For 7,599 reviews, this publication has graded:
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62% higher than the average critic
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2% same as the average critic
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36% lower than the average critic
On average, this publication grades 1.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
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Positive: 5,104 out of 7599
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Mixed: 1,473 out of 7599
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Negative: 1,022 out of 7599
7599
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Michael Wilmington
The film has many strengths, but one of its major assets is its solid sight line. Though we might expect it to go sentimental - with its cute cat, torn families and sympathetic, pretty protagonists - it doesn't.- Chicago Tribune
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Reviewed by
Allison Benedikt
De Broca never develops the transforming love onscreen and ends up with an awkward and indigestible movie.- Chicago Tribune
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Reviewed by
Mark Caro
The biggest surprise may be what the filmmaker doesn't show; he withholds a big dramatic payoff, so the audience must fill in the blanks.- Chicago Tribune
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Reviewed by
Michael Wilmington
There are better holocaust dramas than Grey Zone -- "Schindler's List" for one, and due later this year, Roman Polanski's magnificent "The Pianist." But few will disturb you like The Grey Zone -- mostly because it won't try for tears.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's a warmly realistic comedy-drama that pulls you right into its lively, well-drawn L.A. milieu.- Chicago Tribune
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Reviewed by
Michael Wilmington
It's a movie that puts Samuel Jackson in kilts, Robert Carlyle in a red Jaguar, and the audience -- if they have any sense at all -- out in the lobby, looking for another picture.- Chicago Tribune
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Reviewed by
Patrick Z. McGavin
The film is a disturbing and frighteningly evocative assembly of imagery and hypnotic music.- Chicago Tribune
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Reviewed by
Michael Wilmington
Skates over depravity when, like Crane, it should have dug down deeper.- Chicago Tribune
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Reviewed by
Robert K. Elder
Ends up a few frames short of the perfect horror film, but very few.- Chicago Tribune
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John Petrakis
This is the debut feature for Columbia College graduate Gilio, and it shows great promise.- Chicago Tribune
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Mark Caro
Some of its parts are nifty, but the sum of these parts is nothing.- Chicago Tribune
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Reviewed by
Michael Wilmington
Moore's best movie, and one of the most blisteringly effective polemics and documentaries ever.- Chicago Tribune
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Reviewed by
Michael Wilmington
This is one of those films that encapsulate most of its maker's key thoughts and feelings while also connecting us vividly to a fascinating past. No one who loves French film (or movies in general) should miss it.- Chicago Tribune
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Allan Johnson
A film that comes close to re-creating the funny-but-serious environment of stand-up comedy.- Chicago Tribune
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Reviewed by
Michael Wilmington
One hopes that this is Hollywood's last go-round with Swept Away. Watching this fiasco, I kept having nightmares about a possible cartoon version, co-starring Cruella de Vil and Shrek.- Chicago Tribune
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Reviewed by
Michael Wilmington
The whole film, in fact, seems too fast for its own good. It plays like a synopsis, jumping from scene to scene, grief to grief, and it doesn't let us relax into the various worlds it's creating.- Chicago Tribune
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Reviewed by
Michael Wilmington
An Adam Sandler movie with class, and if that sounds like an oxymoron, so be it. The movie is a happy nightmare of silly-smart movie comedy that defies category - and challenges expectations involving Sandler and his pictures.- Chicago Tribune
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Loren King
There's nothing original about the father-son conflict that forms the core of the film, nor is there enough suspense and drama.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Robert K. Elder
Ambitious, yes. Does it work? Not really. While it's genuinely cool to hear characters talk about early rap records (Sugar Hill Gang, etc.), the constant referencing of hip-hop arcana can alienate even the savviest audiences.- Chicago Tribune
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- Chicago Tribune
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Reviewed by
Robert K. Elder
Muddles through as a film so uninterested in character, it doesn't bother assigning names to them.- Chicago Tribune
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Reviewed by
Robert K. Elder
Although bright, well-acted and thought-provoking, Tuck Everlasting suffers from a laconic pace and a lack of traditional action.- Chicago Tribune
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Reviewed by
Mark Caro
Even at a mere 82 minutes, the movie is guilty of killing time. It's not a complete Kaputschnik, but it's sure no Bellini.- Chicago Tribune
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Michael Wilmington
The result is both engrossing and moving, a poem about a love that breaks barriers and passes understanding.- Chicago Tribune
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Mark Caro
Jonah may resemble an 83-minute Sunday school lesson, but at least it's a playful, colorful one, with spunky peas and tomatoes, chirpy kids' tune-- and bright animation that may not rival "Monsters, Inc." or "Shrek" but gets its points across.- Chicago Tribune
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Mark Caro
By re-imagining a pivotal, terrible 24 hours, Greengrass has made a must-see film that is timely - and timeless.- Chicago Tribune
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Reviewed by
Michael Wilmington
Red Dragon is very much a product, and a superior one, of our times. So is Anthony Hopkins' top-notch fiend, the bad doctor.- Chicago Tribune
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Reviewed by
Michael Wilmington
At least Reno is around -- and he's the only spice in this stale, slick stew- Chicago Tribune
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Reviewed by
Michael Wilmington
Dark as it is, the humor makes it work, especially Greene's typically witty and compassionate portrayal of Mogie.- Chicago Tribune
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