Chicago Tribune's Scores

For 7,613 reviews, this publication has graded:
  • 62% higher than the average critic
  • 2% same as the average critic
  • 36% lower than the average critic
On average, this publication grades 1.4 points higher than other critics. (0-100 point scale)
Average Movie review score: 66
Highest review score: 100 Autumn Tale
Lowest review score: 0 Car 54, Where Are You?
Score distribution:
7613 movie reviews
  1. Just Married is what industry people refer to as "January Junk," cinematic flotsam that gets tossed ashore once they have cleared the shelves of Oscar contenders.
  2. While sci-fi conceits still permeate the plot (alien DNA, rogue scientists), attention to personal detail float world-weary, superbly-drawn protagonists in a rare movie-a character-driven animated film.
  3. Reflects the sensibilities of its director, whose comedic performances in particular have indicated a game spirit and droll sense of humor.
  4. Louiso has a confident touch and a good eye, and there isn't a scene in the film that wasn't intelligently done. Besides Hoffman's near-great performance as Joel, there isn't a bad or mediocre acting job on view either.
  5. Zeta-Jones can belt out her numbers, Zellweger can purr hers, and Gere-a musician who played his own cornet solos in "The Cotton Club"-can sell his songs and even dance a spiffy little tap dance. They're better than you'd expect-and so is the movie.
  6. A great movie on a powerful, essential subject -- the Holocaust years in Poland -- directed with such artistry and skill that, as we watch, the barriers of the screen seem to melt away.
  7. Max
    A flawed film but an admirable one that tries to immerse us in a world of artistic abandon and political madness and very nearly succeeds.
  8. Cunningham's and Woolf's novels are dedicated to capturing a person's essence through the events of a single day, and Daldry's film is faithful to that aim. But the range of life presented here feels constricted; the movie misses the sublime for all of the despair.
  9. McGrath's version of Nicholas Nickleby cashes in on age-old show biz wisdom of "always leave 'em wanting more." It's a pity we're only allowed such a small nibble of one of Dickens' richest works.
  10. Brilliant performances by DiCaprio as Frank Jr. and Christopher Walken as his fallen father - and an enjoyable one by Tom Hanks.
  11. What gives the movie real flesh and fantasy is the actress playing this part, the incandescent Morton.
  12. Lead actors seeming like they're taking it easy is one thing. But a filmmaker trying to construct a smart romantic comedy actually must do some work.
  13. With such skilled filmmaking and committed acting on display, Narc is far more a score than a bust.
  14. A magnificent throwback to an almost vanished era of epic filmmaking by great filmmakers in thrall to their own passions, rather than to the studio bookkeepers.
  15. A shocker for devotees of stylish angst and psychological torment. You'll have to watch it with patience and great attention, but it richly rewards that patience.
  16. With braces on her teeth and preteen gawkiness, Eliza's a nerdy girl on the surface, but her backbone and chutzpah manage to save human and animal family alike. Move over Bond; this girl deserves a sequel.
  17. Washington, typically, is rock-solid in front of the camera, conveying ample warmth and sympathy. Behind the camera, he's a relatively straightforward storyteller, strategic in his use of lyrical touches.
  18. 25th Hour struck me as one of the best movies of 2002, but it's also a film that will strike some of its audience as ethically dubious or threatening.
  19. Moviegoers should be almost as entranced by the teeming, glorious landscapes and dark, bloody battlegrounds of Two Towers: astonishing midpoint of an epic movie fantasy journey for the ages.
  20. A simple, eloquent drama.
  21. The comedy part of the equation is awfully mild, however. This is a movie that aims for warm smiles rather than belly laughs.
  22. The first half hour of Hot Chick, before the switch, plays like soft-core porno from the '60s. The rest plays like a bad "Saturday Night Live" sketch stretched to the breaking point.
  23. If the real-life story is genuinely inspirational, the movie stirs us as well.
  24. This is a superb film and one of Nicholson's great performances, tamped down but magnetic.
  25. That it's got a positive message may strike some as decidedly not "edgy" -- but they should be too busy stomping their feet to notice.
  26. This is a better movie than the vacuous "Insurrection," thanks largely to a sympathetic screenwriter, longtime "Trek" fanatic John Logan ("Gladiator"), and a crew (headed by Patrick Stewart's Capt. Jean-Luc Picard and Brent Spiner's android Data) determined to go out in glory.
  27. Mix of stylish action and meta-musings, provides plenty of confusing, satisfying surprises, though it could have used more tightness and punch.
  28. Despite an abrupt ending, Mana gives us compelling, damaged characters who we want to help -- or hurt. Perhaps most important, El Bola forces us examine our personal motivations for each impulse and their consequences.
  29. Turns out to be a Hollywood sequel of surpassing silliness and wasted talent.
  30. There's only one proper Hollywood ending to this story. Next year, Charlie and the surreal "Donald" Kaufman (listed as co-writers in the playful credits) should win twin Oscars for best adapted screenplay. They've earned it -- really.

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