smart movie comedy that defies category - and challenges expectations involving Sandler and his pictures.- Chicago Tribune
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Reviewed by
Loren King
There's nothing original about the father-son conflict that forms the core of the film, nor is there enough suspense and drama.- Chicago Tribune
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Reviewed by
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- Chicago Tribune
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