For 7,613 reviews, this publication has graded:
-
62% higher than the average critic
-
2% same as the average critic
-
36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics.
(0-100 point scale)
Average Movie review score: 66
| Highest review score: | Autumn Tale | |
|---|---|---|
| Lowest review score: | Car 54, Where Are You? |
Score distribution:
-
Positive: 5,116 out of 7613
-
Mixed: 1,475 out of 7613
-
Negative: 1,022 out of 7613
7613
movie
reviews
- By Date
- By Critic Score
-
-
Reviewed by
John Petrakis
Just Married is what industry people refer to as "January Junk," cinematic flotsam that gets tossed ashore once they have cleared the shelves of Oscar contenders.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert K. Elder
While sci-fi conceits still permeate the plot (alien DNA, rogue scientists), attention to personal detail float world-weary, superbly-drawn protagonists in a rare movie-a character-driven animated film.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Caro
Reflects the sensibilities of its director, whose comedic performances in particular have indicated a game spirit and droll sense of humor.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Louiso has a confident touch and a good eye, and there isn't a scene in the film that wasn't intelligently done. Besides Hoffman's near-great performance as Joel, there isn't a bad or mediocre acting job on view either.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Zeta-Jones can belt out her numbers, Zellweger can purr hers, and Gere-a musician who played his own cornet solos in "The Cotton Club"-can sell his songs and even dance a spiffy little tap dance. They're better than you'd expect-and so is the movie.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
A great movie on a powerful, essential subject -- the Holocaust years in Poland -- directed with such artistry and skill that, as we watch, the barriers of the screen seem to melt away.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
A flawed film but an admirable one that tries to immerse us in a world of artistic abandon and political madness and very nearly succeeds.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Caro
Cunningham's and Woolf's novels are dedicated to capturing a person's essence through the events of a single day, and Daldry's film is faithful to that aim. But the range of life presented here feels constricted; the movie misses the sublime for all of the despair.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert K. Elder
McGrath's version of Nicholas Nickleby cashes in on age-old show biz wisdom of "always leave 'em wanting more." It's a pity we're only allowed such a small nibble of one of Dickens' richest works.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Brilliant performances by DiCaprio as Frank Jr. and Christopher Walken as his fallen father - and an enjoyable one by Tom Hanks.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
What gives the movie real flesh and fantasy is the actress playing this part, the incandescent Morton.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Caro
Lead actors seeming like they're taking it easy is one thing. But a filmmaker trying to construct a smart romantic comedy actually must do some work.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Caro
With such skilled filmmaking and committed acting on display, Narc is far more a score than a bust.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
A magnificent throwback to an almost vanished era of epic filmmaking by great filmmakers in thrall to their own passions, rather than to the studio bookkeepers.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
A shocker for devotees of stylish angst and psychological torment. You'll have to watch it with patience and great attention, but it richly rewards that patience.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Loren King
With braces on her teeth and preteen gawkiness, Eliza's a nerdy girl on the surface, but her backbone and chutzpah manage to save human and animal family alike. Move over Bond; this girl deserves a sequel.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Caro
Washington, typically, is rock-solid in front of the camera, conveying ample warmth and sympathy. Behind the camera, he's a relatively straightforward storyteller, strategic in his use of lyrical touches.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
25th Hour struck me as one of the best movies of 2002, but it's also a film that will strike some of its audience as ethically dubious or threatening.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Moviegoers should be almost as entranced by the teeming, glorious landscapes and dark, bloody battlegrounds of Two Towers: astonishing midpoint of an epic movie fantasy journey for the ages.- Chicago Tribune
- Read full review
-
Reviewed by
-
- Chicago Tribune
- Read full review
-
-
Reviewed by
Mark Caro
The comedy part of the equation is awfully mild, however. This is a movie that aims for warm smiles rather than belly laughs.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
The first half hour of Hot Chick, before the switch, plays like soft-core porno from the '60s. The rest plays like a bad "Saturday Night Live" sketch stretched to the breaking point.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
If the real-life story is genuinely inspirational, the movie stirs us as well.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
This is a superb film and one of Nicholson's great performances, tamped down but magnetic.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Mark Caro
That it's got a positive message may strike some as decidedly not "edgy" -- but they should be too busy stomping their feet to notice.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
This is a better movie than the vacuous "Insurrection," thanks largely to a sympathetic screenwriter, longtime "Trek" fanatic John Logan ("Gladiator"), and a crew (headed by Patrick Stewart's Capt. Jean-Luc Picard and Brent Spiner's android Data) determined to go out in glory.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Loren King
Mix of stylish action and meta-musings, provides plenty of confusing, satisfying surprises, though it could have used more tightness and punch.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Robert K. Elder
Despite an abrupt ending, Mana gives us compelling, damaged characters who we want to help -- or hurt. Perhaps most important, El Bola forces us examine our personal motivations for each impulse and their consequences.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
Turns out to be a Hollywood sequel of surpassing silliness and wasted talent.- Chicago Tribune
- Read full review
-
Reviewed by
-
-
Reviewed by
Michael Wilmington
There's only one proper Hollywood ending to this story. Next year, Charlie and the surreal "Donald" Kaufman (listed as co-writers in the playful credits) should win twin Oscars for best adapted screenplay. They've earned it -- really.- Chicago Tribune
- Read full review
-
Reviewed by